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It's not a poem, it's a prose travelogue.
The drunkard no longer drinks.
The full text is below. The Drunkard Pavilion.
Ouyang Xiu: Huanchu is also a mountain. Its southwest peaks, the forest ravines are particularly beautiful. The one who looks at the blue and deep show, Langya also. The mountain traveled six or seven miles, and gradually smelled.
The sound of the water is murmuring, and those who leak out between the two peaks are also brewing springs. The peak turns around, there is a pavilion wings on the spring, and the drunkard pavilion is also. Make.
Who is the pavilion? The monk of the mountain is also wise. Who is the name? Too shou calls himself also. Taishou and guests come to drink here, drink less and get drunk, and the year is the most.
high, so he called himself "drunkard". The drunkard's intention is not in the wine, but in the mountains and rivers. The joy of mountains and rivers, the wine of the heart.
Also. If the sun rises and the forest opens, the clouds return and the caves are twilight, the obscure changers, and the morning and twilight in the mountains. Wild and fragrant, good wood.
Beautiful and prosperous, the wind and frost are noble, the water falls and the stone comes out, and the four times in the mountains are also. Towards the end, returning at dusk, the scenery of the four times is different, and.
There is no limit to the joy.
As for the loser singing in Chu, the walker resting in the tree, the former calling, the latter responding, the person who carries it, and the one who comes and goes endlessly, the Chu people travel.
Also. Fishing near the stream, the stream is deep and the fish are fat; The brewing spring is wine, and the spring is fragrant and the wine is cold; The mountain dishes are wild, and the miscellaneous ones are too feasting.
Also. The joy of the feast, not silk and bamboo, among the shooters, the game wins, the chips are staggered, the people who sit up and make noise, the guests are happy. Pale and pale.
Hair, those who are depressed in it, too drunk.
The sunset is in the mountains, the shadows are scattered, and the guests are too guarded to return. The woods are shady, the chirping is up and down, the visitors go and the birds are happy.
Also. However, birds know the joy of mountains and forests, but they do not know the joy of people; People know that they are too happy to swim, but they don't know that they are too happy to be too guarded. Drunk.
Those who can enjoy it and wake up and narrate their texts are too guarded. Who is Taishou? Luling Ouyang Xiu also.
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"The drunkard doesn't mean to drink, he caresBetween the mountains and riversAlso" means: the drunkard's interest is not in drinking, but in enjoying the beautiful scenery between the mountains and rivers.
Source excerpt] "The Legend of the Drunkard Pavilion".
Song Ouyang Xiu.
The peak turns around, there is a pavilion wings on the spring, and the drunkard pavilion is also. Who is the pavilion maker? The monk of the mountain is also wise.
Who is the name? Too shou calls himself also. Taishou and guests come to drink here, drink less and get drunk, and the year is the highest, so he calls himself a drunkard.
The drunkard's intention is not in the wine, but in the mountains and rivers.
Vernacular translation] The spring water winds along the mountain peak, and along the mountain road turns, there is a pavilion like a bird spreading its wings, flying on the spring, that is the drunkard pavilion. Who built this pavilion? It is a monk and a wise immortal on the mountain.
And who named it? Taishou named himself after his alias Drunkard. Taishou and his guests came here to drink, and after only a little drunk, they got drunk; And he is the oldest, so he calls himself a "drunkard". The pleasure of drunkards is not in drinking, but in enjoying the beautiful scenery of mountains and rivers.
The background of the creation of "The Legend of the Drunkard Pavilion".
The Legend of the Drunken Man's Pavilion was written by Song Renzong.
In the fifth year of Qingli (1045), Ouyang was appointed as the Taishou of Chuzhou at that time. Ouyang Xiu implemented a lenient and simple politics in Chuzhou, and developed cautious production, so that the local people lived a peaceful and stable life. But at that time, the Northern Song Dynasty was filial piety.
Although the dynasty is politically enlightened and the wind and rain are smooth, the country's accumulated shortcomings cannot be eliminated, and this can not help but make him feel heavy worries and pains.
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People are outside the world, their hearts are in the mountains and rivers, the moon rises and frightens the mountain birds, and the spring streams are singing.
People are idle and osmanthus falls, and the night is quiet and the spring mountain is empty. The days of wind and rain carry the weight of life; The day when the wind is light and cloudy is more suitable for quietly comprehending the beauty of life. In this noisy mortal world, we all need to have a suitable place for our souls.
