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I guess it's the role of symbols.
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1. The ascending sign ( ) indicates that the basic tone is raised by a semitone.
2. The flat sign (b) indicates that the basic tone is lowered by a semitone.
3. The rising mark ( ) indicates that the basic tone is raised by two semitones (one whole tone).
4. The falling mark (bb) indicates that the basic tone is lowered by two semitones (one whole tone).
5. The reduction mark ( ) indicates that the tone that has been raised or lowered will be restored.
6. PP (very weak).
7. p (weak).
8. MP (medium and weak).
9. MF (medium strength).
10. f (strong).
11. ff (very strong).
12. SF (extremely strong).
13. It is called an inhalation mark. It usually appears between two bars, but there are also some between two notes.
14. > is called fading. It often appears at a certain musical phrase.
15. It is called an accent mark, which means that this note should be strong and accentuated when sung to express the mood of the song.
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1. In the notation, there are seven numbers in the basic symbols used to express the pitch of the tone and its relationship, that is, they represent do, re, mi, fa, sol, la, and si.
2. It is impossible to express many high and low tones with only seven notes. In notation, add a "·" above the basic note indicates that the tone rises one octave, which is called a treble; Plus two": indicates that the note is raised by two octaves, which is called a hypersoprano.
Add a note below the basic note to repentance"·"Indicates that the tone is lowered by an octave, which is called grinding the bass; Plus two": indicates that the note is lowered by two octaves, which is called the double bass. On the piano keyboard, there are five registers, from left to right, corresponding to treble to bass.
3. Decorative notes: The symbol that indicates the rest (pause) of ** in the score is called a rest. The rests of the short score are denoted by o. Marking the top of a note with ">" or "" or "sf" indicates that the note should be sung (played) strongly.
When the two symbols ">" and " " appear at the same time, it means stronger. The termination line is two vertical lines, one of which is a thin line and a thick line in parallel, the thin one in front and the thick one in the back, indicating the end of the piece.
4. A brief score of two tigers, in which the beat of the red box indicates the rhythm of the song you play, that is, each bar is four beats. The green box indicates that the sol is long and pressed for two beats. The yellow box indicates that a beat is pressed two notes at the same time, i.e., a chord.
5. The purple frame is a rest symbol. The green box is one octave lower than the note.
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Whole notes, half notes, quarter notes, eighth notes, sixteenth notes, thirty-two notes, etc., are shown below.
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Quarter note mega scatter black note plus stem 1 beat.
Half note white head plus stem 2 beats.
Whole note white note 4 beats.
Eighth-note echo black rune head plus Fugan clan Shishi rune tail 1 2 beats (half beats).
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Musical notes are usually divided into the following types according to the time value:
1. Whole note: The hollow white note without the stem and tail is called "whole note". It is the big brother of the note family, and the other notes are shorter than it, and it is subject to it. It is divided into two halves in turn.
2. Half notes: white notes with stems and no endings are called "half notes". It is only half the length of the whole note and is equal to the hour value of the whole note 1 2;
3. Quarter notes: Black notes with stems and no endings are called "quarter notes". It is half a minute smaller than a half note and equal to the hour value of the whole note 1 4;
4. Eighth notes: Black notes with stems and 1 end are called "eighth notes". It is half the time of the quarter note and equal to the time value of the whole note 1 8;
5. Sixteenth notes: The black notes with the stem and two endings are called "sixteenth notes". It is half the time of the eighth note and equal to the hour of the whole note 1 16;
6. Thirty-second notes: The black notes with the stem and three endings are called "thirty-second notes". It is half a minute of a sixteenth note and equal to the hour value of the whole note 1 32;
7. Sixty-fourth notes: The black notes with the four endings of the stem are called "sixty-fourth notes". It is half the time of the thirty-second note and equal to the hour of the whole note 1 64.
8. One hundred and twenty-eighth notes: The black notes with five endings of the stem are called "one hundred and twenty-eighth notes". It is half a minute of a sixty-fourth note and equal to the hour value of the whole note 1 128. It is also the shortest note, and it is often expressed in pianos.
