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In the Jin Dynasty, the Wuling people fished for their business. - The Story of the Peach Blossom Spring
Youlan is born in the vestibule, with smoke waiting for the breeze. - Drinking: The Anterior of Orchid's Life
Leaving the southern continent again, the songbirds hear each other; Although the autumn grass is not yellow, the wind has been divided for a long time. - Narrating the wine
The left army sheep long history, the title of Qin Chuan, to do this. ——The Long History of Sheep Gifts: And the Preface
Knowing each other, why bother with the old, and pouring down the preface. - Apang joins the army
There is life and there is death, and early death is not fate. - Three Proposed Elegiac Songs
There is a way in life, and food and clothing are solid; Neither of them camps, but for self-safety. -- Early rice in Xitian in the middle of September of the year of Gengxu
Playing the crown is multiplied by Tongjin, but I am afraid of the time; After years of diligent service, I am often afraid that the merit will become weaker. - Yong Sanliang".
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The knot is in the human realm, and there is no noise of cars and horses.
How can you ask you? The heart is far away from itself.
Picking chrysanthemums under the east fence, leisurely see the South Mountain.
The mountain weather is good, and the birds are returning.
There is a true meaning in this, and I have forgotten to distinguish it.
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The main content and ideas of Tao Yuanming's poems: the first is drinking poems. For example, his "Drinking" twenty songs.
the upper class who reverses right and wrong and slanders the same reputation in an "intoxicating" tone or accusations; or expose the decaying darkness of the world; or reflect the sinister nature of the career; or express the poet's intoxicated mood after withdrawing from officialdom; or to express the poet's grievances in distress. The second is the poetry of Yonghuai. It is represented by 12 poems of "Miscellaneous Poems" and 13 poems of "Reading the Classic of Mountains and Seas".
Tao Yuanming's Yonghuai and Yong epics inherited the traditions of Ruan Ji and Zuo Si, expressing his own ideals and the bitterness of the unrealizable ideals, as well as his concern for current affairs and the noble quality of not colluding with the rulers, exposing the darkness of social politics with twists and turns. It is worth noting that idyllic poems have lyrical content, and there is no lack of scene descriptions in Yonghuai and Yongshi works, and there is no clear boundary between the two types of poems. The third is idyll.
This is also his main achievement, and the number of poems is also the largest, and it can be said that he opened up the pastoral school in the history of literature. The idyllic poem describes the rural scenery and rural life in many aspects, which can be divided into three aspects: one part expresses the beauty and tranquility of the countryside and his own leisurely mood; the other sings with great enthusiasm about agricultural labor and the friendship with the peasants in the course of it; There is also a part that expresses the withering of the countryside and his own poor life, expresses his interest in poverty and happiness, and places his life ideals in it.
This kind of poem fully expresses the poet's disdain for fame and fortune, and his noble temperament; fully expresses the poet's extreme hatred and complete rupture with dark officialdom; It fully expresses the poet's love for the simple pastoral life, his understanding of labor and his friendly feelings for the working people; It fully expresses the poet's pursuit and yearning for an ideal world. Among them, the famous ones are "Returning to the Pastoral Home", "Returning to the Countryside", "The Story of the Peach Blossom Spring" and so on.
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Drinking", "The Story of the Peach Blossom Spring", "Words of Return", "The Biography of Mr. Wuliu", etc.
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Tao Yuanming's poetry is discussed as follows:
Tao Yuanming's poems are mainly divided into pastoral poems, Yonghuai poems, and epic poems, followed by service poems, gift poems, etc.
Idyllic: It describes the natural and tranquil pastoral scenery and the natural and pure pastoral life. This is a realm that has been idealized and artistized by poets.
It reflects the poet's tranquil and leisurely life and leisurely detachment, and is also a denial of the dark reality and the ugliness of officialdom at that time.
Hymns and epics:
Tao Yuanming's Yonghuai poems are similar in content to Yong epics, and Yongshi is also Yonghuai, which inherits the poetic tradition of Ruan's Yonghuai and Zuo Si's Yongshi. The main content of the poem is to express personal thoughts, feelings and aspirations. Some of them express the ideological contradictions between ideals and reality, between entering the WTO and being born, and some are worried about the realization of the value of life, expressing the bitterness of being unable to pay for their ambitions.
Other types: Tao Yuanming's poems are his works during his travels, mostly writing about the suffering of the service and the internal appearance of the tired eunuchs and longing for the retreat.
