What generation of poets are Wang Xizhi What are Wang Xizhi s poems

Wang Xizhi (303-361), Han nationality, the word Yi Shao, the number of Zhai, originally from Langya Linyi (now Shandong), later moved to Shanyin (now Shaoxing, Zhejiang), the official to the general of the right army, will be the internal history, is a great calligrapher of the Eastern Jin Dynasty, respected by later generations as the "sage of calligraphy". His son Wang Xianzhi's calligraphy is also very good, and people call them both"Two kings", another son, Wang Ningzhi, was the official to the left general, because he was the general of the right army, he was known as "Wang Youjun" and "Wang Huiji". Representative works include:

The regular script "Le Yi Treatise", "Huang Tingjing", the cursive script "Seventeen Posts", the line book "Aunt's Post", "Sunny Post when the Snow is Fast", "Funeral Post", and the "Orchid Pavilion Preface" in the regular script. Intensive study of the body, heart copy hand chasing, extensive collection of others, smelted in a furnace, to create a "natural nature, abundant god Gaidai" of the book, by the descendants known as the "book saint".

Wang Xizhi's poems are:

1. Answering the poem of inquiry

Wang Xizhi Wei Jin

Take joy and benevolence, and send mountains and rivers to the shade. Qingling stream down the se, the pine, bamboo, and pine.

2. Answering the poem of inquiry second

Wang Xizhi Wei Jin

It's not my business to be the first, and I'm forgetting to ask for it.

3. Two Lanting poems, one of them

Wang Xizhi Wei Jin

Metabolic scales, suddenly to the week. Joy in this twilight spring, and soft. Singing and dancing, the same stream in different worlds.

Carry the Qi deed, scatter a hill.

4. Two Lanting poems (two).

Wang Xizhi Wei Jin

Yoyo elephants. Transport, the rotation is endless. Pottery is not my cause, and it is not my system to come.

If the sect is safe, it is logical. If you have the heart to fail to understand, you should be able to entangle the interests and harms.

If you don't meet anything, you will have a good time. The three spring enlightenment products are sent to the cause.

Look up at the blue sky and look down on the green waterfront. There is no obsessive view, and the metaphor is self-evident.

The great work of creation is uneven. Although the crowd is uneven, it is nothing but new to me.

Yi and the second and third sons, entrusted by Mo Gangqi. Make a real detective.

Gengen, if you are a passerby.

The previous knowledge is not expected, and the virtual room is my house. Thinking about thousands of years away, why bother with the past.

Phase and non-phase. with, the shape of the skeleton falls off from itself. Identify and remove dirt, stop and be stingy.

The solidity of the body is not easy, and the punishment of heaven is solved in three ways. There is no stop in every inch, and the cutting will be self-leveling.

Although there is no silk and bamboo, Xuanquan has a clear voice. Although there is no song and song, there is more than enough song.

Take fun in one day, send it to Qi Qianling. Merge and scatter and solidify the usual, and there is no beginning for repairing short.

Make new without pausing, never again. In the present is magical, and the faith is the same as the dust.

Who can not be so angry, scattered in reasoning. Words are immortal, and the river is not clear.

5. Orchid Pavilion set preface

Wang Xizhi Wei Jin

Yonghe is nine years old, and he is ugly.

At the beginning of late spring, it will be in Huiji Shanyin.

The Lan Pavilion is also a matter of repair. The sages are complete, and the young are salty. There are lofty mountains and mountains here, lush forests and bamboos; There is also a clear stream turbulent, reflecting the left and right, leading to the flow of the water.

The column sits second. Although there is no silk bamboo orchestra, a song is enough to tell the romance.

It's a day, the sky is clear, the wind is smooth, looking up at the universe, looking down on the prosperity of the category, so the eyes are full of joy, enough to be extremely audio-visual entertainment, and the letter is also cola.

The face of the lady is with you, and you look up to you, or take all the embrace, and realize the words in a room; Or because of the entrustment, outside the wandering wreckage. Although the fun is different, the restlessness is different, when it is happy with what it encounters, it is temporarily self-sufficient, and it has not known that old age is coming.

and what they are tired, their feelings change with things, and their feelings are related. I like it, and between the pitches, it has become a vestige, and I can't help but be happy with it. The situation is shortened and followed, and the end is at the end.

