What techniques did Shiqu Ji use to describe the quiet and deep realm?

The Story of the Stone Canal wrote about the three landscapes of swimming fish, pond water, and surrounding scenery, and the author used the technique of supporting things to describe the quiet and deep realm.

The Legend of the Stone Canal is a Tang Dynasty essayist Liu Zongyuan.

He created an essay, "Yongzhou Eight Notes".

CHAPTER VI. The article describes the author's exploration of the secluded and beautiful scenery along the canal, and expresses the author's feelings of exploring the strange and winning, broadening his mind, and pursuing the beautiful scenery to express the depressed atmosphere in his chest.

Original text: Self-thirst can not go southwest for a hundred steps, and get a stone canal. On the civil bridge.

There is a spring that is secluded, and its sound is big and thin. The width of the canal, or a few feet, or a double ruler, its length can be ten steps. It flows to the boulder and goes out of it.

There is a stone Hong over the stone, Changpu is surrounded by it, and the green moss is circumferential. He turned west again, sunk under the rocks, and fell north into a small pool. The width of the pond is reduced by 100 feet, and there are many perch fish in the clear and deep.

and the north bend is more than a line, as if it is endless, and then dies into thirst. Its sides are all strange stones and strange trees, strange flowers and beautiful arrows, can sit and sit in a row. The wind shakes its peak, the rhyme moves the cliff valley, the sight is quiet, and its listening is far away.

To get it from the state pastoral, you know to take away the decay, cut the soil and stone, both worship and burn, both drunk, regret that it has not begun to pass on the people, so the memory of its belonging, the bereavement of its people, the book of its yang, so that the good things in the future can be easy.

On the eighth day of the first month of the seventh year of Yuanhe, the canal went to the big stone, and on the 19th day of October, the stone was passed to the stone and the small pool. The beauty of the canal is the beginning of the poor in the hall of the gods.

The article describes the author's exploration of the secluded and beautiful scenery along the Fuyu Canal, and expresses the author's feelings of exploring the wonders, broadening his mind, and pursuing the beautiful scenery to express the depressed atmosphere in his chest.

The article describes the author's exploration along the canal and the pursuit of beautiful scenery. It expresses the author's feelings of exploring the wonders, broadening his mind, and pursuing the scenery to express the depression in his chest.

Vernacular translation. Less than 100 steps southwest from Yuan's thirsty pond, I saw a stone canal, and the people built a temporary bridge over the stone canal. There is a spring that flows quietly, and the sound of its flow is sometimes loud and sometimes small.

The width of the fountain is sometimes one foot, sometimes it is two feet wide, and its length is about ten paces. When its water encounters a large stone, it overflows over it.

Jumping over the big rocks and walking further, you will find a stone pool covered with calamus and turquoise moss surrounding the stone pool. The water turns and flows westward, flowing into a crevice on the edge of the rock, and finally into a small pool on the north side like a waterfall. The small pond is less than 100 feet in circumference, and the water is clear and deep, with many fish swimming quickly.

The canal detoured a little further to the north, and when it looked oblique, it seemed to have no end, and finally flowed into the thirsty pool. One side of the pond is full of strange stones, strange trees, strange flowers and plants, and beautiful small bamboos, where people can sit side by side and rest. The wind stirs the treetops, and the melodious sound echoes between the cliffs and valleys.

It was already quiet, and the sound of them being blown by the wind only spread in the distance.

I followed the Yongzhou Taishou to discover it, and pushed away the gloomy dense forest and rotten wood, excavated and dredged the silt and rocks, piled up the rotten wood and grass and burned it, and the water in the stone canal was very full. Unfortunately, there was no one to write about it, so I wrote it all down and left it to the craftsmen to engrave it on the stone on the north side of the pond, so that it could be easier for those who like to travel in the future to see it.

On the eighth day of the first month of the seventh year of Yuanhe, it was dredged from the canal to Dashi. On October 19, the stone pool was discovered over the stones, and the beauty of the stone canal was thus all displayed to visitors.

Writing background. Liu Zongyuan was demoted to Yongzhou as Sima in the first year of Tang Xianzong's first year (806) for participating in Wang Shuwen's reform movement. After arriving in Yongzhou, his mother died of illness, Wang Shuwen was executed, and he himself was constantly slandered and attacked by the rulers, and his mood was depressed.

The mountains and rivers of Yongzhou are strange and dangerous, and many places are still little known. During this long period of sin, Liu Zongyuan traveled everywhere, searching for curiosities and victories, so as to broaden his mind and get spiritual comfort. The Eight Records of Yongzhou is the crystallization of this mentality, and this article was written in the seventh year of the reign of Emperor Zonghe of the Tang Dynasty (812).

