Information on the author of Country April , who is the author of Country April

Updated on culture 2024-03-27
5 answers
  1. Anonymous users2024-02-07

    The author of "April in the Country" is the Southern Song Dynasty.

    Poet Weng Juan. Weng Juan's life was a life that he never met with talents, and he only participated in the imperial examination once in his life.

    But he didn't make the list, and later he was discouraged by the scientific research and made a living in cloth.

    In order to survive and for poetry, Weng Juan traveled all over the world in the suburbs of Wenzhou, Jiangxi, Fujian, Hunan and Jianghuai.

    and other places. Weng Juan is in Fuzhou, Jiangxi.

    Also stayed for a while.

    In Zhao Ru's "Southern Song Dynasty Qunxian Collection", there is a poem "Weng Lingshu Ke Linchuan has never heard of the village residence after visiting it". The poet Weng Juan lived in seclusion in a deep mountain village, where he built three or four small huts, planted some sorghum and trees, and wrote poems in peace.

  2. Anonymous users2024-02-06

    Weng Juan, a native of the Song Dynasty, continues to be ancient, and the word is Lingshu. The year of birth and death is unknown. Southern Song Dynasty Weng Juan poet.

    Yongjia (now a native of Daitou Village, Danxi Town, Yueqing City, Wenzhou, Zhejiang Province); has never been an official, and is known as Zhao Shixiu, Xu Zhao and Xu Ji"Yongjia Four Spirits", of which Weng Juan is the oldest. Since he did not participate in the imperial examination in his life, he only wore cloth clothes for life. According to Qianlong's "Wenzhou Mansion Chronicles" of the Qing Dynasty, the poetry collection includes one volume of "Weng Juan Collection", two volumes of "Xiyan Collection", and four volumes of "Wei Bixuan Collection".

    In fact, all three are the same book. Due to the long period of time, the banknote engraving has evolved, and finally collected as a book of "Wei Bixuan Collection". Seeing that the survivor has a copy of the "Yongjia Poet Ancestral Hall Series" compiled by Mao Guangsheng.

    The new edition has Chen Zengjie's "Yongjia Four Spirits Poetry Collection", which is relatively complete. [1]。[1]

    Liu Kezhuang, a famous scholar and poet of the Song Dynasty, criticized"Four Spirits"said:"The Yongjia poet tried his best to see Jia Island and Yao He's domain"("Preface to the Collection of Melon Garden"), but he has another evaluation of Weng Juan, he said in "Gift Weng Juan":"Not only good at Tang style, especially in the selection of physical workers.

    Sometimes a thousand things, only in a couplet. "There are only a few ancient style poems in the collection of Weng scrolls, such as "Si Yuanke", "Sending Liu Jidao", "Picking Medicine in the Mountains", "Rewarding Friends", "April in the Village", etc., and the five-character poems of the Han and Wei dynasties in Ku Xiao's "Anthology", but they lack personal characteristics. It's more about near-body poetry.

    There are a few songs in the Seven Absolute Songs that are quite beautiful, such as "Wild Hope":"One day the autumn color is cold and sunny Bay, and countless peaks and mountains are far and near. I went up the mountain to see the wildfire, and suddenly I saw the green mountains under the water.

    The song "April in the Country" is better known:"The green mountains are all over the white river, and the rain is like smoke in the sound of the sub-regulations. There are few idlers in the countryside in April, so the sericulture is planted again.

    It has a fresh and distant interest.

  3. Anonymous users2024-02-05

    Four o'clock pastoral miscellaneous" daylight out of the field and night performance where is the hemp, you cover the board, which family is reborn unsolved, for cultivation and weaving, and also learn to grow melons in Sangyin.

  4. Anonymous users2024-02-04

    Countryside April Song] Weng Juan.

    The green mountains are all over the white river, and the rain is like smoke in the sound of the sub-regulations.

    There are few idlers in the countryside in April, so the sericulture is planted again.

