What factors made Bresson the father of modern photojournalism

1.What is the famous photographic theory proposed by Bresson?

Bresson's famous photographic theory is that "form is content". He believes that the form and content of a work of art are inseparable, and the form itself is a means of expression and a part of the content of art. Therefore, in the creation of photography, it is necessary to pay attention to the unity of form and content, and let form become one of the ways of expression of content.

2.What does Bresson's theory have for photography?

Bresson's theory tells us that when creating photography, we should pay attention to the form of composition, light and shadow and color, and convey the content through the form, so that the content has a deeper meaning and value. At the same time, it is also necessary to pay attention to the content itself, and the theme and meaning are the most important creative purposes.

3.How to achieve the unity of form and content in photographic creation?

Achieving the unity of form and content requires photographers to take both form and content into account when shooting. Specifically, you can start from the following aspects:

Choose a subject: The subject should have a certain value and meaning, which can be expressed through composition, light and shadow, or color.

Conceptualize the composition: Composition is a key factor affecting the visual effect, and the photographer should choose the appropriate composition according to the subject matter to make the image form better convey the content.

Use light, shadow and color: Light and color are key factors that affect the expressiveness of an image, and photographers should decide whether to use light, shadow and color to highlight the subject and convey meaning based on the subject matter and the scene.

4.What is Bresson's photographic style and representative works?

Bresson is one of the most iconic photographers of the 20th century, and his photographic style is unique, advocating the capture of moments, the pursuit of concise and clear images, and the depth of expression. His representative works include "New York", "The Magician", "Violinist", etc., most of which are black and white photography, which is full of artistic sense and expression.

5.What does Bresson's theory teach to contemporary photographers?

For contemporary photographers, Bresson's theories remain very important. In today's field of photography, although technology and tools have advanced greatly, the essence of photography has not changed, and content still needs to be expressed through form. Therefore, photographers should pay attention to the use of composition and color in their creation, and grasp the best way of expression to achieve better artistic results.

At the same time, we should always pay attention to the content of the work, so as to achieve the unity of form and content, so that the work has a deeper meaning and value.

6.What I think and feel.

Bresson was an innovative photographer with a deep understanding of the art of photography. His theory of "form as content" has provided important ideas and methods for photographic creation, and has influenced generations of photographers. In today's digital age, despite the earth-shaking changes in creative methods and technologies, Bresson's theories can still cause us to think deeply and enlighten about the creation of such brilliant works of art.

Bresson has been called "the reporter of the human comedy". On the rue de Muftar in the Latin Quarter of Paris, he photographed a boy returning from buying wine for his father. He held two large wine bottles, walked briskly, and his triumphant demeanor revealed the innocence and cuteness of a young man.

Even under the gaze of the neighboring girls, and even some made fun of him, he still strutted and was full of optimism in life. He has many works of this kind that express the innocent emotions of children and teenagers. Bresson thinks:

Of all the methods of expression, photography is the only one that can fix the precise and fleeting moment in the slightest. Bresson's use of capture is closely linked to his aesthetic vision of photography. It should be clear that the creative technique and a certain creative method, and the creative tendency is both related and different.

Both capturing and posing can create works that are either real or false, and the key lies in the photographer's ideological views and aesthetic standards. Between 1932 and 1934, Bresson photographed a large number of famous works that Peter Gallas called "the leitmotif of modern art". He began to pay attention to subjects chosen by early French, Spanish, and Mexican photojournalists, who not only focused on reporting and creating news spots, but also fused the moment with ordinary life into a visual aesthetic.

His famous work, "The Lonely French Cyclist" and another painting of children playing among the ruins, have this feeling.

Photography represented by Bresson has become a thing of the past, and now it is mostly photography enthusiasts.