How are Lost Orphans lost and lonely in half?

After the movie "Orphaned", I learned that orphans cannot be seen from the perspective of a movie, just like the abduction and trafficking of this child, and it will never be as romantic as in the movie. Before watching the movie, I will watch the movie promotion about "Lost Orphans" from time to time, and the main creator talked about why he took the title "Lost Orphans": on the one hand, since family planning, many families are one child, if the child is lost, it is loss and loneliness for both the family and the child; On the other hand, "loss" and "loneliness" also contain a kind of philosophical dialectical thinking.

The prototype character of the film is Guo Gangtang, a farmer in Liaocheng, Shandong Province, who has spent 15 years riding a motorcycle to find his son, and the female director and screenwriter Peng Sanyuan touches on this matter with women's unique and delicate brushstrokes, which is very good. But as many critics say, it's not good. The good thing is the story, and the bad thing is the way the movie is presented.

I won't go into a redundant narrative here. The reason why the lost and the lonely should be looked at separately is because there are different classifications presented in **. Andy Lau and Jing Boran play the roles of victims of abducted families, while the abductors played by Wu Junru, who has a cameo appearance, also claim to be one.

However, Jing Boran and Andy Lau are different as victims. Lei Zekuan, played by Andy Lau, is the father of the abducted child, and Zeng Shuai, played by Jing Boran, is the abducted child. On this, both of them bear the two contents of loss and loneliness respectively.

As two people who have lost a child and a parent, they experience different feelings. The father lost and searched for his son thousands of miles away, seeking only the family affection that was connected by blood and bones. And what about children who have lost their parents?

In China, according to different statistics, there are about 200,000 missing children every year, and only about 200,000 are recovered. ”

"Orphaned" is a Chinese drama film produced by Huayi Brothers, written and directed by Peng Sanyuan, a famous film and television drama screenwriter and a screenwriter of Xiaobi family, starring Andy Lau and Jing Boran, it tells the story of In 1998, the two-year-old son of ordinary farmer Lei Zekuan (played by Andy Lau) lost his radar, and Lei Zekuan, who felt that the world had collapsed, resolutely embarked on the road of finding his son. So two people who also couldn't find their relatives decided to join forces and embark on the road of finding their relatives together. In the end, Lei Zekuan really helped Zeng Shuai find his long-lost relatives, but he continued on the road with the navigator that Zeng Shuai gave him, and did not give up.

Through three stories of finding relatives, "Orphaned" shows that the love in the world is family affection, as well as the warmth and kindness from the police, volunteers, and strangers, and conveys the life attitude of "the road is here, and the hope is still there".

The film tells the story of 1998, Lei Zekuan's two-year-old son Radar was lost, and Lei Zekuan began a 14-year search for his son.

In 1998, Lei Zekuan's two-year-old son Radar was lost, and Lei Zekuan began a 14-year road to find a sedan chair. Along the way, Lei Zekuan went through hardships, and he also met Zeng Shuai, a young man who was abducted and repaired a car at the age of four. Lei Zekuan helped Zeng Shuai find his long-lost relatives, and continued his journey to find his son with the navigator sent to him by the closed Da Zeng Shuai.

The narrative structure of the film is the clue to the evolution of the content of the story, and in essence, it is a way for the screenwriter to tell the story of the story. However, behind the narrative structure of the film lies the screenwriter's unique perspective on the story and the gesture of expressing emotions. This shows that film narrative structure is not only a narrative technique that exists as a form, but also generates a new field of meaning in itself, which opens up a new horizon for us to analyze film text.

Orphaned" is based on"Lost children"This social event is a masterpiece of the theme. It adopts a three-wire juxtaposition structure.

1) Let's take a look at the main content of this film first: a group of people who gather in Xinghe Street by chance live in chaos every day because of their own demons. Until one day, a case of child abduction stirred up a pool of stagnant water in their hearts.

In a series of abduction cases spanning 20 years, the culprit was filled with his life, but the abducted children were never heard from. Six years later, the old case was reopened. This time, be sure to pick you up and take you home!

2) The father of the prototype of the movie "Orphaned" found his lost son for twenty-four, and everyone was moved by the scene of recognition, which gave the movie a perfect ending on and off the screen. When the follow-up report talked about how Pei Shi got along with his son's adoptive parents, Guo Gangtang said that he would walk around as a relative, and his son also chose to live with his adoptive parents, which sparked discussion. Child abduction and trafficking is a serious crime, the harm to people is immeasurable, and the challenge to the law, morality and civilization is the love of parents that has persisted for more than 20 years and ushered in a relatively happy ending.

There have always been different opinions on the same crime of abduction, there is no harm in buying and selling, and it is precisely because people have needs that so many people will take risks, and it is necessary for us to curb demand from the source and cut off the chain of interests.

3) When parents are old, most of them think about not causing trouble to their children, not thinking that you are going to give me a pension and send me to the end, and you have to take care of me to the end Because he knows that his children will definitely treat him well, because they are his own children, and the children he has cultivated with his own hands are not exchange, not exploitation, not transaction, that is love, the humble and priceless, the great and pitiful!

Because this film exposes the darkness of society, and the story told in this film is very moving, showing that the family's search for their children is unremitting.

Because the content told in this film is very thought-provoking, after watching this film, people feel very real, and there are a lot of very emotional ways to deal with the chain. Manuscript dressing.

Compared with Orphan and Honey, the actors of both films are in place, and the difference is in the plot and theme.

Honey is a tear-stirring commercial film aimed at the public's taste, using a series of tragedies to trigger tears to make people sympathize with the families who have lost their children. And the current audience eats this set, and they like to watch this kind of pure tear-jerking film that uses some social tragedy events to expose social accusations and criticize human nature.

And the orphan is a very real pseudo-documentary, he doesn't have so many forcibly fabricated tragedies, there are not so many scenes that show human nature, he is just simply talking about a father looking for a child and a child looking for his hometown, telling some of the inner thoughts of the two people and some experiences on the way to find relatives. I have substituted myself into every character in the play, and I have found that every character's reaction is normal and deserved, so this movie is extraordinarily real in my eyes. For the sake of truth, I don't care about sacrificing tears.

For the sake of truth, I don't care if the plot is bland. Because it is true, it touches people's hearts. The director locked the perspective on Andy Lau and Jing Boran, and told stories like boiling water in one scene after another, and did not deliberately sensationalize.

There are 10,000 ways to incite emotions, there are a lot of tragic characters, Andy Lau's old mother lost her grandson and could only live carefully in front of her daughter-in-law, Andy Lau's wife lives alone at home and has to support her mother-in-law who lost her son while farming, Jing Boran's adoptive father would rather turn his back on humanity and be afraid of the pain of losing his adopted son, these tragic focus directors don't want to focus, what the director wants more is to use this film to give faith and hope to the orphaned family, This film is a beacon of faith for all families who have lost children, and he tells them what hope, faith, and perseverance are.

Honey is for ordinary people, and orphans are for orphaned families. Just like a dear family who can't touch an orphaned family, an orphan doesn't plan to tell ordinary people about their faith and persistence on the way to find their relatives.