Do you know the basic painting method of Chinese painting of flowers and birds?

The white drawing method is mainly based on lines, and can also render light ink. When drawing lines, it is necessary to combine the characteristics of the brush and ink with the form, the turning point of the brushwork, and the thickness and shade of the lines should be based on the texture or characteristics of the object expressed, for example, drawing petals with thinner and lighter lines is easy to show its delicate and soft; Drawing leaves and branches with slightly thicker and thicker lines makes it easier to express their hard and thick texture; Drawing the feathers of birds with thin lines that are slightly dry and empty at the bottom and end of the pen is easier to express the fluffy and soft feeling of the feathers. Double hook filling mu to change color painting double hook color method should choose cooked paper (paper) or silk, first with ink line double hook white drawing, prepare two sheep pen for rendering, one dip in color, one dip in water, to practice holding two pens in one hand, and can be flexibly exchanged.

When setting the color, the color should be light, should be dyed several times, the color of the inside of the flower and leaf (or **) is dyed to the edge with a clear water pen, the water content in the clear water pen should be appropriate, too much water will leave traces, too dry will not be rendered.

After rendering, if the original ink line has been blurred, you can use heavy color to hook once, hook once, called Le, and at the same time, you can also support the dye from the back of the drawing paper to make the color of the flowers and leaves of the picture more dense and uniform. The boneless Zhao Nai Lu boneless painting method is also more appropriate to use cooked paper, because the ink line is not used, so the white waterline is used to bend the relationship between the front and back leaves or petals and petals, and there is a taste of white as black. Boneless painting can also be subdivided into several expressions:

The first is as fine as the double-hook filling method, which only omits the ink line of the double-hook and is dyed by adding layers of color. The second painting method is slightly loose and slightly freehand, and directly dyed with color, which is completed at one time. The third method of painting is to fix the color first, and then dye the part with other similar colors before drying, similar to breaking ink because of the use of cooked paper, so it produces a semi-blended effect or slightly mottled color changes.

Freehand freehand flower and bird painting method is mostly based on the technique of dot stacking or dot clustering, which can be subdivided into hook flower dot leaf method, small freehand method, large freehand method and so on. Raw paper is suitable for freehand painting, which can be painted with ink color alone, or with several colors. The pen contains a good light color, and then the dark color of the reef in the nib, but also the family can be the first reef dark color and then dipped in water to paint, each stroke must have a change in shade, the use of raw paper is easy to melt, in order to produce dry, wet, thick, light different effects.

The painting of flowers and birds is as follows:

Flowers: Flowers are often the subject of the picture, generally flowers include petals, stamens, receptacles, calyxes, etc., petals are divided into single petals and double petals (double petals), flower shapes are separated from petals, peony roses, etc. are double petals of detached petals, pear blossoms, kapok, etc. are single petals of detached petals, morning glory lilies, etc. are single petals of conjoined petals.

Most of the flowers have different varieties of single petals and double petals, such as peach blossoms, hibiscus flowers, narcissus, hibiscus, plum blossoms, etc., the stamens have a difference in length and number, the monoecious flowers, the stamens and stamens are all together, the dioecious ones only have small stamens, or only large stamens, some stamens are more obvious, some are more secretive, all need to be carefully observed, and the calyx also varies according to the type of flowers, such as plum, apricot and peach and other five small petals gathered together.

Five small petals such as plum pear and begonia grow on a long stalk, the calyx tip is long such as the rose moon season, and the camellia calyx is like fish scales. Leaves: When the single-leaved plant grows leaves from the branch or stem, the leaf sequence has opposite, alternate, rotational, etc., and some of the compound leaf plants are feather-shaped, palm-shaped, bird's foot-shaped, and some are double duplicate leaves, the form is more complex, and the law of its growth must be understood first, so as not to make mistakes in the complexity.

Leaves have petioles and veins, and their shapes have different size ratios such as pointed circles, long and short. Stems and branches: can be divided into woody herbs, vines, vines, etc., woody branches are quite hard, some are quite thick, most of the stems of herbs are more tender, some become right-handed or left-handed spread, and some also have whisker-like climbing stems.

Gongbi Flower and Bird Painting:

Draw a pencil sketch of a flower or bird first, then draw a pencil along the pencil sketch of the bird, paying attention to the beak, feathers and tail of the bird, outline it with a thicker ink, and outline the head and belly of the flower and bird with a lighter ink. The bird's feathers are then outlined with light ink, and the hard and tail feathers are dyed with medium ink.

Freehand Flower and Bird Painting:

First, draw the bird's head with light ink, then draw the back, then draw the bird's wings and tail with the side edge dipped in thick ink, and finally use the center to outline the bird's beak and feet, and point out the eyes. For flowers, such as chrysanthemums: use a pen dipped in light ink, the center of the pen to outline the petals, move from the stamen outward, pay attention to the size of the petals, the direction, the ink color should be different.

The techniques of Chinese painting of flowers and birds include meticulous observation, construction of form, sketching and building of the foundation, selection of degrees, grasp the charm, remember the characteristics, ink five colors, white drawing, etc.

1. Observe the details and construct the form.

When depicting various images, it is first necessary to observe the natural forms of various scenes, learn from the ancients and teachers to create and evolve at the same time, increase one's own cognition of imagery, and create momentum for the pen through observation and subtlety.

