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What kind of children's palace to go to, what are a few people going to school together, and you don't support one-on-one, then you may not learn anything, and it's not learning Chinese and mathematics to take big classes together, everyone's situation is different, how can you go to class together.
Why don't you change your musical instrument, guzheng, bamboo flute, don't learn violin.
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The Children's Palace is really weird, can't you go to the piano? I learned it in the piano shop, three-person lessons. A section of 35 pieces.
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If you feel sorry for the money, you might as well give up. You really don't know the truth that cheap is not good?
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As for the violin, everyone thinks that it is difficult to learn, but in fact, it is not the case, if you want to learn any instrument well. First, it depends on each person's understanding, second, it depends on how much effort the person has put in, and third, it depends on his instructor. Here's what I've prepared for you:
At the age of 15, he learned violin lessons. Welcome to read for reference!
Definition of bow change: At the moment of bow change, all the pressure of the bow is lifted to prevent the "click" noise. At the base of the bow, first drop your elbow arm and then use your little finger to lift the pressure of the bow up. At the tip of the bow, relax the pressure on the bow with your index finger.
Violin lesson at the age of 15: play empty strings.
1. Beginners can observe whether the bow of the right hand is holding the bow correctly, whether the arm is correct, whether the bow rod is perpendicular to the string, and whether the parallelism between the big arm and the bow rod is in place by pulling the empty string in front of the mirror; Look for the feeling of your right hand relaxing during the bow movement, and the sensation of the right thumb tip rolling on the inside of the bow shaft during a full bow run.
2. Pull the empty string with the whole bow to experience the different sensations of the thumb, index finger, middle finger and little finger in different positions from the base of the bow to the tip of the bow. The feeling of the right hand when the position of each bow segment changes the direction of the bow, and the feeling of the right hand when lifting the bow (the feeling of the little finger balancing the bow).
3. Train different bow segments through empty strings to maintain the correctness of hand shapes, fingers and sensations of different bow segments. Among them are the full bow, the middle bow, the upper half bow, the lower half bow, the upper middle bow, the lower middle bow, the tip of the bow and the bow root.
Fourth, practice pronunciation through empty strings, and master the pronunciation in different positions of the strings. In the process of playing the music, there are various articulations, sometimes imaginary, sometimes real, sometimes strong and sometimes weak, and we have to solve these problems through different positions of the strings, different bows, and different inclined ponytail strings.
5. Practice the pronunciation of double tones with open strings, and practice the seven planes including single note double tone chords. Long bow, short bow, strong, weak, slow and fast training of different bow segments. (There is a slight difference between the left hand and the actual playing plane, and the main practice here is to practice the feeling of the right hand including the habitual feeling of the bow length).
6. Practice a variety of technical bows through open strings.
7. Solve the complex bowing technique in the music by pulling the empty strings. In some difficult pieces, there will be technical problems that are not easy to solve, and there are many or complex movements on the left and right sides at the same time, which can be solved by solving the left and right hand exercises separately and then combining the exercises.
8. Solve the problem of right-hand movement that has been developed through open string practice and overcome bad habits. Because the beginner did not concentrate on training the right hand, or did not pay attention to the strict and standardized practice of the right hand, the right hand has developed bad habits or wrong movements, which is not easy to correct.
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In daily life, sometimes parents want their children to learn a certain instrument, but the children's interest is not there, so they are not willing to learn it. At the same time, there are some children who are very resistant to learning musical instruments when they are young or do not have enough time to learn multiple instruments, so these children suddenly want to learn cello at the age of 14 or 15, so are they suitable for 15-year-olds to learn cello? Or is it late for a 14-year-old or 15-year-old to learn the cello?
Parents who know a certain amount about learning the cello know that this instrument is recommended for children to learn at the age of six. Because children at the age of six will be relatively more mature than young children, and they can also cooperate better with teachers. The most important thing is that at this age, children's artistic sentiments are better cultivated and shaped, so in most cases, parents will send their children to learn cello when they are six years old.
It's not too late for a 14 or 15-year-old to learn the cello. Because the age of six is only the best time, as long as everyone has the time, energy and perseverance, then it is never too late to learn the cello.
Therefore, if you decide to learn cello at the age of 14 or 15, you must allocate your time reasonably and ensure that you have a fixed practice time every day, so that you can succeed in learning.
You can go to an audition, or take an art exam in high school.
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