Does anyone know how romantic ballet differs from modern ballet? 5

Dance drama "Fairy".

1) Introduction.

The Nymphs premiered on March 12, 1832 at the Royal Aélétre d'Écomotion Theatre (i.e., the Paris Opera), with the playwright Nouri, the composer Schnitshofer, and the choreographer Philippe Taglioni, starring Maria Taglioni and Majriye.

2) Pick up materials. This dance drama is based on Nodtier's short story "Trilbi, also known as Algar's Home Goddess", published in 1822, but with major changes.

Weave. Reasons for success.

The choreographer fully took into account the physical conditions and technical base of the main cosplayers.

Maria Taglioni's natural talent was not ideal, but under the rigorous training of her father Philippe, she mastered advanced techniques to compensate for her innate deficiencies in appearance. On this basis, Philip designed the dance of the character of Silfida, highlighting the big jump and the toe work, thus creating the image of a light and elegant, otherworldly fairy.

Thanks to a high-quality script.

The plot is clear and easy to understand, and at the same time provides a vast world for the dance, fiction and reality are intertwined, and the audience feels that the plot is real and believable all the time. Here, dance does not need to find a basis for life, the protagonists live in the world of dance, and dance becomes the main means of portraying their character. This is one of the great advantages of Romantic ballet over Enlightenment ballet.

A prime example of tradition and innovation.

The Nymphs was influenced by works such as The Daughter Who Can't Be Shut Up, The Sleepwalker, The God of Flowers and the God of Wind, and Diderot, the founder of lyrical dance theatre.

Features "toe work" and''Pointe shoes'

Taglioni succeeded in creating the image of the fairy using "pointe work", which was imitated by later generations, and pointe work became "an indispensable part of the performance of female dancers." ”

The evolution of the dance skirt.

French dancer Camargo boldly cut her floor-length skirt short, exposing her ankles.

The dancer Shalai ditched the whalebone skirt in favor of a lightweight, modest muslin skirt.

During the Norville era, actresses generally wore Greek-style "tunic" robes.

It was only in 1832 that Rami designed the "Taglioni Dress", which fitted Taglioni's body shape and accentuated the fairy's ethereal and light character. This creation has since been used as a symbol of Romantic ballet.

In 1909, Fokine choreographed the Chopin Suite with this long white gauze dress, which was also titled The Nymphs when it was performed in France. In the United States, Balanchine also choreographed his symphonic ballets in this Romantic style of costume. In Europe, such works are collectively called.

White ballet" is seen as a special style of dance.

Giselle, a masterpiece of romantic ballet, has won the reputation of "the crown of ballet". For the first time, the ballet heroine is challenged by both acting and choreographic skills. The dance drama is a legendary and secular love tragedy, in which two sides of romanticism can be seen:

Light and darkness, life and death. The first act is full of idyllic scenery, and the second act is full of supernatural imagination of various dances, especially the ghostly women's group dance.

Giselle by Jane. Clary and Jule. Perrault co-authored the poem "The Spirit of Nature" by the German poet Heine (1787-1856) and the poem "The Ghost" from the French writer Victor Hugo's "The Orient", with a libretto by Theophel.

Completed by Gautier et al., ** created by Gandalf. Adam served. The play premiered in Paris, France, in June 1841.

In the process of ballet's development, it integrates multiple art forms, such as ancient Greek dance elements, Italian comedy elements, Roman art elements, in addition to French court dance elements and European folk dance elements. Ballet came to China at the beginning of the last century, and with the development of Chinese society, after the founding of New China, it really took root, and the development of the first banquet in the land of China for nearly a hundred years, China's artists are not limited to the reinterpretation of Western classical ballet, but focus more on the development of ballet "nationalization", especially after the reform and opening up, Chinese ballet has widely absorbed the strengths of various schools, and created a series of ballets with Chinese characteristics, and has been recognized by the international ballet art community.

Romantic ballet"What are the masterpieces.

Romantic literature and art originated in Paris, France in the late 18th and early 19th centuries. Romantic ballet is the first era in the history of ballet, and most of the themes are expressed in the love of immortals (such as: fairies and farmers, village girls and counts, pirates and maidens raiding Hui Zai, puppet dolls and country boys, shepherds and fairies, etc.), which conformed to the surging revolutionary trend in France at that time.

Representative works of Romantic ballet include La Nymph (1832), Danube Denver (1836), Fantasia (1839), Giselle (1841), Esmeralda (1844), Dance of Four (1845), Strait (1856), Golpelia (1870) and Silvia (1876). It has typical Romantic art characteristics. Among them, "Nymph" and "Giselle" are the twin walls of romantic ballet.

Describe the characteristics of Romantic ballet and give examples of the importance of the period.

The characteristics of romantic ballet: the yearning for a better life, the expression of the mysterious and unpredictable supernatural realm, and the conveyance of people's ideals that are difficult to achieve in the secular space. In the ballets of this period, most of them were unrealistic fairy love.

The greatest contribution of the French genre to the history of ballet was the introduction of the light and flowing technique of pointe dancing. Romantic ballet is the heyday of the French Ballet of the Wandering Sun Rebellion, and its general characteristics are the same as the entire French culture, which can be described as noble and elegant, rigorous and standardized, light and elegant, romantic feelings, and has typical Romantic artistic characteristics. In the period of "romantic ballet", it is becoming more and more mature, and its main image is mostly fairies, elves, ghosts, etc. wearing knee-length white gauze skirts, and it is also known as "white dress ballet". Companions.