Maybe it's the white walls and tiles, the light ink and light lan, living in a small courtyard in the mountains, waking up in the morning in the fragrance of birds and flowers, taking a nap after a pot of hot tea in the afternoon, tasting a family banquet with the family in the evening with the moonlight, maybe it is a quiet house in the middle of the flowery city, a piece of paper is a wordless scripture, and a pen can point out the maze path.
In the past, the road is long, the breeze and the moon are good, the smoke and rain are misty, taste a cup of tea, read a book, do not ask about the wind and frost of the world, do not want to be warm and cold, today let us have the honor to walk into Mr. Feng Dexiang's paintings.
Let your own soul have a dialogue with the ink landscape, to feel: the willow shade and grass bank Han ink companion, the lotus pond moonlight tea fragrance of the painter's state of mind, to appreciate the world years to attract birds, mountains and mountains with fishermen and peaceful scenes.
Standing between heaven and earth, smiling at the red dust; Standing between the mountains and rivers, read and understand. There is no smooth sailing life, only a bumpy life. Even on the top of a towering mountain, there will be troubles that this mountain is not high.
Even the gravel lying quietly under the valley will have its own little luck. No matter what the moment is, we must firmly believe that beauty is still far away, as long as you smile and go on, you will encounter unexpected warmth. Sitting on the rock, drunk and falling before the flowers, if the sky is high and the clouds are light, life must be clear.
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Between the mountains and rivers.
The "also" is used at the end of the sentence to indicate a judgmental or affirmative tone. It is equivalent to "ah" and "ah". From the Song Dynasty Ouyang Xiu's "The Story of the Drunken Man's Pavilion".
The drunkard's intention is not in the wine, but in the mountains and rivers. The joy of burying the spine of the mountain and the water, and the wine of the heart. ”
Translation: The drunkard's mind is not in the wine, but in the mountains and waters. The pleasure of enjoying the mountains and rivers is just a matter of feeling in the heart and pinning on the wine.
The Legend of the Drunken Man's Pavilion is an essay written by the Song Dynasty writer Ouyang Xiu. The article describes the deep and beautiful natural scenery in Chuzhou and the peaceful and quiet life of the people in Chuzhou, especially the fun of the author in the mountains and forests with the people to enjoy the feast and drink. The whole text runs through the word "bending music", which contains more complex and tortuous content.
One hints at the feelings of a feudal local governor who can "enjoy with the people", and the other hides unspeakable hardships behind the love landscape.
At the age of forty, he called himself a "drunkard", and he often traveled, coupled with his various performances of "drinking less and getting drunk" and "being depressed", all show that Ouyang Xiu is using the joy of mountains and rivers to relieve the boredom of living in the house.
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1, I care about the mountains and rivers, and the last sentence is that the drunken pants Sun Zhiweng does not mean to drink. This sentence comes from Ouyang Xiu's "The Story of the Drunken Man's Pavilion", which means: The author's true meaning in the pavilion is not to drink, but to enjoy the beautiful scenery in the mountains.
2. "The Story of the Drunken Man's Pavilion" is a prose written by Ouyang Xiu, a writer in the Northern Song Dynasty, after he was demoted to Chuzhou. The article describes the deep and beautiful natural scenery in Chuzhou in the four seasons of morning and dusk, as well as the peaceful and quiet life of the people in Chuzhou, and also describes the scene of the author traveling with the people in the mountains and forests to enjoy the feast and drink. The whole text runs through the word "music", on the one hand, it describes the feelings of the local governor and the people to enjoy together, and on the other hand, he also pins his unspeakable hardships on the mountains and rivers, and expresses his inner depression and melancholy.
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1. The middle is the meaning of the middle. It is a kind of open-minded and detached feelings, this sentence originates from Ouyang Xiu's "The Story of the Drunkard Pavilion", "The drunkard's meaning is not in the wine, but between the mountains and rivers", the original meaning is: The drunkard's taste is not in the wine, but between the beautiful mountains and rivers.
2. Combined with the following sentence: "The joy of mountains and rivers, the wine of knowing the heart." It is not difficult to understand that Ouyang Xiu, who was frustrated in officialdom, placed his affection on the landscape at the same time, forgetting the troubles of the world, not so much a cover for frustration, but rather an optimistic and open-minded attitude, and a kind of indifference after the vicissitudes of life.
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