How do you find the best angle when taking a photo?

Three-quarters of the face of the beauty "Have you heard of it?"

**The angle not only plays an important role in expressing the content of the shooting, but also is an indispensable and important part of forming a beautiful composition. Different shooting angles can make great differences. Changing the angle can directly affect the structure of the picture.

For example, at the same distance, at the same height, with the same focal length, the lens uses the elevation, flat, and low angles to shoot three shots**, although the front and rear scenes do not change, and the content included in the picture is different.

If you take three more shots at different heights and at the same distance with elevation, flat, and low angles, you will find that the foreground and background have changed greatly. This means that the camera has different angles from the subject and produces different effects. The angle of the camera directly affects the change of the horizontal line and the depth of the space in the picture.

Now let's talk about the effects of using the angles of looking down, looking up and looking up. Looking down, i.e., taking a picture with the camera positioned higher than the object and shooting from top to bottom. It is characterized by a wide field of vision, a large visible scene, a complete scene, and a view of the overall situation.

This method is mostly used to shoot large scenes, such as large-scale grain harvests, grassland tribes and herds of livestock, transportation hubs, water surfaces, etc. If the depression angle is large, there is no wide scene, but it also has its own unique effect when shooting special subjects.

1. When shooting slowly, don't shoot down from above, because this will reduce our height to a certain extent, and when we shoot, the camera can go down slightly, so that the ** can show our height.

2. When shooting from the side, the lens should not be too close to the point of pick-up, too close will not only make the picture lose its sense of balance, but also lose its sense of beauty, the method is actually very simple, we can appropriately stay away from the point of pick-up.

3. If you are taking back photos, it should be noted that this kind of ** is generally mostly occupied by scenic spots, and the back accounts for a small part, so when we are framing, we must choose a suitable location for shooting, and most of the cameras are good for scenic spots.

4. If you want to take a side portrait of the person, then when we shoot, we must move the camera forward slightly, because the ** shot in this way will not show that our face is fat, on the contrary, the ** shot will show our fat face.

5. When taking pictures of the human body, do not shoot directly, because direct shooting will not only not let us integrate into the picture, but also make our body have a certain sense of disobedience.

When taking pictures, we can hold the camera and tilt back slightly to choose the best angle to take a shot.

6. Fixed photography, this method is generally used for us to take pictures that require a huge waiting disturbance, waiting for the most beautiful picture to appear at that moment to capture it perfectly, in the face of this situation, we can fix the camera in the appropriate fill light and shoot the highest venue.

1. Generally speaking, the best effect of shunguang photography and sidelight photography is better limb search, (shunguang means that the sun is behind you, side light is at a certain angle with the light, and backlight is opposite to the light) and backlight photography will shoot black shadows when it is done well.

2. When you visually see that the scenery is good, you should consider the direction of light.

3. For landscape photography, you'd better have a camera with a strong wide-angle end, and the wide-angle end should be 28mm (the smaller the better), because the smaller the wide-angle shot, the larger the single-** frame.

Shooting skills: 1. Since the mobile phone is a fixed-focus wide-angle lens, its shooting has particularities. The basic composition is the same as that of a general phase-liquid grip, and it is generally necessary to place things in the position of the ** dividing line (6:4).

2. However, because it is a wide-angle leakage lens, it has its advantages in shooting scenes, and its framing range is relatively large. However, when shooting close-ups, especially flowers and people, the lens can be distorted and distorted.

3. Therefore, when shooting people, you need to leave a certain distance, and you can use digital zoom if necessary.

The angle of shooting ** is roughly divided into three kinds, one is head-up called flat shooting, at this time, your mobile phone and the human perspective are horizontal and parallel. There is also a kind of upward gaze, which is called upward shooting, your mobile phone is tilted upward, and your Bu Chen's camera shooting under the person can make the person more chaotic and disadvantaged. There is also a top-down view, this kind of godfather shooting your phone is higher than the normal human viewing angle.

Shooting angles include shooting height, shooting direction, calendar assignment, and shooting distance. The shooting height is divided into three types: flat shot, top shot and upward shot. The shooting direction is divided into front angle, side angle, oblique side angle, back angle, etc.

