How to figure out the idea of a narrative essay 30

Narrative prose is mainly narrative, the narrative plot is not complete but very concentrated, and the "love" in the narrative permeates between the lines. Therefore, reading narrative prose should be carried out from the following two aspects: a.

Sort out the clues. The plot of the narrative prose, although incomplete, is well organized. When reading, we might as well grasp the idea of the composition first, and see what the author narrates and how it is narrated.

Two. Clever use of associations. Full association is an important expression technique of prose narrative lyricism, for this reason, the most important thing for us to read narrative prose is to grasp the combination point of association, the combination of form and god, better appreciate the feelings of prose, and comprehend the artistic conception beauty of prose.

1. Write more, read more, practice more, and revise more.

2. Observe life and conclude materials.

3. Read more Chinese and foreign literary masterpieces.

4. Keep a diary.

5. Grasp the theme, the point of view is correct, the hierarchy is clear, the result is rigorous, the language is concise, and the text is beautiful.

6. Master the writing formats and skills of various genres.

Narrative prose, also known as narrative essays and realistic essays, is the main genre of writing teaching in primary and secondary schools.

Prose has an autobiographical overtone, it tells a true story that happened to the author, and good prose must be true. But real prose isn't necessarily pretty. Truthfulness is just the minimum requirement for prose writing, not the maximum.

Real life may not be good to write, because most of the real life is bland, and the ups and downs are ** or scripts.

In order to write good-looking prose, students have explored two paths: one road leads to literary brilliance, putting a "sheepskin" of gorgeous rhetoric on ordinary life and mediocre emotions; Another "shortcut" is to make up stories to earn sympathy, and "transplant" the wonderful and moving stories that happened to others to yourself.

Whenever I read the language of students' prose that is overly used in pursuit of literary brilliance, I often feel that it is not empty. Gorgeous, not as simple and rustic. A good prose writer does pay attention to language; But the beauty of language is by no means the same as literary ornamentation.

Even the prose master Zhu Ziqing, whose fourth natural paragraph of "Moonlight on the Lotus Pond" uses fourteen metaphors in a row, was criticized by Mr. Yu Guangzhong as "vulgar", "easy" and "sloppy", and Mr. Ye Shengtao also thought that this article was "a bit contrived, too rhetorical, and not very natural". It can be seen that the pursuit of literary brilliance should be moderate. The polishing of prose language, in addition to accumulation, is inseparable from the whetstone of thought.

Without these two, purely wordplay is often counterproductive for prose writing. It is even more inappropriate to fabricate or "transplant" the false stories of others without regard to the bottom line of truth.

However, how should such a narrative prose be written, which should not be embellished or fictional, but also be beautiful and moving?

**Narrative characteristics are analyzed from the following six aspects:

1.Narrative mode: sequence, flashback, interpolation, supplement, and flat narration.

2.Narrator and point of view:

First person: realistic, convincing, and easy to express your heart.

Second person: It is convenient to exchange feelings, give people a sense of intimacy, and facilitate strong appeals.

Third person: Broad field of vision, not limited by time and space, flexible and free, easy to describe objectively.

Perspective: omniscient and omnipotent perspective (also known as "God perspective", "0 perspective"), limited perspective (also called "mortal perspective", "inner perspective"), others (such as "Auspicious Ruyi" from the perspective of children, "I am a cat" from the perspective of animals).

3.Plot Arrangement (Ideation +) Skills:

Clues, suspense, foreshadowing, response, foreshadowing, suppression, contrast, foil, abrupt turn, and ......topic introduction, and so on.

4.Tips on narrative arrangement:

Dialogue, psychology, memory, combination of narration and writing, interweaving of memory and reality, concentration of time and space.

5.Narrative pacing: fast (synopsis, omitted), slow (pauses, scenes).

6.**Narrative Language:

**Use both narrative and descriptive language, but mainly descriptive language.

**There are both long and short sentences, but long sentences are the mainstay; The language is vivid, delicate and emotional. Film and television scripts use both narrative and descriptive language, but mainly narrative language; Both long and short sentences are used, but short sentences are the mainstay.

**The language is concise and plain; Language can be transformed into actions, pictures or scenes.

The cool autumn breeze blew through the ears, and the shriveled leaves trembled gently on the trunk, and suddenly, it left the embrace of the tree and fell tremblingly to the earth. I walked over and picked up this quietly floating leaf, and I couldn't help but feel a kind of gloom and desolation in my heart.

Put it in your hand and you don't feel the weight of this leaf at all; In front of you, all that catches your eye is the dry veins and lifeless ginger; When you touch it carefully, the touch between your fingers is no longer the smoothness of baby's skin in spring, and the delicacy of soft silk, but rather rough. In the spring, it has been transporting nutrients to the trunk of the tree since the first buds bloomed, but in the end it broke away from the embrace of the tree, and was even trampled underfoot, shattered into pieces, and rotted in the soil.

1.Grasp one point, enrich associations, and appropriately add argumentative and lyrical statements; A number of similar things form the main body of the article and the expression is expressed. Avoid one thing to the end of the text and nothing else.

2.Language should have personality, and it is best to reveal wise philosophical thinking in plain simplicity. Don't talk about it.

3.There must be true feelings, not falsehood - truth, goodness and beauty are the premise, but this truth is not the original face of life without embellishment, it must be raised to the level of making people think and feel beauty.

4.Be sure to close to the theme or go deeper.

Narrative prose.

Essays that mainly describe people, events, and scenery are called narrative essays.

The narrative prose narrative is relatively complete, the characters are distinct, and the description of the scenery is poured into the author's emotions. This type of prose is similar to a short story**, but with a distinct difference. As far as narrative is concerned, the events described in prose do not require the plot to be complete, let alone pursue twists and turns, and the requirements for narrative are much higher than those of prose; In addition, prose needs to be full of emotions when narrating, and ** emotions are mainly reflected by the characters, and the author does not need to express them explicitly.

As far as writing is concerned, it is required to work hard to create a typical persona, and the typical character is a fiction created by the author. The characters in the prose are based on real people and real events, with some tailoring and processing, focusing on the freehand depiction of the characters.

According to the different emphasis of this type of prose content, it can be divided into narrative prose and writer prose.

Essays that focus on memorization take the development of events as clues and focus on the narrative of events. It can be a story with a beginning and an end, such as Xu Dishan's "Falling Peanuts", or it can be an edit of several fragments, such as Lu Xun's "From Baicao Garden to Sanwei Study". pouring the author's sincere feelings into the narrative is the most significant difference from the ** narrative.

The prose focuses on remembering people, and the whole text is character-centered. It often grasps the character traits of the characters and outlines them in broad lines, focusing on the basic temperament, character and spiritual outlook of the characters, such as Lu Xun's "Mr. Fujino". Whether the character image is real or not is the difference between it and **.

In addition, there is also a kind of prose in this kind of prose that focuses on describing scenery, this kind of prose describes the scenery of a place, except for some terroirs, mainly travelogue prose. Its content is very extensive, and the scenery of mountains and rivers, customs and folklore, and places of interest and historic sites are all within the scope of travel. The main features of travelogue prose are:

The scenery depicted in the work must be completely realistic, and exaggeration and fiction are not allowed; But it is not based on a similar record, but the author blends with the object to achieve a blend of scenes.