Spatiotemporal Structure of Film and Television 10, Analysis of Film and Television Spatiotemporal S

Summary. Hello, there is a groundhog day in the film and television space-time sequence type of movies, which can be regarded as the forerunner of time-space cycle movies, and provides a lot of reference settings for later such movies. The story is generally an ordinary middle-aged uncle who is dissatisfied with life, trapped in a small town for a day when time repeats, everyone is drunk and I am awake alone, so that I am omniscient and omnipotent, do whatever I want, and control the thunder and lightning from scratch in the other world but can't control the heroine's story.

Hello, there is a groundhog day in the film and television space-time sequence type of movies, which can be regarded as the forerunner of time-space cycle movies, and provides a lot of references for later such movies. The story is generally an ordinary middle-aged uncle who is dissatisfied with life, trapped in a small town for a day when time repeats, everyone is drunk and I wake up alone, shoot Li so that he is omniscient and omnipotent, do whatever he wants, and control the thunder and lightning from zero in the other world, but he can't control the heroine's story.

Hello, the relevant content of the analysis of film and television space-time sequence is as follows: Butterfly Effect (Time-Space Cycle) It can be said to be a small master of space-time cycle movies, and the movie provides a setting that has been repeatedly imitated and used by later generations. That is, the butterfly effect, shouting and answering In the time loop Zheng Xuhui, any small change can cause huge changes, and the movie is slightly brain-burning, with endless aftertaste.

Fate is unpredictable and unpredictable, and forcibly changing it will only backfire.

Summary. Dear, the analysis of the spatio-temporal structure of the movie is as follows: First of all, for a movie to be exquisite, it basically needs a perfect structure and needs to have a first, space-time structure.

To put it bluntly, this is the world view, the world structure and the overall social structure in the work. To put it simply, it is necessary to have a "complete and logical world setting". Second, the scene structure.

This is simply the "place" in the three elements. That is, the "venue" involved in the whole movie. For example, the scene structure in "Nezha" is mainly distributed in four parts: Qiantang Pass, Dragon Palace, Heavenly Court, and Shanhe Shejitu.

And Qiantang Guanli should be refined into several small scenes of Li Zhai, streets, beaches, and suburbs. Third, character structure. To put it bluntly, it's a character relationship diagram.

The fourth, the internal structure, is the layering of the characters, the inner thickness of the characters themselves.

Dear, the analysis of the spatio-temporal structure of the movie is as follows: First of all, for a movie to be exquisite, it basically needs a perfect structure and needs to have a first, space-time structure. To put it bluntly, this is the world view, the world structure and the overall social structure in the work.

To put it simply, it is necessary to have a "complete and logical world setting". Second, the scene structure. This is simply the "place" in the three elements.

That is, the "venue" involved in the whole movie. For example, the scene structure in "Nezha" is mainly divided into four parts: Qiantang Pass, Dragon Palace, Heavenly Court with Mountain, and Mountain and River Society. And Qiantang Guanli also has to carefully read and turn into a few small scenes of Li House, streets, beaches, and suburbs.

Third, character structure. To put it bluntly, it's a character relationship diagram. The fourth, the internal structure, is the layering of the characters, the inner thickness of the characters themselves.

Fifth, plot structure. I don't need to explain this. First of all, for a movie to be exquisite, it basically needs to have a perfect structure

First, the structure of space and time. To put it bluntly, this is the world view, the world structure and the overall social structure in the work. To put it simply, it is necessary to have a "complete and logical world setting".

Second, the scene structure. This is simply the "place" in the three elements. That is, the "venue" involved in the whole movie.

For example, the scene structure in "Nezha Triumph" is mainly distributed in four parts: Qiantang Pass, Longdai Chungong, Heavenly Court, and Shanhe Shejitu. And Qiantang Guanli should be refined into several small scenes of Li Zhai, streets, beaches, and stupid suburbs. Third, character structure.

To put it bluntly, it's a character relationship diagram.

Fourth, the internal structure is the layering of the characters and the inner thickness of the characters themselves. Fifth, plot structure. I don't need to explain this. Thank you for your inquiry! I hope you find it helpful on your trip! Happy living with your finger with hail!