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No matter who you are, the elbow will bend more or less, but remember that the elbow bend is not the main point of the pop, the important effect is good, and you should be comfortable with yourself.
The point of pop is that it's crispy.
The feeling of fresno is that the more comfortable the swing from side to side, the more comfortable it is.
Hit is not easy to explain, you just think that there is a stop after the pop of the arm is opened
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It feels like hit.
POP is the tension and relaxation of the muscles, and HIT is the feeling of hitting.
Actually, I don't feel any different. You need to ask the master about this.
The key to doing fresno is to grasp the feeling of the pendulum, which is very useful for practicing rhythm.
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The elbows will bend with the pop" This is not right when practicing.
Big-arm pop is very taboo about this action. This doesn't make the pop bigger.
Some advice for you. Practice more arm push-ups. Practice triceps.
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There's nothing wrong with the elbow bending with the pop.,You're going to be like that when you practice the pop of the big arm.,Because the muscles of Gong 2 and Gong 3 are already bent.,Fresno keeps practicing.,Make yourself very easy.,POP is completely shaken out with muscles.,It can be understood as cramps.,In fact, it's really cramping.,And HIT is to bring the joints to make the vibration very big, so it's called HIT.
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What I said earlier is equivalent to not saying ......To practice pop, you need to master the tightening and relaxation of muscles, you should know this, right? Once you've mastered this step, slowly try to increase the speed of tension and relaxation (don't rush it, practice every day, this will take at least two or three weeks for you to start controlling the speed).
Once you can control the speed, start practicing fessonal, a movement that you have to practice every day no matter how long you dance. Do 10 palm presses for each song you dance with fessonal, at least three times a day (increase the number of songs and practice with different beats when you have mastered them completely). It's about building your muscles pop amplitude and pop persistence.
Don't think that poppin is not as tiring as breaking, in fact, poppin is also very physically demanding. So you first use your best strength to measure your physical strength for the first time to **, how long you can last. Then develop a method that suits you and improves your physical strength.
Let's start with this practice. The road to poppin jumping is very long, and it will be a bit tedious in the early stage. A lot of people give up halfway through because of this. I hope what I've said helped you.
By the way, novices must find a good teacher to guide you to learn, otherwise you will fall into a lot of misunderstandings when practicing by yourself.
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Exercise muscles, practice skills, POP is the effect of rapid tightening of muscles and then immediately relaxing, POP must be relaxed, so that the effect of tightness can be seen, if you want to do a larger effect, you can add POP on the upper legs and POP on the neck, which can strengthen the effect very well.
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This should be insisted on, it can't be seen in a short time, and some people are gifted with muscles, and if you want to pop, you have to exercise your muscles first.
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Dancing should have the concept of a shaft, and the separation of the upper and lower limbs will not have a resonance effect, so practice the big frame first.
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If you feel chaotic and out of rhythm when you solo, then stop, do the basic exercises, and don't rush to solo. Practice the basic skills solidly, card every beat, you say you always want to pop, then you can practice more dime stop (personally think, hehe), so that you can control your own movements, and after practice, you can string together all kinds of basic movements and jump, it doesn't matter if there is no connection at the beginning, the main thing is to do the action accurately, don't worry. Also, don't deliberately think about pop, forget who said it, pop is like a stave, and dance is like a musical note, so learn to control it by practicing basic skills, pop should be practiced to subconsciously follow the rhythm and go around and around saying a lot, no ink, come on!
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1.When jumping, listen to ** first, grasp the hit point of **, and the ** with drum beat is divided into two tones, "dong" and "click", and pop on the rhythm you think is appropriate.
2。I don't quite understand what your pop was going on for the second time, is it because you don't think you have mastered the rhythm well and want to get it back? If yes, I suggest you practice up&down first, which is a better way to master the rhythm Follow ** before dancing and do up&down a few times to adjust your own body rhythm, so as to achieve the purpose of following **rhythm.
3。Follow a few sets of pops in all directions of the body before jumping, and stick to it, and you should be able to improve.
Ask: How many years have you been studying, what is the foundation?
Fundamentals are also a key issue.
