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3. All "Ode to the Tang Dynasty" new visit.
Originally published in Chinese Painting and Calligraphy, No. 2, 2007).
Zhang Tongbiao's Art History).
The stele forest is mostly concentrated in the northern region of our country, and there are very few in the south, and the Huxi stele forest in Hunan is a more well-known one. But the forest of steles in Xixi is actually less inscriptions and more cliffs, the "Ode to the Tang Dynasty" in the cliffs, written by Yuan Jie, Yan Zhenqing Shudan, has always been popular, especially the name. Yuan Jie (712 772), the word Cishan, Henan Lushan people.
Elegant and good landscape, smell and win, not in vain to climb and praise it. Yuan Jie served twice as the assassin of Hunan Daozhou, crossed the river five times, and loved the landscape of the river very much, leaving a lot of poems. Yuan Jie also likes to write his own poems and ask people to write Dan carved stone, after his poem "Huxi Ming" was engraved, and successively engraved "Yutai Ming" and "Yu Ming", collectively known as "Sanwu Ming" or "Sanwu Monument".
"Sanwu Ming" are all seal scripts on the cliffs, and they are rare Tang Dynasty seal book boutiques. Later, there was Yan Zhenqing Shudan's "Ode to the Rise of the Tang Dynasty". Since then, Xixi has always been important.
Later generations have been inscribed, there are 489 square inscriptions of all kinds of inscriptions, and the stone carvings of Huxi have become a unique cultural landscape in the south of Huxiang.
The place where the Xixi River flows into the Xiangjiang River, there are three peaks such as the west peak, the middle peak, the east peak and so on, the west peak is the lowest, the middle peak is the highest, but the altitude difference is not more than ten meters, most of the stone carvings of the Huxi stele forest are concentrated here. The middle peak is west of the Xiangjiang River, the cliff wall stands, and the famous "Ode to Zhongxing in the Tang Dynasty" is under it.
As with all cliff carvings, the quality of the cliff stone is a prerequisite. This piece of stone wall under the middle peak, the height and width are about 5 meters, the stone color is moist, and the texture is tight and fine. "The most rare thing is that Huxi is limestone, that is, stratigraphed rock.
In other places, each layer is about six or seven feet, and the gap between the layers is also two or three inches, so there are often ancient trees between the cliffs, and the branches are horizontal. And the stone wall here is the stone layer is tight, there is no layer seam, flat as cutting, the texture is tight and fine, it is a good place to engrave the monument made in heaven", which is a good material foundation for the engraving of the "Tang Zhongxing Song", the predecessors called this stone wall "a must". The Yuanci Mountain Text and Yan Lu Gongshu of "Ode to Zhongxing in the Tang Dynasty", and the pure mountain light and Lanqi of this realm were once called the "Three Uniques".
Therefore, "Ode to the Revival of the Tang Dynasty" is also known as the "Three Unique Monuments". From the beginning of the Northern Song Dynasty Emperor Renzong, in front of the monument to build "three unique halls", visitors can climb on it, put the wine in the wind, its leisurely! Now, in front of the monument is a two-story pavilion made of reinforced concrete, and visitors can climb the pavilion to observe the inscription on the high place.
There is a guardrail between the pavilion and the monument, which will inevitably bring some small trouble to the shooting.
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Dacong Tang Zhongxing Song Monument "was originally 3 meters high, wide meters, and is the largest inscription in the Zhengda Forest in the Huxi Tablet. The inscription describes the historical facts such as the Anshi Rebellion, Xuanzong's escape from Shu, Suzong's accession to the throne, Kechang'an, Luoyang, etc., and is a rare and well-preserved famous cliff inscription in the Shiji Huijie.
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"Ode to Zhongxing in the Tang Dynasty" is the representative work of Yan Zhenye Qiqing's calligraphy into a mature period, reaching the state of perfection. The layout of the whole article is very tight, full of real power, the words are really supportive, giving people a sense of outward expansion, full and simple, magnificent, between the lines there is Jin Ge burning the spirit of the iron horse, the ambition of serving the country, and reflecting the enterprising spirit of the times. Ouyang Xiu of the Song Dynasty in the "Collection of Ancient Records" in the clouds:
The words of the air book are especially strange and the words are quaint. Yang Shoujing, a native of the Qing Dynasty, said in "Learning Books and Words": "Ode to Zhongxing" is majestic and peculiar, and it is self-sufficient and shrouded in a generation.
Qing Dynasty Song Duan Gao Kang Li in "Guangyi Boat Shuangji" in the clouds: Qi Plain "Zhongxing Song" has the cangxiong of Yingping. Wang Shizhen of the Ming Dynasty in the "Manuscript of the Greedy Prefecture Shanren":
The calligraphy and painting are square and stable, not revealing the muscles and bones, and it should be the first in the Lu Gongfa book.
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