Tao Yuanming's Literary Thoughts and Character Commemoration:
1. Literary thought.
Tao Yuanming was a great thinker in the Middle Ages. His literary thought was an important part of the literary thought of the Wei, Jin, Southern and Northern Dynasties. His understanding of the truth not only pays attention to the truth of history and life, but also pays more attention to the truth of thoughts, emotions and ambitions, which is a more perfect artistic truth.
At the same time, his understanding of nature also shows the uniqueness of his literary thought.
He does not talk about the side code, does not carve anything, pays attention to the free expression of emotions, and pays attention to the natural nature of poetry, which is a very high realm. However, whether it is advocating the truth of art or advocating the nature of literature, it is to express life in a hearty way. This is the soul of Tao Yuanming's literary thought.
2. Character commemoration.
Tao Yuanming Memorial Hall is located in the northeast corner of Shahe Street, Jiujiang County, at the western foot of Lushan Mountain, Jiangxi Province, covering an area of 1,600 square meters, and was established to commemorate the poet Tao Yuanming of the Eastern Jin Dynasty. The museum opened on July 30, 1985. The site of the museum was originally the Taojing Festival Temple.
The construction area of the ancestral hall is about 250 square meters, brick and wood structure, Ming and Qing ancestral hall style architectural style, side with side rooms.
The main hall has a statue of Tao Yuanming more than 2 meters high, with a wine towel tied on his head, and a scroll of "The Classic of Mountains and Seas" in his hand.
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Tao Yuanming's representative ancient poems are as follows:
1, "Drinking".
Translation: Living in the world, but without the hustle and bustle of carriages and horses. Ask me why I can?
As long as you have high aspirations, you will naturally feel that the place you are in is secluded. Under the east fence, pick the chrysanthemums, leisurely, the distant Nanshan comes into view. The smell of the mountains and the evening scenery are very good, and there are birds flying and returning with children.
This contains the true meaning of life, and I want to recognize it, but I don't know how to express it.
Appreciation: The poem writes about the leisurely love, but also writes about the beautiful and distant scenery, and in the realm of scene blending, it contains the philosophy that everything has its own place and is entrusted; This philosophy has been refined and condensed by the poet into aphorisms such as "the heart is far away from itself" and "there is a true meaning in this", giving readers a rational enlightenment, and the rhyme of the whole poem is even more beautiful and profound.
2, "Returning to the Garden".
Translation: When I was a teenager, I didn't cater to my worldly nature, and my nature originally loved the countryside. mistakenly fell into the snare of officialdom and went for thirteen years.
The birds in their cages are attached to the woods where they lived, and the fish in the ponds miss the deep pools where they lived. Go to the wilderness in the south to open up the wasteland, stick to the foolishness, and return to the countryside to live an idyllic life.
There are more than ten acres of land around the house, and there are thatched houses.
Eight or nine. Elm and willow trees cover the back eaves, and peach and plum trees are lined up in front of the hall. The inhabited villages in the distance are faintly visible, and the smoke from the cooking stoves on the villages rises softly in the wind.
Dogs bark in deep alleys, chickens croak on the top of mulberry trees. There are no worldly trivial things in the courtyard, and there is free time in the empty room. After being trapped in the cage for a long time, I was finally able to return to nature.
Appreciation: The poet's life is not smooth sailing, and his heart is not a quiet world that eliminates all contradictions. The poet's preciousness lies in the fact that in the ideal pastoral world opposed to the worldly society, he finally discovered the dignity of his personality, the affection of his friends, the interpersonal relationship without status and inferiority, the disparity between the rich and the poor, and the ideal of life without deceit.
This is a concentrated reflection of the ideological significance of Tao poems, and it is also the source of Tao poems' plain, simple, fresh and natural style.
3, "Four Hours".
Translation: In the middle of winter, a flood of spring water overflows the fields and water, and the clouds in summer are unpredictable, most of them are like strange peaks rising suddenly, and the autumn moon is shining in a thousand forms. Under the bright moonlight, everything is covered with a layer of blurred colors, and the green pine tree on the high mountain in the cold shows its vitality.
Appreciation: The poet praises nature with the help of scenery, renders the atmosphere, expresses personal feelings, exposes the darkness of society, fully demonstrates the function of poetry words and romance, and uses natural and simple language to create a different artistic conception between natural beauty and social turmoil and ill-fated fate.
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