Shooting distance is one of the factors that determine the parting of the scene. The above are collectively referred to as geometric angles. There are also psychological perspectives, subjective perspectives, objective perspectives, and subject-object perspectives.

It is the photographer's key work to select and determine the shooting angle at the shooting site, and different angles can get different modeling effects and have different performance functions. The angle can be reproduced or exaggerated, and the large pitch and elevation have special expressive significance.

1.Flat angle, also known as the general shooting angle, is to shoot the object at a position that is level with the camera lens. The picture from this angle is easy to make the audience feel identified and feel like they are in it.

2.Elevation angle Elevation shooting is to place the subject on the horizontal line, and the camera is in a trouser return position below the eye level, that is, to shoot from a low place to the upward elevation angle. This angle gives the viewer the impression that the photographic object is tall, strong, and energetic.

This kind of picture is generally used for the shooting of scenes of people and objects, which makes people look tall and heroic.

3.Depression angle In contrast to elevation angle, when shooting with an elevation angle, the subject is placed below the cameraman's eye level, from a height down.

What are the shooting angles and what are the effects of the shooting angles?

In the art of television photography, the angle of view is a very unique and important modeling element. The photographer is constantly working selectively in the world he faces. The television images he chooses reflect the photographer's subjective intentions and creative style, as well as the photographer's level of artistic appreciation and ability to paint materials.

Among them, the choice of camera shooting angle is crucial. The photographer's choice of shooting angle is actually the selection and determination of his "work" (i.e., the TV screen), and the different shooting angles directly determine the main contours and linear structure of the image on the screen, as well as the light and shadow structure, positional relationship and emotional tendency of the screen. It can be said that the photographer can use ***:

The full short ** watermark removal, the emotion and conception of the image are combined with the creation and imagination of the image form. The active shooting angle of the camera creates a very rich and varied image format that changes the habitual world in the eyes of people. For the same subject, modeling performance in different directions and angles will result in different visual images and framing of the Changzao liquid structure.

Moreover, this change is not chaotic and certain rules can be explored. The shooting angle can be understood in two ways: one is the geometric angle formed by the camera and the object, and the other is the psychological angle formed by the camera and the object.

The geometric angles captured by the camera include vertical plane angle (camera height) and horizontal plane angle (camera orientation). The psychological angle captured by the camera can be divided into objective angle and subjective angle.

Hello, you need to judge the shooting angle, you can see from the entire shooting structure of the project, if it is an online shooting hole, there will be an angle on the Internet, if it is a downward shot, it will have an upward angle, I hope I can help you.

According to the scene ingested in the ** side hunger difference, if the range is very large, the limb can stand in a relatively distant, parallel place, and it is a level-level angle of transporting the skin. There is also the place where the white space is left, and if the white space is left on it, it may be the angle of looking up.

Distance is a matter of distance, that is, the distance from the SLR camera to the subject, and the shooting distance determines the size of the final ** range of the scene. When it comes to portrait shooting, it is a full-body photo, a half-length photo, a close-up, etc. For example, if you want to explain the background and other information, you will use panorama or bridge megapanorama when shooting portraits, and when the background is cluttered, half-length photos or close-ups are often used to simplify unnecessary elements and make the characters more prominent.

The shooting angle of photography refers to the direction of the photographed subject, which can usually be divided into four basic angles: front, side, high and low. Take a positive portrait of a person with a smile from a positive angle, focusing on the width and contour of the person's face; When shooting a full-body portrait, the lens focuses on the broad outline of the human body, as the lens contains the body.

From a**, you can see the banquet from the shooting angle of this**, such as the front, side and back, etc., which can be seen, because Mu Xiangzi has a lot to do with this item or with this person's swift posture.

Angle of taking a picture:

Generally speaking, the best effect of forward light photography and side light photography is better, (forward light means that the sun is behind you, side light is held at a certain angle with the light town, and backlight is opposite to the light) and backlight photography will shoot black shadows when it is done well.