In summary, the more endings a note has, the shorter the duration of the note.
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and other Western and Western instrumental music.
The Du note is the same, but the more things in the piano are in the expression mark. For example, sustain tread contains the sign tedThe mark like that *, and the muted (soft) step mark una corda.
The piano is not like the guitar, there is also a tab staff, the piano's score is generally double-lined, in the special case when a hand acts as two or more voices, when a line of music is not clear, you can write a single voice and two lines, I only see three lines at most.
Another point is that when a single melody needs to be done with two hands, if it is shorter than a quarter note, the note is a line in the middle, and the note is divided into two sides of the score. If it is longer than a quarter note, it is marked by a dotted line to indicate that it is a melody of the same part, which is generally used in the melody of the left and right hands, and this main melody appears between the two hands, and is completed by both hands.
That's all I can think of.
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There are 6 types of notes in the piano notation (staves), which are as follows:
1. A whole note refers to a hollow white note without a stem or ending. The time value of a whole note is the largest of all notes, and it is subject to it. It is divided into two halves in turn. (Whole note, empty head, no stem to connect the head).
2. A half note is a note composed of a stem and a hollow note head, which is called a "half note". It has a time value of 1 2 of the whole note. It is often used at the end of the song.
3. A quarter note refers to a note time, and in staff notation, a quarter note is a solid elliptical head plus a stem without a ending. A quarter note is a quarter of a whole note in length.
4. An eighth note is a musical note time value. If you divide the whole note into eighths, you get an eighth note. The more you divide it, the shorter it is, the 8th note is 1 8 of the whole note, and since the whole note is in four beats, the eighth note is half a beat.
5. Sixteenth notes are notes with two tails on the notes of the black face. It's half the size of an eighth note. (It is equal to the value of the whole note 1 16) A beat can be divided into equal quarters.
Each is a sixteenth note and is twice as fast as an eighth note, with two sixteenth notes on a full beat on the fall beat and the other two on the starting beat. Sixteenth notes are beaten like this: 1, e, &, a.
6. The double whole note has no stem and tail, hollow, and there are two vertical lines on both sides (there is also a way to write one vertical line on each side). Double-whole notes are rare, and the hour value is equal to two whole notes.
The double perfect note can only be seen in a 4 2 beat piece, so the double perfect note has a total of 4 beats. And 4 2 beats are rare.
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Actually, you're talking about how the notes on the staff correspond to the keyboard of the piano.
I checked some information for you, and if you can understand it, it's no problem.
The simple distinction can be made in this way, the black keys on the piano, after observation, will be found to be regular, two in a pile, three in a pile. The white building on the left of the two black keys is DOL, and the sound name is C, which is the 1 in our simple score.
The C in the middle of the piano keyboard is called **C, and the Bai Jian on the right is d e f g a b in the return to C, and the Bai Jian on the piano is repeated by these seven tones. This group of tones is the group closest to our voice, generally called the midrange group, the left group is called the bass group, and the right group is called the treble group.
It can be understood in combination with the following ** information, in fact, it is not very difficult.
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Note recognition is basically a three-step process:
First of all, look at the key of the score.
Understand the length of the note, for example, the whole note is a hollow circle, the half note is a hollow with a stem, the quarter note is a black solid with a stem, the eighth note is a quarter note on the basis of an extra tail, that is, a small tail, several eighth notes connected together is what the first four notes in your picture look like, and the tails are connected together. There is also the rest, which means not to play, such as the last symbol.
To understand the sound, you can count it at first, for example, starting with the bottom line of the treble table of the staff, it is the middle 1, then up is the 2 between the two lines, and then the line is 3, and so on.
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When playing on the piano, it is played with white keys, seven tones, and its interval organization is that there are 5 whole tones within each octave, divided into 7 notes, of which the first note and the first note are semitones, and the other notes are full intervals. When singing, it is do, re, mi, fa, so, la, xi.
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You need a stave to tell what sound it is.
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