What is Gongbi Heavy Color Painting, and the techniques of Gongbi Heavy Color include:

1.Separate dyeing: The most important dyeing technique in fine brush painting. One pen is dipped in color, and the other pen is dipped in water, and the color is dragged away, forming a gradient effect of color from thick to light.

2.Dyeing: In the dyeing of many objects such as flowers and clothes, due to the changes in the color of the object, such as light and dark, front and back, or the hidden parts, it is necessary to use several brushstrokes to increase the color variation.

4.Dyeing: When dyeing is nearing completion, use a small area or part of a certain color to brighten or deepen the picture.

5.Bake: A subtle rendering background around the depicted object to accentuate or emphasize the texture of the subject object.

6.Wake dyeing: After the color is modulated, re-color and render to make the picture more vivid.

7.Coloring: Render a color block with adjacent color blocks to make the picture more natural and harmonious.

8.Awakening: On the depicted object, redraw the outline or mold once to highlight the texture of the object.

9.Fule: Use color with white powder to change the shade, thickness, virtual and solid, thickness and thickness on the picture, so that the picture is more vivid and rich.

10.Contrast: When drawing multiple objects such as flowers and clothes, it is necessary to contrast with colors in order to make the outline of the object more obvious.

11.Boneless method: directly use color or ink to outline the image of the object, without the outline of the dusty lines.

13.Squeezing: Rotate and stir with the pen to blend the colors with each other to form a natural transition.

14.Dyeing: Use a pen to quickly apply the paint to the canvas to create a natural blending effect on the paper.

15.Undertake dyeing: During the dyeing process, the color of the previous dyeing is dragged away with water or a color pen to create a gradient effect.

16.Priming: Render the dark part of the image with ink or color to highlight the texture of the object.

18.Brightening: During the tinting process, certain parts of the picture are brightened with white or light colors to enhance the three-dimensional effect.

19.Accumulation of water: In the dyeing process, different colors are interlaced with each other to form a rich color variation.

20.Wake up: To avoid too stiff strokes during the drawing process, use another clean pen to absorb or wash off the color or moisture on the brush.

21.Melting: In the dyeing process, different colors are fused with each other to form a new color effect.

22.Brushstroke: During the drawing process, lightly apply light ink or light color to the picture to produce the effect of virtual and real changes.

23.Water and powder: In the dyeing process, different colors and moisture are collided with each other to form a rich color variation.

24.Rubbing: In the dyeing process, materials such as paper or silk are covered on the model or physical object, and the pattern or physical outline is rubbed.

25.Painting: In the dyeing process, the color is evenly applied to the picture with a pen to achieve a certain color effect.

If you want to paint a good Chinese painting, you must first learn the techniques of Chinese painting, but different Chinese paintings have different techniques. Below I have sorted out the Chinese painting techniques for you, I hope it can help you!

The fine brush painting must be rhythmic in the outline, not too fast. When sketching, hold the pen with the wrist elbow on the table, and focus on finger activity; If the wrist should be suspended when hooking a longer line, the elbow should be on the table, the wrist should be mainly moved, and the fingers should be solid to make the wrist move flexibly; When hooking a longer line, it is the other way around, with the wrist on the table, the elbow dangling, and the line moving with the wrist (not with the fingers). No matter what kind of line you hook, in the process of writing, you must hold your breath, not too fast, and do it in one go.

Regardless of the method of holding the pen, we should keep the lines drawn smooth and rounded. Some people don't dare to use force in order to draw a thin line, resulting in the line being slippery on the paper and not meeting the requirements. Hook line must pay attention to the pen down, so that the pen has a force on the paper surface at the same time to hold the brush, upward there is a lift, the two forces are balanced, and then use a drag force to line the pen.

Just pressing and not mentioning it is "wiping", which is prone to flank failure; Only mention that does not press is "floating", the line is slippery and weak, and the line should not be "flirted", "picked", and "slippery". Therefore, each line should have three actions: starting the pen, writing the pen, and closing the pen.

Writing Zangfeng:If you want to go to the right of the pen, first to the left to hide the front of the pen, and then to the right, this is called to want the right first left, on the contrary, then want to go left first right. When we go up and down the brush, the method is the same as the left and right brushes, if you want to go down first, you want to go up first, so that there will be a certain friction between the pen and the paper, and the effect of drawing is in line with the requirements.

Line Writing:The pen should be steady, the speed should be slow, and the force on the paper must be even. There are a variety of changes when brushing, "pause" means "halfway to turn a little stop", "frustration" is the meaning of turning back back, when frustration must remember to adjust the direction of the pen, "turn" is the meaning of the center circle to use the pen, "fold" is the meaning of the side of the square turn.

Closing the pen and returning to the front:Every time you close the pen, you must retract it in the direction of the future, the so-called "day does not return", "do not hang or shrink", so that the end of the line is more subtle and powerful.

Chinese painting antique can be used in the color of Chinese painting ochre, cyan, ink and other colors (preferably transparent color) in a larger container to reconcile, with a pen or board brush dipped in the upper layer of color water (the lower layer of coarse pigment filtered out) on the paper or silk brush evenly, once can not be brushed a second time, you can dye the color of antique painting.

The above is the knowledge point of the Chinese painting technique, I believe that you have a general understanding of the Chinese painting technique after carefully reading the text, of course, the Chinese painting technique is not just to look at the written expression can be learned, you must practice more to really master this technique.