How to take good stage stills? How to shoot stage stills

The details are as follows.

When filming a dance drama, the first thing to do is to confirm the position of the stage lights on the actors. The actor will move around as he or she performs, and then capture the light as it falls on the actor's face. Otherwise, it's **easy** not to shoot the stage figures, and to choose the right seats.

For example, the position of the 3-4 row is better in the middle, which is suitable for shooting large scenes and close-up shots.

It is also recommended to use a tripod or monopod sparingly (it is not convenient for framing and instant capture), and try to keep the camera balanced. Whether a ** is good or not, the first thing to look at is the composition. It's the same when it's usually filmed or on stage.

Before pressing the shutter, keep the camera balanced before shooting. If there are many people, take more pictures. If there are many actors (large number of people) in some scenes, it is recommended to shoot more.

If people. Cut the **. When filming the stage, sometimes there is no good position, or the position is too far forward in the first 1-2 rows, and it is easy to shoot the steps of the Luchai stage.

But it doesn't matter. Cuts can be made in later adjustments.

Here's how to shoot stage stills of portrait stars.

When filming a stage play, you must first confirm the position of the stage light falling on the actor, the actor will move around at any time during the performance, and then capture the photo instantly when the light falls on the actor's face, otherwise it will be easy to underexpose and it will be darker.

Choose the right camera position for shooting stage characters, for example, the 3rd to 4th row is better in the center, which is conducive to flat shooting of large scenes, close-ups, etc. It is also recommended to use less tripods or monopods (inconvenient for composition and instantaneous captures), and try to hold them in your hands, if your iron hand skills are calm. Then, most importantly, focus on the subject's eyes and then press the shutter to keep it sharp.

Know how to grasp the actor's expression, be ready to focus quickly at any time when the actor appears on the stage, and pay attention to the actor's position and expression. Filming the ** of the stage drama, a good expression, a good scene moment, is very important and meaningful.

To keep the balance of the camera, whether a ** is good or not, first of all, look at the composition, whether it is usually shooting, or when shooting the stage, when pressing the shutter, first keep the camera balanced, and then shoot.

If there are many actors in some scenes (the number of people is relatively large), it is recommended to take a few more photos, and it is easier to take more pictures if there are more characters, because sometimes the actor closes his eyes, the actor does not have his hands in place, etc., and it is easy to take a few more shots.

Cropping the **, when shooting the stage, sometimes there is no good position, or the position of the slag hall is too high in the 1st-2nd row, it is easy to shoot the steps of the stage, etc., but it doesn't matter, you can cut it when you adjust it in the later stage, so that the picture is concise and clean. There are also appropriate secondary composition crops for some of the scenes in the scene to highlight the main characters - "the elements are streamlined and concise first".

Preliminary preparations for shooting stage stills of portrait stars:

1. Prepare the corresponding shooting equipment and accessories, and arrive at the shooting site in advance.

2. Try to go backstage to shoot the pre-performance footage, including the preparation of the cast and crew, makeup and the emotions of the audience.

3. Get the performance program list, know it in your heart, and take care of the key programs when shooting.

4. Shoot important guests in the guest seat.

5. During the filming process, the panoramic, medium shot, and close-up of the actors in the program should be filmed, the performance process should be well understood, the storyline of the performance program should be grasped, and the hidden performance content should be rich and emotional.

6. When shooting, pay attention to the ambient metering of the performance site, the white balance K value should not be too high, and the shutter speed should be slightly faster (except for special effects).

7. For the professional photographers invited by the organizer, they should shoot more professionally and dutifully, and provide complete image materials to the organizer after the performance for their selection.

In terms of equipment, there should be a tripod, a wide-angle lens and a telephoto lens, and the maximum aperture of the lens is as large as possible.