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A friend I taught is also in the same situation as you This is a kind of inability for you to break through and it is also a kind of over-reliance This is not a particularly good way to grasp It is still necessary to practice more It is recommended that the landlord find some popping etudes Because these are often rhythmic but very simple There is no special sound effect When you hear the strong small drum sound in the **, you must control yourself It is definitely okay to practice more I wish you success I played so many points Take it Hehe.
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It is recommended that the landlord listen to it a few more times, step on it, and find the rhythm.
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If you think dancing is about being handsome.
I'm sorry, but you're not qualified to dance, and you won't be able to dance well.
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In fact, there are many styles of popping, such as some like to play control, and some like that kind of beautiful action.
If you learn more good-looking moves, popping is no problem.
As for breaking, it is true that hard practice can be effective, but it will not be fast, sometimes a movement is practiced for half a year.
As long as your movements are beautiful, difficult, and can show your ability and personality, there is no difference in any type of dance, it is recommended to concentrate on learning popping, but it is not impossible to learn some breaking movements, can you enrich your dance moves?
Good luck!
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1. Breakin: Starting from the basics, plus arm push-ups, two-up sit-ups, open hips and shoulders, handstands, and endurance exercises are all very important, and every day is these, you will be thinking about what am I doing, what am I dancing, so it is relatively easy to practice poppin.
2. The explosion field should have its own style, card point conversion, ** ability, difficult action connection, etc. Provocative moves!
3. What laymen don't understand, they think that those who can dance hip-hop are very handsome.
4. Of course it's cool, but we don't dance for the sake of being cool.
There is a dance troupe in our school that has been learning poppin for 3 months, and the alumni who can dance in a variety of ways to learn breaking do not practice the basic skills as soon as they see it. It can only be said that they will break and call them a bboy, which is a bit heavy.
Of course, I'm also practicing breaking, and I'll keep working hard!
If you really want to practice breaking, you have to wear protective gear, I've sprained my wrist these days, it's so unpleasant).
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Practice POP alone first, this one takes a while of practice.
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When practicing pop, you try to pinch a bottle full of water. My mouth is chanting boom and pop to the beat of the drum. Dance first and start enjoying **.
Listen to it once or twice, then follow along with the pop. Hit three songs in a row, then put down the bottle and try to see if your pop is a little bit better. I hope you practice more.
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Contemptible understanding of pop: Pop is very similar to bel canto's vocalization. Bel canto is a sound produced by the resonance of the cranial, thoracic, and abdominal cavities.
pop, is all the voluntary muscles of the human body (that is, the muscles that we can control through consciousness - chrysanthemums are also counted.。。 The vibration that follows the fluctuation of a melody or the drum beat! Under normal circumstances, the correct POP will give people the feeling of instantaneous expansion and contraction, while the incorrect or incorrect one will only give people the feeling of instantaneous expansion without contraction.
These subtle changes can only be detected by looking at the master dancer up close, or even by touch, because the usual camera tool frame rate cannot match the speed of the pop vibration.
Now you, I analyze two reasons. One is that the muscles of elbow osteoarthropathy have been in a state of expansion and have not contracted, causing the muscles to be tight and spasm for a long time, so they expand outward. 2 is that the forearm muscles are too inflated and not contracted.
pop, it is easy to rise and it is difficult to shrink. If you want to correct it, start over.
1.Hands droop naturally and relax with moderate force to do pop, feel the expansion and relaxation of muscles (especially relaxation).
2.Slightly up 20 degrees, the feeling of change is partly woody and tense but not relaxed (the arm must be raised to have muscle groups in a long time in tension, so it is impossible to relax completely, but it is necessary to relax the muscles as much as possible without deformation).
3.Practice POP, the principle is the same as above, stick to it for a week and believe that it can be seen to improve.
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Wrong, the real POP, the joints basically don't move, when the novice learns, the coach takes into account the lack of muscle flexibility of the novice, and will let you play the hand and use the joints to bring the muscles, but the final direction of practicing POP is to try not to move the joints. Whether it's a left-right thug or a front and back thug, it's not right.
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POP is a bit warped, the point is to control the strength and don't scatter. As for p0p moving forward and backward, I really haven't seen it.
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