A quote about the introduction and praise of Land Art. Who provides the next

The art trends that emerged in Europe and the United States at the end of the 60s of the 20th century developed from the simple, detailless forms of minimalistic art. Land artists are generally tired of modern urban life and highly standardized industrial civilization, advocate returning to nature, express strong dissatisfaction with the least art that they once loved, and regard it as a sign of the degeneration of modern civilization, and believe that the pyramids of Egypt, the megalithic buildings of prehistory, the ancient tombs of the Americas, and the stone temple towers of Zen Buddhism are the essence of human civilization and have an intimate connection between man and nature. Land artists use the earth as the object of artistic creation, such as digging pits in the desert, or moving mountains and annihilating the sea, building embankments, or splashing paint all over the barren mountains, so they are also known as earthworks and landscape art.

In the early days, land art was mostly constructed and completed on site, and his works were not intended to be appreciated by the viewer. In 1968, Dewan Gallery exhibited some of the best and some physical objects of land art, so the later land artists rarely excavated on a large scale, and more with the help of photography. Important people have C

Andrey, RSmithsonian et al.

In the 60s of the last century, an art category began to appear, mainly in the background of the earth (mountains, oceans, deserts, wilderness, etc.), using various materials and means to complete, through on-site visits, albums, **, aircraft overlook, video materials and other forms of exhibition. All of them are non-permanent works, and the restoration of the original natural appearance after the exhibition of the works is one of the elements that land art follows. "Impression - Liu Sanjie" should belong to the land art work.

This is not a question that can be explained in one or two sentences. Introducing an early work first:

Land artwork: The Lightning Field

Location: New Mexico, USA.

Material: Stainless steel column. Each stick is a meter long.

Form: 400 steel columns lined up in a phalanx. The rod spacing is meters, 16 in the horizontal row and 25 in the vertical row.

Effects: During the lightning season from June to September, these steel pillars attract huge lightning bolts. Forming an unparalleled spectacle of the wilderness.

There is no special organization, the artist has an idea, and the investor is willing to invest, so it's fine. Generally speaking, the investment is huge, equivalent to a blockbuster, the economic return is very ideal, and there is almost no loss.

Land Art, including the description of some representative works, you can get a general understanding) Land Art: A Book Series of Western Postmodern Art Genres, by Gu Quan, People's Fine Arts Publishing House, 2003

"Land Art": Integrating man and nature.

(1) Seek the equality and infinity of production materials, break the boundaries between art and life, use nature as a material, and engage in creation in the natural environment. (2) Oppose art as a buying and selling act, and believe that art should not be placed in art museums. For only a few people to enjoy, art should go beyond art museums and galleries and take the vast outdoor space as a stage, so that the majority of people can feel art at any time in their living space.

3) The purpose of land art is to involve the majority of people, and this act of participation is completely detached from practicality, and only in the act of play and fantasy, an unknown new experience is obtained. Its representative artists are: Haza, Oppenheim, Smithson.

"Land Art": Integrating man and nature.

Born from 1967 to 1970, land art has an anti-commercial conceptual background, and is an art style that is carried out outdoors and uses real nature as the medium, which is not only related to traditional art, but also does not use art museums as activity spaces for art movements.

The Mayan culture of Peru, with giant patterns that cannot be deciphered to this day.

Sisyphe Enjoyment (2007201) Talk about Western Art History (1) The Origin of Art - Curse.