In terms of camera settings: If it is a good SLR body, set a high sensitivity, set it to 1000 according to the brightness of the light, or it can be higher, depending on the body, because the flash used for shooting the stage will destroy the atmosphere. Moreover, the chorus scene is relatively large, and the range of the body flash is limited, so it is best to set it to the automatic state if the external flash is installed.

Shooting a panoramic view of the stage requires a certain depth of field, the aperture should not be too large, the maximum is used, and if the light is very good, it can be used to 8 or even higher. If you're shooting close-ups, use the maximum aperture to blur the background. Select Aperture Priority as the shooting mode, and then test a few shots to see, if the shutter speed is lower than 60 1 sec, then you need to set a higher sensitivity.

It's best to use the raw format when shooting, so that even if there are some deficiencies, you can adjust it in the software, and you can set the automatic tone in the software to help you process the color normally in post-processing.

The white balance also needs to be set, first put it in the auto white balance state to take a few shots, if you feel that the tone is normal, use the automatic white balance, if the tone is not normal, use other white balance, if necessary, customize the white balance.

If you use a card machine, then put it on the automatic transmission to shoot, because the model is different, the effect is not the same, it is not easy to say here. Of course, the effect is not easy to say, it is definitely not as good as the SLR.

High ISO, say 1600, speed 1 100 sec, with long lens.

1. Master the correct **. When shooting on stage**, it is more convenient to shoot with flash, but using flash can affect the audience. In addition, the front illumination of the flash will also destroy the atmosphere of the live lighting on the stage, so the stage lighting is generally used.

Before shooting, use a light meter to measure an accurate ** number. When metering light from under the stage to the stage, if the lighting on the stage is bright and even, you can get an accurate number. If the main light is strong and the background canopy is too dark, the average light value measured by the light meter** will often cause the subject to be oversensitive.

Therefore, it is better to choose a light meter with a small angle metering or a key meter behind the lens. After the light value is measured, it is also adjusted according to the light situation of the entire stage. When shooting, you should take the main person as the sensitivity standard, pay attention to the light changes at any time, and adjust the aperture and shutter number.

2. When shooting, the seat is relatively fixed, so you should choose the shooting point in advance. Generally, it is better to shoot in the side position, because the front and rear characters are easy to overlap, and it is not easy to shoot the picture of the actors entering and exiting the field. When shooting in the position of the first row, the angle is easy to overtilt to.

Rows 4 and 5 to 10 are preferred. If you need to shoot a large panorama, you can sit in the first row upstairs or climb up to the light-moving workbench on the side of the stage to shoot from above. 3. This reality must be taken into account when shooting extremely fast dance moves.

When shooting, it is necessary to grasp the "advance amount" and press the shutter in advance. In this way, when the shutter is actually open, the ideal timing can be captured. 4. When filming the stage, sometimes in order to show the dynamics of the actors, it is often necessary to retain a certain sense of ambiguity.

Therefore, when choosing a shutter, you should not blindly pursue high speeds. 5. Because the light is dark, a large aperture is used, and the depth of field is short, so it must be accurate focusing. Before the performance, you can measure the distance between the sides, the middle and the background of the stage.

When shooting, you can use a known distance number as a reference when using it according to the person's activity.

Wait a minute, we're sorting it out for you, so please be patient.

Problems that tend to arise when shooting stage photos:

1. People are always moving, and it is too easy to shoot falsely.

2. The stage lights will be bright and dark, and the picture is incorrect.

3. The faces of the characters are too realistic.

How to set up the camera: You can select the continuous focus mode, so that when shooting dynamic portraits, the focus is always changing, and the portrait can be continuously focused.

If you are using a Canon camera, set the focus mode to AI Servo Autofocus (AI Servo) and if you are using a Nikon camera, set the focus mode to Continuous Servo Autofocus (AF-C). The focus mode is set, but it is still not enough, it is better to use the continuous shooting mode again. Because the characters may be moving all the time when filming a stage performance, the photographer needs to shoot all the time in order not to miss the moment.

