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His credit is not limited to this, but to open up the road of the Erwang calligraphy style, and to impress the development of calligraphy in later generations, we will first analyze the art of calligraphy itself. The wonder of Wang Xizhi's calligraphy lies in the fact that his brushstrokes are exquisite, and the movements of the pen are delicate and complex, but they give people a sense of peace and nature, euphemism and subtlety, and beauty and beauty. It has become a glorious page in the history of the development of Chinese calligraphy.
There is no need to delve into Wang Xizhi himself, he has become a household name.
Chunhua Pavilion Post" is referred to as "Pavilion Post". For more than 2,000 years since the Qin and Han dynasties, most of the authentic works of the law have been lost and extinct. "Pavilion Post" preserves the famous family law books that have been extinct for future generations.
There are historical records: "Wang Xizhi's authentic works in the Tang Taizong (Li Shimin) period, there are still thousands of papers." By the time Song Taizong (Zhao Guangyi) published the "Pavilion Post".There are only one hundred and fifty or sixty pieces, including a large number of facsimiles.
Wang Xizhi's Lanting preface was publicly recommended as the world's first line of books in history, first of all, because it was really well written, and secondly, Lanting Book is still a representative work of mature calligraphy, and Wang Xizhi is completely mature in this line, this status is supreme, and even if it is written well, I'm sorry, I'm the founder, you learned me.
First of all, we must exclude some popular so-called "No. 1 in the world" such as Ouyang Xun, Ouyang Tong father and son; Mi Fu, Mi Youren father and son; Zhao Mengfu, Zhao Yong father and son; Wen Zhengming, Wen Peng father and son, etc. Historical comments are that the son is not as good as the father a lot, and I have not heard of such comparisons as Erou, Ermi, Erzhao, Erwen, etc. Known as the "two kings", there are only Wang Xizhi and Wang Xian's father and son in the history of books.
The interference of tunnel sounds that cannot be verified by anyone's mouth and does not conform to the laws of art, as well as the exaggerated rhetoric deliberately advocated by the imperial power out of ideological considerations.
Wang Xizhi's calligraphy is much more sought after than Wang Xianzhi. I'm one of them. Wang Xizhi's calligraphy is not exciting, peaceful and hearty.
If you like Wang Xian's style, there's nothing wrong with that. Ranking calligraphy is a pointless task. Even the current mobile phones have hard indicators, and they can't be ranked as a whole recognized.
What's more, calligraphy is completely the subjective feeling of the benevolent and the wise.
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Wang Xizhi is a famous calligrapher and has many hand-me-down works. I listed the main "Lanting Collection Preface", "Peace Post", "He Ru Post", "Feng Tangerine Post", "Fast Snow Time Eye Post", "Gain and Loss Post", "Funeral Post", "Two Xie Post", "Xing Sui Post", "Frequent Sorrow Post", "Confucius Waiter Post", "Aunt Post" and ......
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Orchid Pavilion Preface, Peace Post, Aunt Post, Confucius Post, Deshi Post, etc. have all been made into divine products by later generations.
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Wang Xizhi's calligraphy works include: "Sunny Post in the Fast Snow", "Cao E Tablet", "Huang Ting Jing", "Seventeen Posts", "Confucian Servant Post", "Le Yi Treatise", "He Ru Post", "Peace Post", "Buddha's Relic Sutra", "Post After the Rain", "Le Yi Treatise", "Lanting Collection Preface", "Xing Sui Post" and so on.
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Orchid Pavilion Preface", "Holy Religious Order", and "Sunny Post When the Snow is Fast" are all precious works left by Wang Xizhi, and the handwriting inside is clear and very neat.
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Wang Xizhi Bai was born in a famous aristocratic family in the Jin Dynasty, and he loved calligraphy since he was a child. He once copied a number of calligraphy calligraphy calligraphy and carefully studied the characteristics of their calligraphy. He also specialized in studying the cursive script of the Han Dynasty calligrapher Zhang Zhi, and he had a lot of experience.
Wang Xizhi is not only good at learning the strengths of calligraphy in the past dynasties, but also has created his own calligraphy art style after hard research. He painstakingly pondered the spacing, structure, strokes, and momentum of the typeface, and whenever he had time, he put shoes on his clothes. As the days went on, the clothes were torn.
Later, he went to Yongjia to be an official, and he always practiced calligraphy hard by the pool. After each practice, the pool of water in the pool turns black, which is called the "ink pool". In this way, he finally achieved brilliant achievements in the art of calligraphy.
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Wang Xizhi changed the regular script, developed cursive script, and established the status of the line script.
This question tests the ability to compress a paragraph. From the short article, we learn that Wang Xizhi has made great contributions to calligraphy, mainly in three aspects, namely regular script, cursive script, and line calligraphy, plus verbs, and the answer can be sorted out, and it must not exceed 30 words.
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Praise Wang Xizhi's spirit of assiduously studying the art of calligraphy.
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Wang Xizhi (Eastern Jin Dynasty).
Ouyang Xun (Tang Dynasty).
Yan Zhenqing (Tang Dynasty).
Liu Gongquan (Tang Dynasty).
Zhao Mengfu (Yuan Dynasty).
In fact, there were many calligraphers in the Tang Dynasty.
All of them are from the Tang Dynasty
There were also many in the Song Dynasty.
Song Sijia is the four masters of calligraphy: Su Shi, Huang Tingjian, Mi Fu, Cai Xiang, referred to as Su Huang Mi Cai.
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Su Huang Mi Cai, one of the four great calligraphers of the Northern Song Dynasty. Su Shi, Huang Tingjian, Mi Fu, Cai Xiang.
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Yan Zhenqing, Ouyang Xun, Wang Xizhi, Liu Gongquan.
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Yan Zhenqing, Zhao Mengfu, Liu Zongyuan, Huang Tingjian.
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Zhang Xu, Yan Zhenqing, Liu Gongquan, Ouyang Xun.
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Yan Zhenqing, Liu Gongquan, Ouyang Xun, Chu Suiliang.
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Wang Xizhi (Eastern Jin Dynasty).
Ouyang Xun (Tang Dynasty).
Yan Zhenqing (Tang Dynasty).
Liu Gongquan (Tang Dynasty).
Zhao Mengfu (Yuan Dynasty).
In fact, there were many calligraphers in the Tang Dynasty.
All of them are from the Tang Dynasty
There were also many in the Song Dynasty.
Song Siran and his family are the four masters of calligraphy: Su Shi, Huang Tingjian, Mi Fu, Cai Xiang, referred to as Su Huang Mi Cai.
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