The ancients said: "Death and life are also important." "Isn't it painful!

Fun 1 Composition: Song; I didn't know that the old man was coming: I didn't know that the old man was coming).

Every time you look at the reasons for the interest of the people in the past, if you are united, you will not be able to mourn in the text, and you can't say it. It is known that death and life are illusory, and Qi Peng's death is vain.

The future looks at the present, and the present looks at the past. Sad husband! Therefore, the people of the time are listed, and the description is recorded, although the world is different, so it is happy, and it is also one. Those who read it later will also be touched by Sven.

Orchid Pavilion Collection Preface Orchid Pavilion Preface

Wei Jin] Wang Xizhi.

In the ninth year of Yonghe, the age is ugly, and at the beginning of the twilight spring, he will be in the Lanting of Huiji Shanyin, and he will repair things.

The sages are complete, and the young are salty.

There are lofty mountains and mountains here, lush forests and bamboos; There is also a clear stream turbulent, reflecting the left and right, leading to the flow of the winding water, and the column sits second.

Although there is no silk bamboo orchestra, a song is enough to tell the romance.

Two Lanting poems The second.

Wang Xizhi Wei Jin

The elephant is lucky, and the rotation is endless. Pottery is not my cause, and it is not my system to come.

If the sect is safe, it is logical. If you have the heart to fail to understand, you should be able to entangle the interests and harms.

If you don't meet anything, you will have a good time. The three spring enlightenment products are sent to the cause.

Look up at the blue sky and look down on the green waterfront. There is no obsessive view, and the metaphor is self-evident.

The great work of creation is uneven. Although the crowd is uneven, it is nothing but new to me.

Yi and the second and third sons, entrusted by Mo Gangqi. Create the truth to explore the roots, and be involved in the world if you are a passerby.

The previous knowledge is not expected, and the virtual room is my house. Thinking about thousands of years away, why bother with the past.

Phase and non-phase, the form and skeleton fall off. Identify and remove dirt, stop and be stingy.

The solidity of the body is not easy, and the punishment of heaven is solved in three ways. There is no stop in every inch, and the cutting will be self-leveling.

Although there is no silk and bamboo, Xuanquan has a clear voice. Although there is no song and song, there is more than enough song.

Take fun in one day, send it to Qi Qianling. Merge and scatter and solidify the usual, and there is no beginning for repairing short.

Make new without pausing, never again. In the present is magical, and the faith is the same as the dust.

Who can not be so angry, scattered in reasoning. Words are immortal, and the river is not clear.

Answering the Question Poem Part 2.

Wang Xizhi Wei Jin

It's not my business to be the first, and I'm forgetting to ask for it.

Two Lanting poems One of them.

Wang Xizhi Wei Jin

Metabolic scales, suddenly to the week. Joy in this twilight spring, and soft. Singing and dancing, the same stream in different worlds.

Carry the Qi deed, scatter a hill.

Answering the Question Poem 1.

Wang Xizhi Wei Jin

Take joy and benevolence, and send mountains and rivers to the shade. Qingling stream down the se, the pine, bamboo, and pine.

I have written a lifetime of poems, who can summarize them all.

Wang Xizhi (303-361, 321-379), a famous calligrapher in the Eastern Jin Dynasty, is known as the "Saint of Calligraphy".

Langya Linyi people, later moved to Huiji Shanyin (now Shaoxing, Zhejiang), in his later years lived in seclusion in Jinting, Yanxian County.

He successively served as secretary Xun, General Ning Yuan, Jiangzhou Assassin History, and later Huiji Internal History, Stool He led the right general.

Personal achievements. 1) Calligraphy style.

Wang Xizhi's "Orchid Pavilion Collection Preface" has been admired by calligraphers throughout the ages and is known as "the first line of calligraphy in the world". Wang is also good at li, grass, Kai, and line, carefully studying the posture, chasing the heart and hand, collecting the strengths of others, preparing all the bodies, smelting in a furnace, getting rid of the Han and Wei pen style, becoming a family of its own, and having a far-reaching impact.

