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The Romance of the Three Kingdoms is an excellent work. "If you ask any Chinese in any area, they'll nod their heads in agreement. So, what's so good about this work?
I think there are three main points, the first is entertainment.
**The most important thing is entertainment, it is not a history book, it must be 100% correct, the grandeur of the writing of the Romance of the Three Kingdoms, the smoothness of the narrative, and the details of the character portrayal are all remarkable. And the storyline is twisty and interesting, and many appropriate fictions are also very helpful to highlight the characters' personalities, such as Wenjiu slashing Huaxiong in Tiger Prison Pass, Sanying fighting Lu Bu, Chibi's grass boat borrowing arrows, and Huarong Dao. Fun is one of the key points of this book's legacy.
The second is its cultural spirit.
The protagonist of the Romance of the Three Kingdoms is Liu Bei, or it should be said that the Shu Han Group, so the characters of the Shu Han Group are all positive characters, and their personalities have also become the objects of worship of various professions over the past dynasties. Xuewu worships Guan Erye, worships his loyalty, learns and learns literature, worships Prime Minister Kong Ming, worships him omniscient, knows everything, but can fulfill his duties and do his best. Liu Bei is the goal of management, knows how to buy people's hearts, and governs the world with benevolence and righteousness.
This positive cultural spirit is best for good character building, so the cultural spirit inherited by the Romance of the Three Kingdoms is his advantage.
Third, it lies in character building.
At first glance, it may seem that this point is a duplication of the above two, but in fact, it is not, because character building is a necessity for entertainment, and spiritual culture also needs characters to help promote it.
I dare to say that the most wonderful thing about the Romance of the Three Kingdoms is the character building, which is the embodiment of its literary skills, and the strength of the writing of the Romance of the Three Kingdoms lies in the fact that every complete character of the person is seen through events, and there are at least two or three things to depict, such as Cao Cao, who assassinated Dong Zhuo with a seven-star sword, and killed his deceased Lu Bohao's family on the way to escape later.
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1, Zhuge Liang
Zhuge Liang can be said to be the protagonist in the Romance of the Three Kingdoms, and the military general Zhao Yun.
are the two almost perfect images created in the book, and Zhuge Liang is even more deified. Both intellectually and morally. In terms of wisdom, since the advent of the Romance of the Three Kingdoms, Zhuge Liang has become a symbol of wisdom in our Chinese nation.
From the first appearance of Longzhong, this section reflects Zhuge Liang's unique knowledge. The subsequent burning of Xinye, borrowing the east wind, outwitting the three cities, the three qi Zhou Yu, the battle of Hanzhong, the seven captures and seven verticals, and the empty city plan, all reflect Zhuge Liang's clever calculations. As for using the Eight Array Diagram to stop Lu Xun.
Dead Zhuge scared away the living Zhongda and advised Deng Ai.
The stone carvings are even more divine.
2, Cao Cao
Cao Cao in "Romance of the Three Kingdoms".
The middle is the negative image, due to the push of Liu and Cao in "Romance of the Three Kingdoms", Cao Cao appeared as a traitor. The most famous is the sentence "Rather teach me to bear the world, stop teaching the world to bear me." ", it is even more incisive and incisive to express the image of the traitorous male.
From the examples of stabbing Dong Zhuo Mengde and offering a knife, killing his benefactor Lu Bohao's family, and coercing the Son of Heaven to order the princes, etc., are all manifestations of his traitorous male.
At the same time, Cao Cao was also a very talented person who was both civil and military, starting from recruiting volunteers, killing Dong Zhuo and asking for Lu Bu.
Guandu defeated Yuan Shao.
to occupy half of China, which is a manifestation of his political ability. Cao Cao is also a person who attaches great importance to talents, and can reuse some people who were once hostile, such as reusing Jia Xu.
In particular, it is described to Guan Yu.
is full of admiration, giving wine when he was fighting Huaxiong, and later bounty marquis, and even adopting a tolerant attitude towards leaving, which reflects Cao Cao's love for talents.
3, Liu Bei
Liu Bei is the representative of "benevolence" and the orthodox successor of the Han imperial power, so he focuses on describing Liu Bei's character traits of benevolence, generosity, and knowing people and being kind to others, which is extremely exaggerated, but when highlighting his "benevolence", he falls into the "incompetent" side, giving people a feeling of "incompetence" and "hypocrisy".
4, Guan Yu
In history, Guan Yu is a tiger general who is "the enemy of ten thousand people", proud and unrepentant, with clear grievances and grievances, and is known for his faithfulness, but he is "rigid and self-conscious", more than brave, and not wise enough.
5, Zhou Yu
In history, Zhou Yu was "magnificent", humble and convincing, and "elegant and elegant". Liu Bei called him "a civil and military strategy, a hero of ten thousand people". Sun quan.
praised him for having "Wang Zuo's qualifications". But in "Romance of the Three Kingdoms", Zhou Yu became Zhuge Liang's bottom character. wrote Zhou Yu in order to elevate Zhuge Liang. Therefore, Zhou Yu in "Romance of the Three Kingdoms" has a small amount of energy, and his resourcefulness is always inferior to Zhuge Liang.
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There are many characters in the book, the events are complicated, hundreds of characters, dozens of typical characters, and each person's personality, psychology, speech and demeanor are different.
The author mainly uses dialogue and psychological description, coupled with moderate appearance and action description to shape the characters, the author accurately grasps the characteristics of the characters, the combination of direct description and indirect description, real characters, fictional events, is a major feature of this book.
Liu Bei: The author uses direct descriptions to depict Liu Bei's appearance at the beginning, and slightly exaggerates to highlight his wealth and wealth. "This man is seven feet five inches long, with two ears hanging down his shoulders, his hands over his knees, his eyes can take care of his ears, his face is like a crown of jade, his lips are greased, he is generous, he is silent, he is moody, he is known for his ambitions, and he is good at making friends with the world's heroes.
It also paved the way for recruiting talents later.
Three kingdoms. "Romance of the Three Kingdoms" (full name is "Popular Romance of the Three Kingdoms", also known as "Romance of the Three Kingdoms") is a long chapter of Hui Historical Romance created by Luo Guanzhong in the late Yuan Dynasty and early Ming Dynasty according to Chen Shou's "Three Kingdoms" and Pei Songzhi's annotations and folk tales and legends of the Three Kingdoms.
At the end of the Ming Dynasty and the beginning of the Qing Dynasty, Mao Zonggang rectified the "Romance of the Three Kingdoms", revised the rhetoric, and changed the poems, and the version also became the highest level and the most widely circulated version among many versions.
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