Kneel down and beg for Ma Sanli s information, and give me some of it.

Ma Sanli filled in all his files his hometown Yongchang, Gansu Province, and kept the "Yongchang Bell Tower" taken by Mr. Ma's grandfather and father when they returned to their hometown Yongchang in March 1910. Hometown love!

Ma Sanli has a high status in the cross talk industry, and is one of the inheritors of Ma's cross talk, and there is even a saying in Tianjin that "no faction is not a horse". However, due to the influence of the times, he was really known by the public relatively late, and he was already very old when he became popular. Representative works such as "Amusing You", "Selling Hanging Tickets", "Starting at Ten O'Clock", etc., are all very classic.

Some works, after we have seen them, will form a stark contrast. For example, after watching Mr. Ma Sanli's performance, anyone's performance after that made me feel that it was "painting a scoop according to a gourd", and I couldn't express the essence of this work.

1, "Teasing You" learned about Ma Sanli for the first time, and the cross talk I listened to was "Teasing You". At that time, Mr. Ma had passed away, and it was an animated version that I watched on TV, and only the dubbing did not have Mr. Ma's movements and demeanor. But just the dubbing is already convincing.

By adapting the story of a thief, it brings joy to the audience.

Probably the content is that a thief goes to steal clothes, and he is worried that the child will call someone, so he tells the other party that he is calling you to play. So he took the things in the yard with confidence, and when the child called his mother, the mother asked who the other party was, and the child replied "Teasing you". This cross talk is not only good in content, but also needs to be accompanied by Ma Sanli's style narration, so that no one has adapted and imitated this classic cross talk.

2, "Selling Tickets" is a classic of Ma's cross talk, although it is not as good as the early "Open Porridge Factory" in terms of skills, but it also has its own unique style. Now there are also many cross talk actors adapting, and I always feel that it is a little bit less interesting.

One of the most classic, I think, is the cooperation between Ma Sanli and Mr. Wang Fengshan. Probably the content is that Ma Sanli pretended to be very popular, and the tickets sold very well, directly crushing many big horns. When selling tickets, there are all types of squatting tickets and hanging tickets, and the entire hall is filled up and down.

As a result, as soon as he opened his mouth, everyone ran away except for the people hanging on the beams of the house.

3. The work "Ten O'clock Starts" is relatively close to reality, and the content is about a person who wants to work hard, but does not take practical action. Every day, I just verbally shouted that I wanted to start at "ten o'clock". I wanted to learn everything, but I wanted to give up one by one, and in the end, I was left with slogans shouted every day, and I didn't learn anything or do anything.

In this cross talk, Mr. Ma Sanli has a good grasp of the details, and the personality, way of speaking, and tone of voice make people feel that he is such a person. Although there are many excellent cross talk actors now, they are always almost meaningless, and at first glance it looks like they are performing, without the character of the character.

The main masterpieces include talking nonsense, the old man getting drunk, the sound of car horns, checking hygiene, secret recipes, eating dumplings, bluffing, and the charm of cross talk.

Representative works include teasing you, eating Lantern Festival, opening a porridge factory, holding a meeting for fans, buying monkeys, and starting at ten o'clock.

The most classic: pair (the version of the Spring Festival couplets and Zhao Peiru), open a porridge factory, sell five utensils, praise the residence, déjà vu, a meeting fan, pick up a horse coat, buy a monkey, start at ten o'clock.

Starting at ten o'clock, teasing you, selling tickets, meeting fans, buying monkeys, eating Lantern Festival, opening a porridge factory, etc., this is also a very classic artist.

Now I can't hear high-quality and humorous cross talk like Hou Baolin, Liu Baorui, Ma Sanli, etc., and even those who can only play poor and sing the four and five rings are on the Spring Festival Gala. I hope that there will be more actors like Ma Ji and Jiang Kun in the cross talk industry, and the audience can hear humorous and high-quality cross talk instead of vulgar and inferior cross talk!

I know, for example, reporting the name of the dish, and then it also includes talking nonsense, as well as picking up the horse coat, the old man getting drunk, and then it also includes fortune telling, looking for sugar, chasing and so on.

Ma Sanli (October 1, 1914 – February 11, 2003): China's late cross talk master and his apprentices were:Yan Xiaoru, Zhang Xiaoqin, Zhang Xiaofei, Jin Xiaotian, Ban Degui, Lian Xiaokun, Chang Baohua, Gao Xiaolin, Chen Xiaoyu, Wang Xiaoyu, Fang Xiaowen, Ren Xiaohai, Yin Xiaosheng, Yu Baolin, Chang Baofeng.