    Author's introduction] Weng Juan, the word continues to be ancient, the word Lingshu, a native of Yueqing, Wenzhou (now Zhejiang), a poet of the Southern Song Dynasty, and Zhao Shixiu, Xu Zhao, Xu Ji and called "Yongjia Four Spirits". Most of his poems emphasize skill, and the style of poetry is pure and hard. He is the author of 1 volume of "Xiyan Collection" and a copy of "Southern Song Dynasty Qunxian Collection"; "Wei Bixuan Collection", there is a copy of "Yongjia Poet Ancestral Hall Carving".

    The two episodes are different from each other.

    Notes】 Shiramangawa refers to the color of the water in the rice fields reflecting the light of the sky. River, flatland.

    Sub-regulation - cuckoo bird.

    It's just—just now...

    The mountain plains --- the slopes of the mountains.

    Sericulture Mulberry grows mulberry and raises silkworms.

    It's done.

    Such as—as if.

    The grass and trees on the hillsides and fields are luxuriant, and the water in the rice fields reflects the light of the sky. The sky was misty and rainy, the cuckoos were crying, and the earth was a thriving scene.

    April is here, no one is idle, and the sericulture matter has just been finished and the rice planting is about to be planted.

    Center] The whole poem highlights the intense and busy labor in the countryside in April. The whole poem is like a colorful picture, which not only shows the poet's love and praise for the rural scenery, but also shows his praise for the working people and working life.

    Appreciation] This poem writes about the scene of spring in the countryside south of the Yangtze River in white strokes, and the first two sentences focus on the scenery: green plains, white rivers, Zigui, and smoke and rain, and a few strokes outline the unique scenery of the water town in early summer. The last two sentences are written about people, and the image of farmers planting rice in paddy fields is mainly highlighted on the picture, thus setting off the tension and busyness of labor in "rural April".

    The front and back echo and interweave into a brightly colored picture. In the south of the Yangtze River in April, the hillsides are green, the fields are green, the green trees, the green grass, the green seedlings, what unfolds in front of the poet's eyes is a world dominated by green. On the green field, the canals crisscross and crisscross, overflowing, flowing, and white; The paddy fields full of water are also white rivers.

    As far as the eye can see, the green fields and the white water are all shrouded in a faint smoke. Is that fog? Smoke?

    No, it was a misty drizzle, and from time to time a few cuckoo calls came from the trees and the air near and far. The first two lines of the poem describe the scenery of the land south of the Yangtze River in early summer, with a broad vision and delicate brushstrokes; The tone is vivid, and the artistic conception is hazy; The combination of static and dynamic, color and sound. "The rain is like smoke in the sound of Zigui", the drizzle like smoke and fog seems to be called by the chirp of Zigui, which is especially rich in a sense of realm.

    There are few idlers in the countryside in April, so the sericulture is planted again. The last two sentences sing about the busy farming in the early summer in the south of the Yangtze River. Mulberry picking and silkworm raising and rice seedling planting are the two major agricultural tasks related to clothing and food, and now it is the busy season, and every household is busy.

    Don't overlook the last sentence of the poem, thinking that every family is the first to do a good job of picking mulberries and feeding silkworms, some people transport seedlings, and some people plant seedlings; Some people are sericulture first and then sericulture, some people are sericulture first and then sericulture, and some people are only busy with one of them, and there are few people.

  5. Anonymous users2024-02-03

    Rural April" Weng Juan (Song).

    lǜ biàn shān yuán bái mǎn chuān ,绿 全 山原 白 manchu 川,zǐ guī shēng lǐ yǔ rú yān 。

    The rain was like smoke in the sound of the sub-rules.

    xiāng cūn sì yuè xián rén shǎo ,村 四 月 idle 人 少,cái liǎo cán sāng yòu chā tián 。

    only then did the sericulture and the fields be planted again.

    Extended information: This poem writes the scene of the Mu Hunger Festival in the early summer of the rural area of the south of the Yangtze River (now Danxi Town, Yueqing City) in the white depiction technique, and the first two sentences focus on the scene: Green Plain, Baichuan, Zigui, Yanyu, and a few strokes outline the unique scenery of the water town in early summer.

    The last two sentences are written by people, and the painting limbs mainly highlight the rapid loss of farmers planting rice in paddy fields, thus setting off the tension and busyness of labor in "rural April". The front and back echo and interweave into a brightly colored picture.

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