2) Works. The authentic work of Wang Xizhi is long before it does not exist in the world, and the fine copy of the Tang Dynasty has always been regarded as an authentic work.

Due to its age, and this post has a long reputation, like Wang Xizhi's other inkblots, there are different inferences about its copying age. There are called Song G, and there are suspected to be Mi Fu copied, and more are set for Tang G. It has been recorded a lot, and has been repeatedly engraved into various series of posts, after the Yuan Dynasty, the public and private collection seals and circulation history can be examined and reliable, and its preciousness is self-evident.

3) Posterity evaluation.

Langyi: "In the past, I had Bo Yingzhang ten papers, crossing the river bumpy, so it was lost, and I often sighed that the wonderful deeds will never be lost." Suddenly, I saw that I answered my brother's book, and I was like a god, and I suddenly returned to the old view. ”

Emperor Wu of Liang: "The book of Wang Xi is majestic, such as the dragon jumping over the gate of heaven, the tiger lying in the phoenix, so the treasure of the past dynasties will always be trained." ”

Tang Taizong: "I admire the hand chase, this person is just this person, and the rest are just like that, what can I say!" ”

Yu Gong: "The Book of Xi is a cloud of jujube stalls: 'Looking for all the famous books, Zhong and Zhang Xin are peerless, and the rest are not enough. Youyun: "My book is better than the bell, Zhang is resistant, and Zhang Cao is still like a goose."

1, Wang Xizhi was a person in the Eastern Jin Dynasty.

2. Wang Xizhi (303-361, one says 321-379), the word Yi is less, the calligrapher of the Eastern Jin Dynasty Liqiao grinding period, and has the correct name of "calligraphy saint". Langya Linyi (now Linyi, Shandong) people, after the southern crossing to live in Huiji Shanyin (now Shaoxing, Zhejiang), in his later years in seclusion in Jinting, Yan County.

Wang Xizhi is the great calligrapher of the Eastern Jin Dynasty. He was born between 303 and 361 AD.

The most famous work in his life is "Orchid Pavilion Preface", which is known as the reputation of the Lanting through the ages. At present, we do not have the authentic work of Wang Xizhi's "Orchid Pavilion Preface", which is rumored to have been brought into the tomb by Li Shimin. What we see now are all works copied by later generations.

Wang Xizhi is a famous calligrapher of the Eastern Jin Dynasty, born in the second year of Tai'an in the Western Jin Dynasty.

Wang Xizhi, of course, is a famous calligrapher and painter in my country, his calligraphy is still very good, he is a famous calligrapher in the Jin Dynasty.

Wang Xizhi's representative works include:

One: "Orchid Pavilion Preface".

This text is the manuscript of the preface written by Wang Xizhi for their poems on March 3, the ninth year of Yonghe in the Eastern Jin Dynasty (353 AD), and some literati held a "deed-repairing" banquet. With a total of 28 lines and 324 characters, the chapter, structure, and penmanship are all perfect, and it is his proud work when he was thirty-three years old. Later generations commented:

The font of the right army, the ancient law has changed. Its majestic spirit is natural, so it is thought to be a teacher in ancient and modern times. Therefore, calligraphers of all dynasties have recommended "Lanting" as "the first book in the line".

Two: "Confucius Waiter".

Confucius Waiting" and "Frequent Sorrows", Wang Xi's travel book, the two posts are connected into one paper. The paper is now in the collection of the Maeda Yutoku Society in Japan, and it is a copy of Wang Xi's famous deeds that flowed into Japan in the Tang Dynasty together with the "Funeral Fan Huande Post".

Three: "Theory of Happiness and Perseverance".

The Book of Wang Xi, small font. The gesture is beautiful, radiant, fat and thin, which is very in line with the rules of regular script. Sui Zhiyong called it "the first book", and Chu Suiliang in the Tang Dynasty also praised it very much.

Introduction:

Wang Xizhi (303-361, 321-379), a small number of characters, Han nationality, a famous calligrapher in the Eastern Jin Dynasty, known as the "sage of calligraphy". Langya (now Linyi, Shandong) people, later moved to Huiji Shanyin (now Shaoxing, Zhejiang), in his later years lived in seclusion in Jinting, Yan County.

