What is real space time? What does it have to do with art time and space?

Time and space are the framework of existence, which is the concept of classical physics, since time and space are objective and absolute, then the structure of time and space cannot be changed or transcended, and painting is also breaking free from the shackles of canvas and paint.

Castelvicaro's dilemma lies in the fact that physical space-time is the boundary of eternity, and the drama presented in the three-dimensional space and time must be carefully placed in the absolute space-time, otherwise the drama will become absurd.

You guys are mentally prepared for whoever writes this answer to see the consequences.

TiMi students, right? Which department?

Based on the existence of artistic images, spatio-temporal art is divided into temporal art (**, literature), spatial art (sculpture, painting) and spatio-temporal art (drama, film and television). Space-time art is a classification of art, which contains two concepts: time and space.

Classify. Time Arts: **, Literature, Quyi, etc.

Space art: painting, sculpture, arts and crafts, photography art, architectural art and garden art, etc.

Time and space art: theater, film, TV series, dance, acrobatics, etc.

Do you want to talk only about drama or just about movies, the comprehensiveness of movies.

Film has the characteristics and attributes of both space art and time art, which can show space in a specific time and express time in the transformation of space. The film absorbs and integrates different elements of painting, sculpture, architecture, literature, drama and other categories in traditional art to form its own new attributes.

The film appeals to people's visual and auditory senses at the same time, and it combines the different functions of time art and space art to form a composite of the two, thus obtaining a variety of means and different ways of powerful expressiveness.

The film continues to display the picture in the continuous time process, so as to obtain a sense of movement and rhythm, which has something in common with the time art represented by **.

The light, composition, and tone of the film lens use and strengthen the various laws and principles of plastic arts, directly appeal to the visual image, and highlight the directness and appeal of the image itself, which are all drawn from the plastic arts such as architecture, painting, and sculpture.

Cinema draws from drama to the scheduling and application of performances, conflicts, and other specific spaces.

From literature, it absorbs the ability and requirements to reflect and imitate life, and borrows the vocabulary and structure of literary description and narration to form its own unique visual language.

All of the above are important manifestations of the comprehensiveness of film as a communication medium and artistic activity.

Although the synthesis of time and space and various artistic elements is the innate characteristic of film, and this characteristic continues to develop with the development of film technology and art, and continues to become complex and diverse, it does not mean that it can replace and surpass other types of art. It is also limited by its own limitations. Therefore, emphasizing the comprehensiveness of cinema cannot be separated from a clear understanding of the limitations of cinema

Drama. 1. Time and space - audio-visual synthesis.

Drama is a time-space-audio-visual comprehensive art, and drama imitates the development of human destiny to the end in the form of dramatic actions, plots or stories, which can only be carried out in the comprehensive operation process of a certain time and space.

2. Synthesis of aesthetic means and expressive elements.

As a comprehensive art, ancient Greek drama included literature, performance, makeup, costumes, scenery, architecture, and a variety of aesthetic factors in the composition of aesthetic factors.

3. Synthesis of intuition and imagination.

Time and rhythm are the key concepts of Okino in the art of time and space. Time refers to the amount of time a performer spends on stage, shouting for example the duration of each action, and the time between actions, or the duration of the entire performance on stage. Rhythm refers to the rhythm of the performer's movements on the stage, that is, the speed and intensity of the movements, as well as the rhythmic relationship between the movements.

The mastery of time and rhythm is the key to the art performance of time and space, only by grasping the time and rhythm, the performer can turn the originally silent action into a sound and colorful performance, so that the audience can feel the performance emotion of the performer, so as to obtain the best viewing effect.

The artistic time and space is the reflection of the real time and space in the artist's mind. The spatiotemporal form of art has objective reality.

Sensibility, concreteness, and regularity are an inevitable artistic law. It is an aesthetic reflection of subjective initiative. It is impregnated with the artist's aesthetic emotion, contains the artist's will, purpose and rational understanding, and is a high degree of refinement, concentration and generalization of real time and space.

That is to say, the artist's grasp of the spatio-temporal form of objective concrete things is by no means just a rational cognitive process, but an aesthetic psychological activity that is organically combined by various factors such as perception, imagination, emotion, and reason. Driven by strong aesthetic feelings, the artist "contemplates in silence, thinks for thousands of years; Quietly moving, seeing through thousands of miles", breaking through and shattering the limitations of the continuity of real time and space, discarding those space-time phenomena that are relatively alienated from the essence of objective things, and comprehensively generalizing those space-time phenomena that can fully display the essence of objective things, turning them into "abnormal combinations" with "obvious and easily perceptible connections", and into artistic space-time with subjective expression factors and three qualitative prescriptive artistic space-times: emotional, purposeful, and virtual.

The concept of time and rhythm in the art of time and space: The art of time and space refers to the fact that there is a rhythm in the psychological feeling that there is change. When an object is moved, it has a temporal nature, a person or an object is placed there without changing anything, and when another thing has a relationship with him (it), the space changes, and the hidden macro becomes larger or smaller.

When the relationship changes, time comes.