When you see that the scenery is good, it is time for Yu Zai Bi to consider the direction of the light.

For landscape photography, you'd better have a camera with a bit more power at the wide-angle end, and the wide-angle end should be 28mm (the smaller the better).

The shooting angle is divided into horizontal angle tremors, the first front angle, the second side angle, and the third oblique angle are the back angle. The second is the angle of the or, and the third is the angle of elevation.

Generally speaking, the best effect of forward light photography and side light photography is better, (the sun is behind you, the side light is at a certain angle to the light, and the backlight is opposite to the light) and the reverse light photography will shoot a black shadow when the photo is good.

When you see a good view, it's time to consider the direction of the light.

For landscape photography, you'd better have a camera with a strong wide-angle end, and the wide-angle end should be 28mm (the smaller the better).

This you can shoot from the position of **, and then check, generally speaking, this atmosphere, the shooting angle of this ** is distinct, the reverse tan accompanies the light and the light, your light is not clear, so it is better to follow the light, let the slippery Generally speaking, everyone's ** shooting angle will choose the angle of the light.

Thank you for your answer. Very satisfied, clear and clear, like.

Finding a good angle to include all the things you take and exclude the things you don't need to take pictures from.

The best angles are not fixed

For example, if you're photographing a person, and everybody has their own angle, you need to find out which angle is the most beautiful when they're taking pictures.

Photography requires an eye for discovery.

Watch more, shoot more, think more.

It won't be long before you'll shoot really well**.

Tianshan Snow Lotus said bai

Very good, talked about framing du

and composition. zhi is just a little bit of the characteristics of light, so I'll add it here.

There are four directions of light in photography: frontal light, 45° side light, 90° side light, and backlight.

Among them, the frontal light is also called flat light, and the effect is an image with almost no tones and layers. It is important to note that shadows tend to develop on faces when shooting portraits in the middle of the day, and the solution is to fill in the light with a flash or reflector.

The 45° side light can produce a good interaction of light and shadow, resulting in a good three-dimensional effect, which is regarded as "natural light". It is also considered by many to be the best type of light for portrait shooting, usually occurring at 9-10 a.m. and 3-4 p.m.

90° side lighting is a dramatic light used to emphasize the strong contrast between light and dark.

Backlighting is the effect of light coming from the opposite side of the camera or behind the subject, causing the subject to become a black silhouette. It should be noted that when shooting with backlight, you need to take into account**, that is, you can capture the details of the image.

Here are some theories, and some of my shooting experience for your reference.

Look with your heart You can't just look with your eyes.

The choice of shooting angle includes the choice of shooting direction and shooting height. The choice of angle is very important in portrait photography. A slight change in the angle of the shot can have a noticeable effect on the subject's image and posture.

The choice of shooting direction refers to the change in the front, back, left, and right positions of the camera in the horizontal position, centered on the subject. Sometimes, you can also ask the subject to change the direction to get a different direction. In portrait photography, the choice of shooting direction is mainly as follows:

The frontal shot uses the frontal direction to shoot the subject, which can well express the positive features of the subject, and all parts of the person's face are in an equal symmetrical position, giving people a sense of quietness, solemnity and solemnity.

Front side view. This shooting direction is the most commonly used in portrait photography, because it can not only show the front structure and side structure of the subject, but also well show the ridge line that combines these two sides, so that the image, contour and three-dimensional effect of the subject can be fully expressed. The characters shot in this direction are not in the same position in all parts of the picture, so the shadow in the picture appears lively and full of changes, and the whole picture has a dynamic and obvious directionality. Side view.

When shooting, the camera is shooting at the side of the subject to show the side image of the subject, the line structure. Since this direction can fully express the side contour of the subject, this direction is also used when shooting silhouette people**. At the same time, side shots have strong momentum and directionality, so when shooting people moving forward at high speeds, they are often shot in the side direction.

Back photography is rarely taken from the back of the subject, and is only used in some special cases. Backside photography can show the features of the subject's back and guide the viewer's gaze to depth. When choosing the back direction to shoot a person, it is important to pay attention to the characteristics of the back of the subject.