Ma Sanli (October 1, 1914 – February 11, 2003), the late Chinese cross talk master, was the son of Ma Delu, one of the eight virtues of cross talk. Hui nationality, a native of Yongchang County, Gansu Province. He used to be a consultant of the China Quyi Artists Association and the honorary chairman of the Tianjin Quyi Artists Association. Be.

Member of the Fifth, Sixth, Seventh and Ninth Tianjin Municipal Committee of the Chinese People's Political Consultative Conference. [1] He is also a people's artist who is both virtuous and artistic, and is good at "penetrating" and writing jokes. Ma Sanli devoted himself to exploration in his long-term artistic practice and created the unique "Ma's cross talk", which was the oldest, the highest, the oldest and the most accomplished "cross talk" in the cross talk industry at that time, and was deeply loved and respected by all walks of life and the audience.

Ma's cross talk is appreciated by both the elegant and the vulgar, and in Tianjin, it has formed a saying that "no faction is not a horse".

Main works]: "Talking Nonsense", "The Old Man is Drunk", "Chasing", "Car Horn", "Check Health", "The Charm of Cross Talk", "Secret Recipe", "Eating Dumplings", "Sloppy Man", "Eighty-one Floors", "Writing Pairs", "Meeting Fans", "Face", "Mood and Health", "Xijiangyue", "Yellow Crane Tower", "Praise Residence", "Home Remedies", "Da Le Tele", "Teasing You (Er) "Pairs", "Three Character Classic", "Pulling Foreign Pieces", "Fortune Telling", "Looking for Sugar", "Beauty Salon", "Meeting", "Fishing", "The Art of Naming Names", "Selling Loess", "Give Seat", "Su San Don't Cry", "Ten O'Clock Starts", "Déjà vu", "Misunderstanding in French", "Da Shangshou", "Spring Festival Song", "Buying Monkeys", "Stressing Hygiene", "Practicing Qigong", "White Affairs", "Eating Lantern Festival", "Picking Horse Jackets", "Selling Hanging Tickets", "Opening a Porridge Factory", "Tianwang Temple", "Shaking Briquettes", "Learning Foreign Languages", "Eight Major Career Changes", "Illness from the Mouth", "Article Meeting"

1983 year.

Family photo of the Ma family: Zhang Xiuqin (Mrs. Ma Zhiming), Malacca (Ma Zhiming's son), Zhen Huimin (Mrs. Ma Sanli), Ma Sanli, Ma Zhiming (from left to right).

Famous performing artist. Hui nationality, born in Beijing in 1914, ancestral home in Yongchang County, Gansu Province. Born in a family of quyi, his grandfather Ma Chengfang is a famous storytelling artist, good at saying "Water Margin", and he is famous for a while; 's father Ma Delu is one of the "Eight Virtues of Cross Talk", and he is also the favorite disciple and son-in-law of the predecessor artist Enxu of cross talk; 's mother, En Cuiqing, once learned to sing the Beijing rhyme drum; Brother Ma Guiyuan studied under Li Dejun, and is known for his good performance of "Wen Yuan" jokes.

Ma Sanli has been studying since he was a child and studied at Tianjin Huiwen Middle School. The family environment has made him familiar with the art of cross talk since he was a child. Under the influence of his father and brother, he laid a deep foundation of "speaking", "learning", "teasing" and "singing".

After graduating from junior high school, because of his poor family background, he dropped out of school to talk about cross talk.

In 1930, he began to perform on stage, and worshiped Zhou Deshan as his teacher. Zhou is Ma Delu's fellow brother and one of the "Eight Virtues of Cross Talk". Ma Sanli learned art, made rapid progress, and his horizons became broader.

After a long period of artistic practice, he has formed a style that is tight inside and loose outside, methodical, delicate and subtle, subtle and timeless. Ma Sanli has a solid artistic foundation and a good reputation, and is good at acting "Guankou" and literary jokes, such as "Praise Residence", "Geographical Map", "Eating Lantern Festival", "Article Meeting" and so on.

Ma Zhiming.

Male, Hui nationality, famous cross talk performance artist, national first-class actor, and the eldest son of Mr. Ma Sanli, a cross talk master. was respectfully called "Young Horse Master" by the audience who loved him

His representative works include "The Big Bodyguard", "Geographical Map", "On Boxing", "Reporting the Name of the Dish", "Article Meeting", "Opening a Porridge Factory", "Selling Tickets", "Disputes", "Five Flavors", "Yellow Robe Plus Body" and so on.