I m afraid that the Sungai boat can t carry a lot of sorrow and appreciation

I am only afraid that the Shuangxi boat will not be able to carry a lot of worries. These two sentences turn fiction into reality, the meaning is novel, and it is a wonderful way to describe melancholy. "Sorrow" and "hate" are originally an abstract affection, invisible and intangible, in order to increase their perceptibility, the lyricist usually uses exaggerated metaphors.

Li Qingzhao's innovation lies in the fact that "sorrow" can not only carry the ship, but also can vary from person to person and have different weights, so that a light boat cannot carry the sorrow of the mountain. The purpose is nothing more than to exaggerate the depth of one's own sorrows, but the metaphor of the light and heavy load of the boat, the new language, the exaggeration and peculiarity, and the imagination are amazing, and it has reached an unbelievable state. Writing fiction with reality is a common method used by the ancients, which can better express subjective emotions.

Wuling Spring Festival Gala is a poem written by Li Qingzhao, a female lyricist in the Song Dynasty. This word borrows the scene of late spring to write the deep anguish and sorrow of the lyricist. The whole word is deep and mournful, natural and appropriate, without the slightest suspicion of pretentiousness, and is distinctive.

I'm afraid that the small boat like a grasshopper in Sungai will not be able to carry the heavy sorrow in my heart.

Source] Wuling Spring Festival Gala (Li Qingzhao).

The wind lives in the dust and the fragrant flowers are exhausted, and I am tired of combing my hair day and night. Things are people, and everything is restless, and tears flow first.

It is said that Sungai spring is still good, and it is also planned to go on a light boat. I am only afraid that the Shuangxi boat will not be able to carry a lot of worries.

I am only afraid that the Shuangxi boat will not be able to carry a lot of worries. There are at least two meanings of "Shuangxi", two completely different interpretations - one is the geographical location of "Shuangxi", which refers to the "sheltered Shuangxi" in nature; The second is that "Shuangxi" is no longer the "Shuangxi" of nature, but the "Shuangxi" in the author's heart, which refers to the deeper poetic expression of Li Qingzhao's affection for the landscape and the implication at that time, that is, "a lonely boat floats on Shuangxi, and even the stream is in pairs, but she is just like the leaf of the boat floating in the wind, the shape is alone, and she can't carry a lot of sorrows." "It forms a stark contrast and contrast, which gives people a shock to the soul.

I am afraid that the boat on Sungai will not be able to carry a lot of sorrow", I am afraid that the grasshopper-like boat on Sungai will not be able to carry the heavy sorrow in my heart. People always compare their grievances to continuous flowing water, to weeds that have been cut down and revived, but Li Qingzhao has found a new way of thinking, saying: His sorrow is so heavy that he can't even carry the boat.

She also used imaginary words such as "also intended" and "only fearful" to clearly reveal the level of her ideological activities, such artistic ideas and key expression techniques are really fresh and peculiar, so they are praised by word theorists as "creative and surprising", "often unexpected".uses an exaggerated metaphor to describe "sorrow", but she coined a new word, and the mold is used very naturally and appropriately, without traces.

I am only afraid that the Shuangxi boat will not be able to carry a lot of worries. That little canoe can't carry a lot of sorrow in my heart. This sentence was written by the author Li Qingzhao to recall his own nostalgia when he returned to the place of "Shuangxi".

The word "carrying" turns the invisible sorrow into tangible, the image is vivid, and the depth and heaviness of the sorrow are written.

Li Qingzhao "Wuling Chun" Li Qingzhao (No. Yi'an Jushi, an outstanding female writer in the Southern Song Dynasty, a native of Jinan, Shandong, and a graceful word sect. Born in the seventh year of Yuanfeng in the Northern Song Dynasty, Zhangqiu, Shandong, died in Lin'an at the age of 72. Historically, it is known as "Jinan Er'an" with the people of Jinan Licheng

His father, Li Gefei, was a native of Licheng County, Qizhou in the Northern Song Dynasty, and a famous scholar and essayist in Qilu. Mother Wang's family, knowledgeable and good at writing. Husband Zhao Mingcheng, the son of Zhao Ting, the servant of the ministry, is a family of Jinshi examiners.

Li Qingzhao lived a prosperous life in his early years, was able to write and write, and was proficient in music and rhythm. After marriage, he and Zhao Mingcheng worked together on the collation of calligraphy and painting and gold and stone, and compiled the "Golden Stone Record".After the fall of the Central Plains, she and her husband went south and lived a life of displacement, desolation and sorrow.

