Li Yu, what is the style of his poems?

The latter lord Li Yu. It can be said that he was a very famous poet in the late Tang Dynasty, although his obsession with poetry and painting led to the Southern Tang Dynasty.

of the demise of a qualified monarch. However, this also created his achievements in literature and art, and was even praised as "the opening of the Song Dynasty for the Song Dynasty", which had a profound impact on later generations. His poetic style has the following two points:

First, in terms of the content of the word, it is clearly divided into two stages; Second, in the art of word expression, it has a strong expression of feelings.

1. Distinctly divided into two stages: the two stages of Li Yu's words, that is, before and after the death of the country, the words he wrote before the death of the country mostly describe his own luxurious life, the lights are bright, the songs and dances are leveled, and the joy of feasting and drinking in the court is expressed. <>

But also because of his own personal experience and his own arrogance as a king, when writing this kind of court words, the description of the pattern can also be larger and more delicate. In addition, during this period, Li Yu also had works that expressed sentimentality, such as "Qing Ping Le".

After the death of the country, Li Yu's writing style changed completely, and at this stage, he described the pain of the loss of the country, the sorrow and shame of being imprisoned. At this stage, the words mostly use contrasting techniques, highlighting the current melancholy by recalling the extravagance of the past, so as to lament the changes of time and space, and strongly express their own pain. But Li Yu's vision at this time is still limited, and he has no strong ability to empathize.

He only sees the past of the individual, but he cannot find the misery of the whole society. <>

Second, with strong feelings to express Li Yu's words, whether before or after the death of the country, pay attention to the expression of his own emotions, just like describing the joy of feasting and drinking, he will also imply emotions in the words, rather than simply describing the court life, and after the death of the country, the expression of his sad emotions is extremely strong. It can be said that Li Yu's words have broken through the original limitation of words, and are no longer just works of response. He has his own emotions, and he also allows words to be savored at different times and places.

Li Yu's early style of writing was gorgeous and bright, but in the later period, he became mournful and tactful. The reason for this change is the sorrow of detachment. After the death of the country, Li Yu often missed his homeland in his poems, and "Poppy Beauty" is one of the representative works of this period.

There are two styles of Li Yu's poetry. His style in the early stage was more sad and sad, talking about the love of children, and when the family was broken in the later period, the style of his poetry became sad and sad.

Li Yu's poems have a sadness in them, because he is the emperor of the dead country, so he has experienced many ups and downs in his life, and his poems have a poignant feeling.

The queen of the Southern Tang Dynasty. The difference between the early and late stages of Li Yu's words: the early words mostly describe the emperor and court life, and the style is soft and beautiful, but also frank and natural; In the later period, the words changed to nostalgia and sadness, expressing the pain of losing the country, the suffering of prisoners, and the words of sentimentality and sorrow, which have moving artistic power.

Li Yujing calligraphy, painting, Tongyin rhythm, poetry and writing have certain attainments, especially the highest achievements in words. Li Yu's words inherited Wen Tingyun since the late Tang Dynasty.

Wei Zhuang and other Huajian lyricists are also influenced by Li Jing and Feng Yansi.

The influence of the language, vivid image, sincere feelings, distinctive style, after the death of the country, the lyrics are even more broad, the meaning is profound, in the late Tang Dynasty five pronouns are unique, the influence on the later generations of the word is far-reaching.

In the early stage, Li Yu wrote more than 20 poems, and the content can be roughly divided into two categories. One is to depict the opulent court life and romantic affairs between men and women. The tone is cheerful and light, and the style is a continuation of the palace style of the Southern Dynasty and the style of words among the flowers.

Such as "Huanxi Sand" and "Yulou Spring"; The other is the heavy sorrow he expresses when he feels the fate of decline that he can't get rid of, such as "Qing Pingle" and "Wangjiangmei".

Due to the great changes in his life, Li Yu's later words mostly reminisce about the past and grieve the misfortune of the prisoner. The work washes away the red and green charming atmosphere. It becomes sad and mournful.

Both in content and art, it has reached the highest level of small words. The voice of the dead country is full of grief, dripping blood and tears. Not only are the descriptions of life full of joy like "chewing red mushrooms and smiling at Tan Lang" ("Yi Hu Zhu") gone, but even the description of "temporarily opening when you don't let go of your eyebrows" ("Picking Mulberries") and the description of "the world is like flowing water, and it is considered to be floating in a dream" ("Crying in the Dark Night") is no longer needed.

What flows out of the pen is the family sorrow and national hatred that hurts into the bone marrow. It embodies a style that takes sadness as beauty.

1, when is the poppy spring flower and autumn moon?

Li Yu Five Generations

When is the spring flower and autumn moon? How much do you know about the past? Xiaolou had another east wind last night, so the country could not afford to look back at the moonlight.

The carved fence and jade masonry should still be there, but the face has changed. How sad can you be? Just like a river flowing eastward, <>2, the poppy wind returns to the small courtyard and is green.

The wind returns to the small courtyard and the courtyard is green, and the willow eyes continue in spring. With a long day of silence, the sound of the new moon is still like that year.

