The 5th grade text Tianma related information and author information O O Thank you!!

In 1983, China's tourism bureau determined to use "Tianma" as the graphic symbol of China's tourism.

The image of this national symbol is based on a bronze sculpture artifact from the Eastern Han Dynasty (25-220 AD). In 1969, this cultural relics were unearthed in Wuwei, Gansu Province, which immediately shocked the whole country and caused a sensation in the world. It is the crystallization of China's ancient plastic arts, smelting and casting technology, and is a representative masterpiece of China's long cultural history.

The Pegasus is light and has both gods and shapes, and it is extremely vivid and toned from the front and side angles. The Pegasus holds its head and tail high, its four hooves soar into the air, free and unrestrained, and its movements are coordinated, which not only makes people feel empowered, but also stimulates people's imagination.

The most amazing thing is that one of the hind feet of the horse is stepping on the back of a dragon sparrow. The dragon sparrow is a part of the whole artwork and the base of the horse, so that the volley Pegasus can be skillfully balanced, and the problem of supporting the main image is solved. The image of this moment of flight is incomparably magical, and its superb design concept is even impressive today, 2,000 years later.

There were no bridles, stirrups, or reins on the horse's back, but there was a spike of bridle fluttering in the wind on its head, and a knot at the end of its tail. This subtle artistic treatment has strong Chinese characteristics and style.

At first, people called this ancient artwork "Bronze Galloping Horse", and there were also called "Horse Stepping on Feiyan". The title "Horse Stepping on Feiyan" is both figurative and elegant, and has been widely used. Later, it was found that the horse's feet were not swallows, but dragon sparrows.

The dragon bird is a legendary sacred bird, also called Fei Lian. There is a record in the ancient book that "Emperor Ming went to Chang'an to welcome Feilian and the bronze horse". We are not sure that Emperor Ming of the Han Dynasty welcomed this handicraft, but to say the least, the handicraft of this theme was very precious at the time.

The dragon sparrow is the god of wind, flying fast, but the horse steps on it and races it, this is really a heavenly horse.

It is quite symbolic to use this well-known ancient artwork as a graphic symbol of Chinese tourism: China, an ancient cultural country with a long history, is taking off and moving rapidly.

The author is Chen Shuqing, I know.

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"Tianma" is an expository essay in which the author, Chen Shuqing, introduces the Tianma as a graphic symbol of Chinese tourism from four aspects: artistic value, appearance characteristics, origin of the name and symbolic meaning.

This article is an expository article, the author introduces the artistic treasure of "Tianma" from four aspects: artistic value, appearance characteristics, origin of the name and symbolic meaning, and praises the outstanding creative ability of the people in the Western Han Dynasty and the shocking artistic value of "Tianma".

The text consists of 7 natural paragraphs, which can be divided into five parts in the order of explanation.

In the first paragraph, the "Tianma" is introduced as a graphic mark for China's tourism by the Tourism Administration of China. This paragraph is concise and to the point, and points to the point.

The second natural section mainly introduces the "Tianma" as an art treasure of the Eastern Han Dynasty unearthed in 1969.

Clause. The third, fourth, and fifth natural sections mainly introduce the appearance characteristics of the "Tianma". This part is written in the order of description from the whole to the part, and it depicts the unrestrained artistic shape of "Pegasus" in a delicate and vivid way.

In the sixth paragraph, the origin of the name "Pegasus" is introduced. Highlight the ingenuity of the "Tianma" conception and the peculiarity of the design. With the "Dragon Sparrow" as the base, people not only marvel at the exquisite design of this artwork, but also marvel at the outstanding creative talent of the working people in the Eastern Han Dynasty.

The seventh natural section plays the role of the finishing touch, illustrating the significance of "Tianma" as a graphic symbol of Chinese tourism.

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