1. Wang Xizhi was a person from the Eastern Jin Dynasty. Wang Xizhi (303-361, 321-379), a small number of characters, Han nationality, a famous calligrapher in the Eastern Jin Dynasty, known as the "sage of calligraphy". Langya Linyi (now Linyi, Shandong) people, later moved to Huiji Shanyin (now Shaoxing, Zhejiang), in his later years lived in seclusion in Jinting, Yan County.

He successively served as secretary, general Ning Yuan, Jiangzhou assassin history, and later as the internal history of Huiji, leading the right general.

2. Wang Xizhi's "Orchid Pavilion Collection Preface" has been admired by calligraphers of all dynasties and is known as "the first line of calligraphy in the world". Wang is also good at li, grass, Kai, and line, carefully studying the posture, chasing the heart, drawing on the strengths of others, preparing all the bodies, smelting in one furnace, getting rid of the Han and Wei pen style, self-disadvantage and quarreling into a family, far-reaching influence. His calligraphy is peaceful and natural, and his gestures are euphemistic and subtle, beautiful and beautiful.

3. Wang Xisui's calligraphy has influenced the scholars of the Guess Tour Dynasty from generation to generation. Ouyang Xun, Yu Shinan, Zhu Suiliang, Xue Ji, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, Yang Ningshi of the Five Dynasties, Su Shi of the Song Dynasty, Huang Tingjian, Mi Fu, Cai Xiang, Zhao Meng of the Yuan Dynasty, Dong Qichang of the Ming Dynasty, these famous calligraphers of the past dynasties are convinced by Wang Xi's heart, so he enjoys the reputation of "book saint".

4. Wang Xizhi, the sage of calligraphy, likes geese very much, and he believes that raising geese can not only cultivate sentiment, but also realize some calligraphy theories from observing the movements of geese. Once Wang Xizhi went out to play, saw a group of very beautiful white geese, and wanted to buy them, and after asking, he knew that these geese were raised by a Taoist priest nearby, so he found the Taoist priest and wanted to discuss with him to buy the group of geese, and the Taoist priest heard that the famous Wang Xizhi wanted to buy, so he said: As long as Wang Youjun can copy a "Huang Ting Jing" for me, he will take some geese and give them to him, Wang Xizhi readily agreed, which made the book into a good story of changing white geese.

Wang Xizhi's calligraphy characteristics:

Wang Xizhi, who is respected as the "saint of calligraphy", absorbs the essence of calligraphy of his predecessors, creates an original family, and is good at regular script, line script and cursive script.

Summarizing the book reviews of the past dynasties, Wang Xizhi's books are miraculous, ever-changing, self-contained, and the pinnacle of creation, that is, regular script, line script and cursive script.

Since the Han and Wei dynasties, the three-body body of Kai, Xing and Cao has been gradually evolving. The direction of evolution is to cut down the complex and simplify, and tend to be fast and practical. The way of evolution is the mutual influence of folk craftsmen, official calligraphers, dignitaries and scholars, and Qingliu scholars, and through the tempering and sublimation of outstanding calligraphers of the Gaomen clan, they converge into the mainstream.

Wang Xizhi is a typical representative of these outstanding calligraphers.

Opus. Wang Xi's best calligraphy in his life is the first to recommend the "Orchid Pavilion Collection Preface". It was his work in middle age.

There is a custom in the Eastern Jin Dynasty that on the third day of March of the lunar calendar every year, people must go to the river to play to eliminate the ominous, which is called "repair". On March 3 of the ninth year of Yonghe, Wang Xizhi and some literati, a total of forty-one, went to the river in Lanting to repair. Everyone drank and wrote poems at the same time.

After composing the poems, everyone collected the poems and synthesized a "Preface to the Lanting Collection", and recommended Wang Xizhi to write a preface. At this time, Wang Meng's Fan Xizhi was already drunk, and he took advantage of the wine, picked up the mouse whisker pen, and waved the pen on the silkworm cocoon paper. This preface is the "Preface to the Lanting Collection", which later became famous through the ages.