The sheng song has not dispersed, and the ice on the pond surface has been solved. The candle fragrance is dark, and the temples are full of green frost and residual snow.

3, meet Huan, go up to the west building alone without a word.

Alone in the west building without a word, the moon is like a hook. Lonely Wutong deep courtyard lock Qingqiu.

Cut constantly, the reason is still messy, it is sorrowful. Don't just have a general taste in mind.

"When is the Poppy Spring Flower and Autumn Moon".

Author] Li Yu [Dynasty] Five Dynasties.

When is the spring flower and autumn moon? How much do you know about the past? Xiaolou had another east wind last night, so the country could not afford to look back at the moonlight.

The carved fence and jade masonry should still be there, but the face has changed. How sad can you be? It is like a river flowing eastward.

Translation: When will this year be over, and how much of the past will be known! Last night, the spring breeze blew on the small building again, how could I bear the pain of remembering my homeland on this night when the moon was in the sky.

The intricately carved railings and jade steps should still be there, but the people I miss are old. If you want to ask me how much sorrow there is in my heart, it is like this endless surging spring water.

Content tasting:

When is the Spring Flower and Autumn Moon" is a poem written by Li Yu, the queen of the Southern Tang Dynasty during the Five Dynasties and Ten Kingdoms period. This is the author's last pen, it is a lament of life, the author through the contrast between the eternal nature and the impermanence of life, the author expresses the sadness of the loss of life after the death of the country. Li Yu's thoughts about his homeland may not be worthy of sympathy, and the past he misses is inseparable from the imperial life of "carved railings and jade buildings" and the secret affairs of the palace at dusk.

But this well-known masterpiece is indeed unique in art.

The language of the whole word is clear, concise, beautiful and fresh, starting with a question, ending with an answer, from asking the sky and asking people to asking oneself, through the sad tone and the artistic structure of twists and turns, flowing freely, so that the author's sorrow runs throughout, forming a refreshing aesthetic effect.

"Poppy Beauty" Li Yu's masterpiece is also the last word of Li Houzhu. Legend has it that on the night of his birthday (July 7) ("Tanabata"), he ordered a courtesan to have fun in his apartment, singing the lyrics of his new work "Poppy Beauty", which became known to the outside world. Song Taizong was furious when he heard this, and ordered someone to give him medicine and wine and poison him to death.

Through the staggered contrast between the past and the present, this poem expresses the infinite grievances of a deceased king.

Li Yu's poems are as follows:

1, when is the poppy spring flower and autumn moon?

When is the spring flower and autumn moon? How much do you know about the past? Xiaolou had another east wind last night, so the country could not afford to look back at the moonlight. The carved fence and jade masonry should still be there, but the face has changed. How sad can you be? It is like a river flowing eastward.

2. Meet each other and go up to the West Building alone without a word

Alone in the west building without a word, the moon is like a hook. Lonely Wutong deep courtyard lock Qingqiu. Cut constantly, the reason is still messy, it is sorrowful. Don't have a taste in your heart.

3. The rain is murmuring outside the curtain

The rain is murmuring outside the curtain, and the spring is beautiful. Luo Ji is not tolerant of the five colds. In my dream, I didn't know that I was a guest, and I was greedy for joy. Alone without relying on the column, infinite rivers and mountains, it is easy to see when it is difficult to see. Flowing water and flowers go in spring, heaven and earth. 4, Lin Hua thanked Chunhong

Lin Hua thanked Chunhong, too hurried. Helplessly, the cold rain came in the morning and the wind came in the evening. Rouge tears, drunk together, when heavy. Since people grow and hate water, they grow up.

5. Sauvignon Blanc, a heavy mountain

One mountain, two mountains. The mountains are far away, the sky is high, the smoke and water are cold, and the acacia maple leaf is dan. Chrysanthemums bloom, chrysanthemums remain. The goose flew high and the people did not return, and the curtain was idle. 6, Linjiang fairy cherry fell in spring

The cherries fall and return in spring, and the butterflies turn over the gold powder and fly. Zigui cries in the west of the small building, the jade hook is curtain, and the melancholy twilight is falling. 

After the alleys are lonely and people disperse, the tobacco is in a slump. The incense of the furnace is idle, the phoenix is idle, the empty belt is held, and the hatred is still there. 

The difference between the early and late stages of the Southern Tang Dynasty's later and later periods: the early words mostly described the emperor and court life, and the style was soft and beautiful, but frank and natural; In the later period, the words changed to nostalgia and sadness, expressing the pain of losing the country, the suffering of prisoners, and the words of sentimentality and sorrow, which have moving artistic power.

Li Yujing calligraphy, painting, Tongyin rhythm, poetry and excavation have certain attainments, especially the highest achievement of words. Li Yu's words, inherited the late Tang Dynasty Wen Tingyun, Wei Zhuang and other Huajian lyricists key laughing tradition, and by the influence of Li Jing, Feng Yansi, etc., the language is bright, the image is vivid, the sentiment is sincere, the style is distinct, his words after the death of the country is even more broad, the meaning is deep, in the late Tang Dynasty five pronouns of the core of the cluster of unique, far-reaching influence on the later generations of words.