If the lighting on the set is constantly changing, it is best to choose a wide enough aperture to ensure the shutter speed, after all, the shutter is also an important factor to ensure that the picture can be focused quickly and accurately, and the picture is clear. Generally standing still, a shutter of 1 40 should not be a big problem; Dynamic ones need to be fast, such as 1 100-1 200 seconds; If you want to shoot a dancing portrait and want to capture some jumps, it usually takes 1,500 seconds or faster.

In the choice of lens, it is best to choose a lens with a focal length of 70-200mm, which can cover both distance and distance. However, you can also choose the standard prime for portraits to create a wide aperture bokeh effect, provided that you only shoot close-up colleagues, if you want to shoot close-ups of the stage, but the choice of shooting position is not satisfactory, then you can choose a lens with a focal length of more than 300mm.

The most important thing about filming the stage is the composition. You first have to find a most suitable spot to take a photo, stand on this point and then take a picture as a whole, and the effect will be very good.

My equipment wasn't suitable for the stage, so I didn't shoot very much and didn't have much experience. The performance of Lishui Sands is very good, especially the lighting design plan, which is very suitable for shooting. If you have a large-aperture anti-shake lens and a camera above D300, you're basically good to go!

Telephoto and slow speed are the key to shooting "dynamic"**.

As for the character's expression, it is generally necessary to use the appropriate time to capture.

Or "pose".

As for the technique, the RAW format, sub-large aperture, servo focusing, grabbing the moment when the face action is small and the body action is large, understanding the plot in advance, and determining the speed according to the size of the plot action. Much more.

When filming a stage performance, you need to discuss the details of the shoot in advance. Only by knowing in advance the constraints of the camera, the optimal position of the camera, the optimal lighting, and other details, can we get the desired image. When shooting images in the auditorium, you are constrained by distance and orientation, and only by constantly changing the distance and orientation of the camera around the stage can you get a good stage performance video.

1. Select the location where you want to shoot.

When filming a stage performance, you should arrive at the scene in advance to make corresponding preparations. Television stations can use multiple cameras to shoot at the same time, but when recording the entire process with a single camera, it is even more important to be familiar with the shooting environment. The position close to the level of the actor's eyes was designated as the main base of the camera.

If you bring a wide-angle lens and a telephoto lens, you can shoot stage performances without any constraints. However, if there is no similar lens, you can observe the stage shooting range at the maximum zoom out at the camera base, and then set the maximum zoom in state to observe the stage performers with maximum clarity.

2. Take the stage actor as the camera center.

The performers are in the center of the stage, and the stage performance can be shot with a panoramic lens to get a relatively stable image. However, keeping the same camera angle from start to finish can make the picture appear monotonous and lengthy, so you can adjust the picture appropriately with the zoom in and zoom zoom functions, and you can also show the whole picture of the stage in close up with the performers.

3. Photograph the audience.

Footage of a stage performance does not necessarily only capture the stage performance. When the performers leave the stage or applaud continuously, they can take pictures of the audience. Photographing the reaction of the auditorium not only sets the mood of the performance, but also serves as a source of footage for natural transitions during the camera.

In order to ensure the continuity of the performance and to shorten the time naturally, it was necessary to film the movement of the auditorium.

4. Precautions when filming performancesAdjusting the white balance When shooting indoor performances, the white balance benchmark should be consistent with the lighting of the stage. Adjusting the white balance after the show has started can be stressful, so it's a good idea to check the lighting process before starting the show or adjust the white balance at the beginning of the show before recording the performance.

Recordings are equally important.

Stage performances such as recitals or concerts should not ignore recordings and impressions. A pointing microphone can remove noise from your surroundings and is one of the most effective methods of recording a field. When a wireless microphone is available, a wireless microphone can be installed on the stage to record crisp live sound.

Setting the microphone close to the impression will increase the noise, so the microphone should not be placed close to the speaker.