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First of all, there is no problem with Mandarin and basic reading aloud, ok
Moonlight, soothing the people in the countryside. (Calm).
Tomorrow the sun will still rise, and in the sound of the water, they will wake up. (The last sentence, read a little faster, but with emotion.) )
Tomorrow's sun is not mine, (shaking my head and sighing, following the previous paragraph, these two paragraphs are together) I (can pause, in a questioning tone) I am a stranger in the countryside.
Long sigh) is hard to give up. Even I, who have been on the trek for many years, miss the charm of the water town, (this place can be seen as a colon for example: ) a few names that imply that I have unwittingly become the person they are concerned about, (with dashes) one of the people who send children to invite when the fat fish and new vegetables are served (this is juxtaposed with the former, so the second half of the sentence should be read quickly).
They shared with me tolerantly and did not treat me as an outsider. The gentleness of Mizusawa washes away the edges and corners of people, and it is as strong as a pebble, and even if it collides, it will not be stabbed. (Plain is fine).
Often, I sit in a roadside pavilion and watch men, women, and children walk by before my eyes. They have more fragrance than people elsewhere, and from the fluttering of their clothes and the staggered attention, they reveal a (small) calm heart.
This is also the gift of water! Drifting is natural, but in the swing they know how to be considerate of each other, with love as an anchor, like people in the same boat. (Smile Meditation).
Moonlight, (emotion, sublimation) I cannot help praying for the moonlight, (solemn, sublimated) to embrace them more gently; "I don't pray for no wind and no disaster, but I hope that no matter how great a calamity comes, I will have as much strength as I can sustain it."
Tomorrow, they won't notice that I'm far away, the merchants are still open to greet customers, and the Jiang Zhen restaurant is still full of friends. (It seems to recall the same outlook, the simplicity of ordinary life).
If there is a ferryman, the boatman will tell him: (Broken, suspense remains).
The man walked and walked along the path of the gull (normal reading).
Closely follow this sentence, follow quickly, do not add pauses, even if there is a pause in the number of pauses) That person is a water bird, who loves water and listens to the sound of the waves.
Start arranging, note that the person is three words) The person is a lost person, who wants to stop and yearns for the distance (note the word).
That person is a sentimental person, (there is a disconnection of the word "of", and there is no end to read together) can not break the joys and sorrows, and he wants to dream of worry-free.
The man was a puzzle maker, who guessed the answer and wanted to turn himself into a puzzle.
The man was looking for a companion, (gasping for air, there should be a storm ahead.) And he was afraid that he would not be able to keep the covenant (miserable and pitiful).
Slowly) when the man is gone, (looking and listening) only the starlight sends him.
I don't know if I want this style.
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Feel the emotions of the time and pour out your heart.
Understand more about the feelings to be expressed in the text.
Be good at summarizing the tone of the text.
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Find out the words you can't read first, and read them more. Then read more. Find the words that have deep meanings and pause there.
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Read the book a hundred times and see its righteousness.
Read it five times before understanding each place, and then read it twice if you don't understand.
There are no shortcuts to reading aloud, just do it honestly.
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How do feelings change? lz
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First of all, the pronunciation is standard, clear, fluent, and can not stumble. This is the most basic requirement.
The second is the interval and pause of the sentence, pay attention to the coordination of breathing and reading, and do not read it in one sitting.
Then there is the outpouring of feelings, which should be combined with the tone of the article to determine the expression of emotions, which cannot be read dryly.
There are also the inhibition and frustration of sentences, such as Zhao Zhongxiang and Ren Zhihong, a large part of the reason for their fame is attributed to the inhibition and frustration of reading aloud.
In fact, the most important point is your understanding of the main idea of the article. If the understanding is not in place, the above is only a castle in the air and cannot play a fundamental role, and the recommendations can only play a role if they are based on a deep understanding of the main idea.
If these can't work quickly, the most direct thing is to listen to the radio more and watch more famous recitations, so that the effect is the fastest.
Hope it helps!
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First, it needs to be standardized, clear, fluent, and not stumbling.
Second, the pants need to be spaced and paused, and attention should be paid to the coordination of breathing and reading, and it is not possible to read it in one breath.
Third, it is necessary to express feelings, and it is necessary to combine the tone of the article to clearly sell Hu to determine the expression of emotions, and it cannot be without emotion.
Fourth, it requires the intonation of the sentence.
Fifth, the most important thing is a radical understanding of the main idea of the article.
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It's everything, too.
Shu Ting. Not all big trees.
They are all broken by the storm, and not all seeds can find the soil to take root;
It's not all true.
all lost in the desert of hearts;
Not all dreams.
They are willing to have their wings broken.
No, not everything.
It's all like you said!
Not all flames only burn themselves.
without illuminating others;
Not all stars indicate only the night.
without reporting the dawn;
Not all singing voices pass by the ears.
And not stay in the heart.
No, not everything.
It's all like you said!
Not all appeals have gone unheard;
Not all losses cannot be compensated;
Not all abysses are perdition;
Not all perdition is overlaid over the heads of the weak;
Not all minds.
They can all be stepped on under their feet and rot in the mud;
Not all consequences.
It's all tears and blood, and they don't show joy.
All the present is pregnant with the future, and everything in the future grows from its yesterday.
Hope, and fight for it, please put it all on your shoulders.
Classic Reading Aloud Prose 2
Farewell Cambridge. Xu Zhimo.
Gently I go, as softly I came;
I beckoned softly, and made a cloud of the western sky.
The golden willow on the bank of the river is the bride in the sunset, and the bright shadow in the waves ripples in my heart.
The green wattles on the soft mud are swaggering at the bottom of the water;
In the soft waves of the River Cam, I am willing to be a water weed!
A pool under the shade of the elm, the branches collapsed.
It's not a clear spring, it's a rainbow in the sky;
Crumpled among the floating algae, precipitating a rainbow-like dream.
Looking for a dream? Hold a penny, wander towards the greener grass, load a boatload of starlight, and sing in the starlight.
But I can't play songs, quietly it's a parting sheng flute;
Xia Worm is also silent for me, silence is Kangqiao tonight!
Quietly I went away suddenly, just as I came quietly;
I waved my sleeves and didn't take a cloud with me.
Classic Reading Aloud Prose Chapter 3
Seeing and Not Seeing" Cangyang Gyatso.
You see, or you don't see me.
I was right there.
Not sad or happy. You read me, or you don't read me.
The love is there.
Don't come and go. You love me or not.
The love is there.
Neither increase nor decrease. You follow, or you don't.
My hand is in your hand.
Don't give up. Come into my arms.
Or. Let me dwell in your heart.
Silently in love. Silence likes.
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