Song Chengda, Tao Yuanming, Wang Wei, Meng Haoran, Chen Ziang s idyll

Chen Ziang is sick at home.

There is no name in the world, and the years in the world are credit.

The vertical and horizontal strategy has been abandoned, and the lonely road is home.

Who can ask, who can ask, idle and empty.

I still remember the soul of the Taiwanese friends, and the real hidden Taixia.

also Dan ran to the sun, but the old bait cloud buds.

Ning Zhibai Sheke, not tired of green melons.

Nanshan's home garden and trees are intertwined, in the middle of summer, in May, it is quiet and cool, sitting alone, thinking far away, becoming ten rhymes, lonely and guarding the cold lane, and lying alone in the empty forest.

The pine and bamboo are white and white, and the terraces are ancient and modern.

In the hot summer evening, Dong Yu is clear and yin.

The windows are purple and haze, and the eaves are on the cangcen.

Fengyun Immortal Basket, Luan Song Su Nuqin.

Forget about the machine and the people, and close the heart of heaven.

Butterflies pity red medicine, dragonflies love Bixun.

Sit and watch all things change, and you can see a hundred years of invasion.

Where will the disturbance stop, Qingqing will groan bitterly.

I am willing to follow the white clouds, and the dragons and cranes will look for each other.

The poetry of the early Tang Dynasty, following the Yu Xi of the Six Dynasties, was delicate and delicate, and Chen Ziang stepped forward to try to reverse this tendency. Chen Ziang's poetry, with its progressive and substantial ideological content, simple and robust language style, had a great influence on the poetry of the entire Tang Dynasty. In the famous "Preface to the Bamboo Cultivation", Chen Ziang once put forward a positive proposition of poetry innovation:

Oriental Father: The article is cheating, five hundred years old, the Han and Wei dynasties, the Jin and Song dynasties, but the literature is available. Servants taste the time to watch the poems between the beams, the color is beautiful, and the prosperity is absolute, every eternal sigh, thinking of the ancients, often afraid of decadence, elegance does not do, to Geng Geng also.

Yesterday, I saw Ming Gong's "Song of the Lonely Tong Chapter" in the solution of the three places, the backbone is upright, the tone is frustrated, the light is Yinglang practice, and there is the sound of gold and stone. Then he used to wash his heart and decorate his vision, and play a gloomy role. Don't try to be the sound of the beginning, see it again; It can make the authors of Jian'an look at each other and smile.

In the history of the development of Tang poetry, Chen Ziang's short essay is like a manifesto, marking the innovation and transformation of the poetic style of the Tang Dynasty. We know that Liu Xian and Zhong Rong opposed the formalist poetic style of the Southern Dynasties, and once exemplified the traditions of "Bixing" and "Fenggu". Wang Bo objected to the court poetry style before and after Long Shuo, and also accused them of "exhausting their backbone and being strong".

Chen Ziang inherited their ideas, and pointed out that the Qiliang poetry style that was idolized by the court poets of the early Tang Dynasty was "colorful and beautiful, and Xingji is unique", and pointed out that the glorious tradition of "Fengya Xingji" and "Han and Wei style bones" was used as a pioneer example of creation, and realized the real innovation of poetry content under the banner of advocating retro. The attitude is very resolute, the banner is very clear, and the call is very powerful. "Xingji" and "wind bones" are both primary issues related to the life of poetry.

The essence of "Xingji" is to require poetry to carry forward the tradition of criticizing reality and to have a clear political tendency. The essence of "style bones" is to require poetry to have noble and abundant thoughts and feelings, as well as strong and substantial practical content. From the perspective of the situation at that time, only by achieving a real innovation in content can poetry fulfill the mission of the times. Meantime.

Chen Ziang returned to the garden at four o'clock and lived in the garden.

Weichuan Tianjia.

Four o'clock pastoral miscellaneous (its thirty-one): Pastoral poems written by Fan Chengda.

Landlord. I'm right to you.

A little bit of a small opinion.

I'll ask questions later.

Song and Fan figure it out!

If you're a police officer.

You shout: Prisoner! And you will call: give away!

Prisoners just.