Mingcheng died of illness and was lonely. Inherited from the family at an early age, and has long been famous. Li Qingzhao, who is famous for his words, works on poetry and writing, and writes on words, enjoys a high reputation in the history of Chinese literature.

In his early years, he lived a stable and prosperous life, and wrote mostly about lovesickness; After the invasion of the Jin soldiers, he encountered great changes in the country, and his lyrics were full of emotion. Her poetry has a sense of time and history, and the style of words is very different. She is also good at calligraphy and painting, and also has a sound rhythm.

The existing poems and words are compiled by later generations, such as "Shuyu Ci" and so on. Advocate "words, when there is a special family".She is the only woman in Chinese history whose name has been used as a crater in outer space.

The great river has been running for hundreds of generations, and all the waves are rushing together, scouring up the heroes of the ages; The word garden has been in the garden for thousands of years, and the group is showing, and a (branch) daughter flower is blooming. The description is Li Qingzhao Yu Yuzhi. The male middle Li Houzhu, the female middle Li Yi'an, is very true to the line.

The former was too white, so it was called the lyricist Sanli. (Shen Qujin) Qingzhao is a woman, and the word grid is against Zhou Liu, although there are not many articles, it can not be preserved without treasure, which is a big part of the lyricist. ("Summary of the Four Libraries") Li Yi'an's words, unique way, is actually considerable, it originates from Huaihai, Dasheng, and the casting language is more born, the woman has this, it can be described as a miracle.

Bai Yu Zhai words).

Wuling Spring Festival Gala".

Song Pei stuffy. Li Qingzhao.

The wind lives in the dust and the fragrant flowers are exhausted, and I am tired of combing my hair day and night. Things are people, and everything is restless, and tears flow first.

It is said that Sungai spring is still good, and it is also planned to go on a light boat. Trigger segmentI am only afraid that the Shuangxi boat will not be able to carry Xu Mingzhong's reputation and sentimentality.

1. I am afraid that the Sungai boat will not be able to carry many sorrows: I am afraid that the small boat like a sungai grasshopper will not be able to carry the heavy sorrow in my heart.

2, from Li Qingzhao's "Wuling Spring Festival Gala" in the Song Dynasty:

The wind lives in the dust and the fragrant flowers are exhausted, and I am tired of combing my hair day and night. Things are people, and everything is restless, and tears flow first.

It is said that Sungai spring is still good, and it is also planned to go on a light boat. I am only afraid that the Shuangxi boat will not be able to carry a lot of worries.

The scenery is still the same, the personnel have changed, and everything is over. I wanted to pour out my feelings, but before I could open my mouth, tears flowed down first.

From Li Qingzhao's "Wuling Spring Festival Gala" in the Song Dynasty.

Original text: The wind and dust are exhausted, and I am tired of combing my hair day and night. Things are people, and everything is restless, and tears flow first.

I heard that Sungai Spring is still good, and I also plan to go on a light boat, but I am afraid that Sungai will not be able to carry a lot of worries.

Translation: The wind has stopped, the dust has the scent of flowers, and the flowers have withered. The sun had already risen, but I didn't bother to make up.

The scenery is still the same, the personnel have changed, and everything is over. wanted to pour out his feelings, but before he could speak, tears flowed down first. I heard that the spring scenery in Sungai is still good, so I plan to go by boat.

I'm afraid that the small boat like a grasshopper in Sungai will not be able to carry the heavy sorrow in my heart.

This "sorrow" refers to the sorrow in Li Qingzhao's life.

I'm only afraid of the Shuangxi boat, and I can't carry a lot of sorrows" comes from a poem "Wuling Chun" written by the Song Dynasty female lyricist Li Qingqingqiaozhao, which means "I'm afraid that the boat on Shuangxi is too small to carry my sorrows". After the Nandu, Li Qingzhao experienced a difficult life, first the death of her husband Zhao Mingcheng, then the loss of the gold and stone collected for many years, and then the remarriage and divorce with Zhang Ruzhou.

When Li Qingzhao temporarily lived in Wuzhou, his heart was intertwined with thoughts about Zhao Mingcheng, hatred and helplessness for Zhang Ruzhou, brother Ying, and worries about the current situation. On a late spring evening, Li Qingzhao had mixed feelings, so he wrote a poem "Wuling Chun".