The whole text is written about the stone canal, the stone pool and the small pool, although these three aspects of the scenery are in the same picture, but their characteristics are different. The author also writes about the stones, trees, flowers, and bamboos on the springs, with a particular focus on the depiction of the sound of the wind. The wind shook the tips of the bamboo trees, producing an enduring echo that shook the cliff valley, so that the reader turned from vision to hearing, and added a poetic beauty to those pictures-like scenes.

With movement against stillness, it also shows the quiet and deep realm. It makes people feel deep and quiet, such as being immersed in the scene on the side of the eyes. The characteristics of each of the three aspects of the scenery:

The characteristic of the stone canal is that it is narrow, so the spring water in the canal is also weak, and when it hits a stone, it does not stir up a huge wave, but lies down below; Shihong is characterized by being low-lying, so the water is deeper than the stone channel, and it is covered or surrounded by calamus moss; The small pond is characterized by its deep depth, so the water from the stone canal flows into the pond and you can see the fish inside. In addition to this, the author also wrote about the stones, trees, flowers, and bamboos on the springs, especially focusing on the depiction of the sound of the wind. The wind shook the tips of the bamboo trees, producing an enduring echo that shook the cliff valley, so that the reader turned from vision to hearing, and added a poetic beauty to those pictures-like scenes.

The symbol-numbered layout map depicts swimming fish, pools, and surrounding scenery.

Liu Zongyuan's landscape travelogue integrates his life experience, thoughts and feelings into the depiction of natural scenery, and invests the author's own figure, borrowing the beautiful scenery abandoned in the remote area to convey his own misfortune and pour out his resentment and depression. This article is the fourth in Liu Zongyuan's "Yongzhou Eight Records", which maintains the consistent style of "Yongzhou Eight Records", with meticulous observation and meticulous description. Xiao Qi's appearance, pass on his god.

The article first writes about the scenery you see, then depicts the swimming fish and the pond water with a close-up shot, and then writes about the scenery on the pond and your own feelings, and writes about the deep and cold scenery and atmosphere of the small stone pond and its surroundings. In addition, the author also conveys his lonely and sad state of mind in the writing scene, which is a masterpiece of scene blending. The whole text is lonely and quiet, depressed and falling, like a scene, but in fact it is a heart.

Although the article depicts the swimming fish in the pool only a few sentences, it is extremely accurate to write the emptiness and clarity of the pool water and the shape and posture of the swimming fish. In addition, the penmanship of the fish in the pond is wonderful, none of the strokes involve the water, only the fish is "empty swimming and nowhere to rely on", then the water is clear and transparent, the vivid and expressive of the fish, all have their own wonderful, the artistic conception is deep, and it is amazing.

Eldest brother. I'm only in 6th grade, and I've been thinking about this for a long time, and I hope it helps! TOT You can also enter 9999 words.

1. The scene of this article is written in the order of tour observation, which is very natural: follow the sound to find the small stone pool, look around the whole picture and surrounding environment of the small stone pool, observe the swimming fish in the small stone pool, look at the water source of the small stone pond, and finally write the scene of leaving the small stone pool.

2. Grasp the characteristics of the scenery and depict it carefully and vividly.

Writing a small stone pond, everywhere from the word "stone" to the pen, but also shows its small face of the show.

It is depicted from multiple perspectives such as hearing, sight, and feeling. "Hearing the sound of water, such as singing a ring, the heart is happy. This article begins with a sound and feeling.

Before seeing its pool, I heard its voice first, and You Xing was stimulated. "The water is especially clear", "the green trees and green vines", "the sun is thorough, the shadow is on the stone", "the light is visible", the color of the scene, the light and shade changes are real and beautiful.

Writing scenes, staggered movement and stillness. The sound is dynamic, the stone is static, and the "swaying and uneven" is dynamic, the fish are still and moving, and the stream is still and moving, this picture gives people a deep perception.

Write the scene, the scene is blended, and the scene is allegorical. The reader appreciates the beauty of this scroll and places deep respect and sympathy on the author. That's the power of art.

Third, the writing is concise, the front and back should be taken care of, and the structure is compact.

Writing about the pool, everywhere reveals the clarity of the pool water, has a high transparency, and writes about the environmental atmosphere everywhere reveals the loneliness and seclusion here. The front and back should be integrated. The full text is less than 200 words, but the poetry and painting are integrated, so this account is the representative work of Liu Zongyuan's landscape travels, and it is also a masterpiece in China's ancient landscape travels.

Fourth, the side description sets off the scenery.

The fish in the pool can have a hundred heads, all of which are like empty swimming and have nothing to rely on. The sun is clear, and the shadow is on the stone. ”

Using the side description, "all are like empty swimming and nowhere to go" writes the characteristics of the small stone pond water that is crystal clear and clear.

The small stone pond focuses on the loneliness and sadness of the water, while the stone canal focuses on the clarity of the water.