Appreciation of the second paragraph of Three Gorges .

The author uses the phrase "700 miles from the Three Gorges" to explain both the object and the overall length. Write the mountain first, write the "connection" of the mountain with "the mountains on both sides of the strait, there is no place in the distance", "the heavy rocks are stacked, the sky is hidden and the sun is hidden" to write the "high" and steep of the mountain.

Water is the eye of the mountain. The author writes about water according to the natural season, first writing about the summer when the water is the greatest and most urgent. Use "Summer Water Xiangling, Blocking along the Trace" to describe the danger of the water potential, the high water level, and the urgency of the water flow.

The White Emperor of the Dynasty, twilight to Jiangling, during which 1,200 miles, although taking the wind to resist, not to the disease", through contrast, exaggeration more prominent the disease of the water flow after the river surge in summer.

Then write about the spring and winter when the water potential is decreasing, and the Three Gorges at this time can be summed up by the word "show". "Su Tuan" and "Green Pool", two colors, two modalities, intertwined with movement and static, with sharp contrasts; "Strange cypress", "hanging spring" and "waterfall", also the number of Huai is lacking is static and moving, sound and color, the mountains and rivers and trees converge in it, it is a wonder.

"Three Gorges" uses concise and vivid pen and ink to write the majestic and dangerous, quiet and beautiful scenery of the Three Gorges. The author grasps the characteristics of the scenery to describe. Writing about the mountains highlights the characteristics of continuous and obscuring the sky. Writing about water depicts different scenes in different seasons.

The author wrote this only to sketch a background for the "Hanging Spring Waterfall". The mountain is quiet, the spring is flying, the cypress is strange, the water is strange, there is movement in the stillness, the sound and color are varied, the mountains and rivers match, constitute a picture of upright and detachment, which is very interesting with the "plain turbulent green pool, the reflection of the clear return". Finally, the author concludes:

The water is clear, the wood is young, the mountains are steep, and the grass is lush, which is really interesting. In extremely concise four characters, four kinds of scenery are written, and each has its own characteristics, and the author's state of mind is derived from the scenery.

The article writes about the mountains first, and then the water, and the lead debate has a natural layout and clear ideas. Writing about water is written in different seasons. In the rhythm of the article, it is also dynamic and static, swaying and colorful.

The lofty peaks, the turbulent rivers, the clear clear water, the hanging waterfalls, the mournful ape songs, and the sad fishing songs constitute a picture of different styles and natural harmony, giving readers a deep impression. The quoted poems show the characteristics of highlighting the high mountains and long waters, and at the same time render the sad and desolate atmosphere of the autumn colors of the Three Gorges.

This poem shows the poet's adversity and emotional depression at that time. In the first four sentences, the poet uses bold and exaggerated techniques to depict the magnificent scenery of Wushan Mountain high into the sky and the rushing river of Ba Shui. "Wushan sandwiches the blue sky", and the word "clip" is used extremely well, which not only writes the situation of Wushan is steep and covers the sky, but also contains the image of the poet sighing for the blue sky.

Ba Shui Liuruoz", containing helplessness. The third and fourth sentences do not mean that Ba Shui can reach the end, but write the scene of Ba Bi selling the water and the boat being delayed. "Ba Shui can be exhausted", with the word "suddenly", the mountains and rivers turn around, all in front of you; "There is no time for the blue sky", which is both realistic and lovely.

These two poems gradually transition from the description of the objective scenery to the subjective lyricism of the poet, that is, from the scene to the feeling, to melt into the scene, to achieve the integration of scenes.

The second half of the poem is paired.

The third and fourth sentences of poetry are further elaborated. "Three upwards on the cattle, three twilight is too late", clearly writing that it is difficult to sail against the current, and the boat is slow, which actually expresses the poet's feelings and mentality. The fifth and sixth sentences not only use intertextual penmanship to write about the morning and dusk rush, but also imply the continuation of time:

I didn't get far by getting up early and rushing until the evening. "I don't feel that my temples are silky", writing that the poet is sad because of the slow sailing, which contains the difficulty of time and the feeling of adversity. The last two sentences are blended with scenes, not only describing the scene, but also expressing feelings, from which we can feel the poet's sad and indignant state of mind.

In the poem, "three dynasties and three dusks" are repeated continuously, which has the feeling of a boatman's horn. In ancient times, there was a ballad that said: "Cattle in the morning, cattle in the evening."

Three days and three twilight, the scalper is the same. The last four lines are derived from this folk song. However, the ancient ballad refers to the slowness of the boat journey, and Li Bai's poem not only says that "the three twilight journeys are too late", but also "unconsciously the sideburns become silk", and the hardships of the journey and the melancholy mood make the poet's sideburns turn white unconsciously.

This skillfully combines objective narrative and subjective lyricism, implicitly and euphemistically reflecting the poet's sad mood at that time.

Scholar Wang Guowei said in "Words in the World": "In the past, when people talked about poetry, there was a difference between scenery and love language, and I didn't know that all scenery and love language were love words. In Li Bai's poem "Upper Three Gorges", the contrast is "Xia Jiangling" ("Early White Emperor City"), the latter is a famous poem written when he suddenly heard the pardon book in the mobile game and immediately returned by boat.

"On the Three Gorges" was written in the poem ** on the way, the poem describes the steepness of Wushan, the twisting of the water, the delay of the boat, and the whiteness of sorrow. The exiles felt that the adversity was difficult, and the mood was resentful, and the magnificent scenery was diminished. "Xiajiangling" is the poem ** on the way to suddenly hear the pardon book, and then took the boat back to the east when written, the city is high into the clouds, the morning light is bright, the weather is cheerful, and the boat is brisk.

"A Thousand Miles in a Day" is the subjective feeling of the poet's relaxed mentality, and the joy is vividly rendered. The same poet, the same scenery, but the weather is very different, which is a vivid portrayal of "blending into the scene".