2. Sketch to build a foundation, and make trade-offs.

Sketching is not to paint directly according to the original state of plants, but to select and beautify the scenery on the basis of refining the scenery, so as to achieve the effect of emphasizing interest.

3. Grasp the charm and remember the characteristics.

As for the observation of birds in flower and bird paintings, it is necessary to summarize from the perspective of vivid and lively, and first observe the dynamic sense of birds, such as flying, singing, pecking, and so on.

These movements are the daily gestures of birds, and they are also important features that can express the mood of the painting, and these characteristics can be kept in mind.

4. Ink is divided into five colors.

The name of the Chinese painting technique. It refers to the use of water to adjust the multi-level shade of ink dryness and wetness.

The language seeps out of Zhang Yanyuan's "Records of Famous Paintings of the Past Dynasties" in the Tang Dynasty: "Ink and five-color tools." "Five colors" are different, or refer to burnt, thick, heavy, light, and clear; or thick, light, dry, wet, black; There are also those with the addition of "white", collectively known as "six colors".

In fact, it refers to the rich variety of ink colors.

In the Qing Dynasty, Lin Shu used the same amount of ink, placed it in five bowls, and added an unequal amount of water to distinguish the shade in painting, which is inevitably mechanical.

5. White drawing. The name of the Chinese painting technique. Originated from ancient "white paintings".

It is mainly used to draw figures or double-hook flower and bird paintings. Gongbi Cong sedan car paintings are all based on white drawing, which is actually related to the double hook of calligraphy. Wu Daozi in the Tang Dynasty and Li Gonglin in the Song Dynasty developed it into an independent art form.

Hook the object with ink line, and do not apply color, it is called white drawing. For example, Wu Daozi in the Tang Dynasty, Li Gonglin in the Northern Song Dynasty, and Zhao Mengfu in the Yuan Dynasty, the characters made by them, swept away the powder, light ink, strong and round, transcendent and vulgar, and pushed as a master of white drawing. There are also some that are slightly rendered with light ink.

The flower and bird painting techniques of Chinese painting mainly include hooking lines, leaving blank spaces, boneless and hooking branches and leaves.

1. Hook line. Drawing lines is the skeleton of flower and bird painting, no matter what style of flower and bird painting, drawing is extremely important, such as gongbi flower and bird painting must use lines to outline and shape objects. Hooking refers to the use of soft bristles or brushes to show the length of the line, straightness, thickness, square circle and the virtual and real changes of the line, etc., remember not to use dyeing to make up for the lack of hook in the painting, the hook line is a great test of the painter's ability to grasp the shape, and the shape is scattered.

2. Leave blank. In Chinese painting, whether it is landscape painting or figure painting, the use of blank space is extremely crucial, so the picture should not be too full. Leave an appropriate blank space to leave a kind of association, and the picture becomes richer and more vivid, such as Ma Yuan's "Hanjiang Solo Fishing Picture" is just a small boat and a fisherman, and a large amount of blank space gives people infinite reverie, as if the whole frame is full of mist.

3. Boneless and delineated leaves.

Boneless mainly refers to not using lines to outline the shape of the object, but directly using color to draw the shape of the object, this kind of technique requires the painter to grasp the shape and meaning more exquisitely, and is mostly used in freehand flower and bird painting. The difference between hooking and dotting leaves is that the flowers are mainly painted by outlining, and then the leaves are dyed with ink or pigment, which is mostly used in the painting style of part-time work and writing.

The techniques of Chinese painting flowers and birds include: white drawing, fine brushwork, freehand, boneless, splashing ink, dot dyeing to know the rest of the calendar, blending and so on.

1. White drawing: Use ink lines to outline the outlines and details of flowers, birds and beasts and other objects, without applying color.

2. Gongbi: Use meticulous brushstrokes and strong colors to depict flowers, birds and beasts and other objects, paying attention to details and layering of colors.

3. Freehand: Use concise, summarized brushstrokes and elegant colors to express the charm and temperament of flowers, birds and beasts and other objects, and pay attention to expressing the painter's emotions and artistic conception.

4. Boneless: Use color and ink to directly draw flowers, birds and beasts and other objects, without emphasizing contours and lines, and pay attention to the overall sense of objects and the hierarchical changes of colors. Destruction.

5. Splashing ink: using splashing ink, sprinkling ink and other techniques to express flowers, birds and beasts and other objects, focusing on the form and texture of the object.

6. Spot dyeing: Use a brush or brush to lightly dye the color to form a sense of hierarchy and three-dimensionality.

7. Smudge: Use a brush or brush to gently blend the color at the edge or center of the color to form a gradual search effect and three-dimensional effect.

Classification basis of Chinese painting:

The "painting is divided into three sections", figures, flowers and birds, and landscapes, which are ostensibly classified by subject matter, but in fact, they use art to express a concept and thought. The combination of the three forms the whole of the universe and complements each other. This is a philosophical reflection sublimated by art, and it is the true meaning of art for art.

The so-called "painting is divided into three disciplines", that is, it summarizes the three aspects of the universe and life: figure painting shows the destruction of society by human beings and the relationship between people; Landscape painting expresses the relationship between man and nature, integrating man and nature into one; Flower and bird paintings represent all kinds of life in nature and live in harmony with people.