How to introduce characters in a storytelling Who are the celebrities who are commentators?

There are so many characters in the book to introduce them all! Also 0 points! You're calling a stupid boy for nothing! Hehe!

Anyway, the top floor is written first

Yuan Kuocheng, Chen Qingyuan, Shan Tianfang.

1. Yuan Kuocheng (1929 March 2, 2015): A native of Yingkou, Liaoning, and a native of Tianjin. He is a well-known master of storytelling at home and abroad. He is known as "Liu Jingting in the past, Yuan Guocheng now".

On the basis of inheriting the traditional narrative, Yuan Guocheng continues to explore and innovate. His language is vivid and humorous, and his characters are vivid, with the characteristics of "beauty, beauty, fastness, and crispness". The content is novel, the style is novel, the language is novel, and the representative works include "Romance of the Three Kingdoms", "Overlord of Western Chu", "Water Town Liangshan", "Fire Man" and so on.

2. Chen Qingyuan: Chen Qingyuan, a master storyteller, is the founder of the "handsome school" art of Chinese storytelling. He used to be a member of the China Quyi Artists Association, an executive director of the Liaoning Branch of the Quyi Association, a vice chairman of the Jinzhou Quyi Association, a member of the Liaoning Provincial Committee, a member of the Jinzhou CPPCC, and a member of the Liaoning Provincial Federation of Literary and Art Circles.

3. Shan Tianfang (December 17, 1934 15:30, September 11, 2018): A native of Yingkou City, Liaoning Province, he is a Chinese storytelling performance artist, writer, and folk art family.

Shan Tian Fangyuan was born on December 17, 1934 in Yingkou, Liaoning. When he was young, he traveled with his parents to perform in Harbin, Changchun, Fengtian (Shenyang), Qiqihar and other cities. Eventually, he settled in Shenyang, where he learned some traditional books at the age of 6 when he was in private school.

In 1942, he entered a government-run primary school in Fengtian (Shenyang) - he completed his primary school studies with his heart, and his grades were always among the best.

In the same year, the family moved to Changchun, and after a short period of private school, they changed to Changtonglu Primary School. At the same time, while reading, he helped his parents copy paragraphs and lyrics, and when he was young, he was already able to memorize several long books. Despite this, his parents hope that he will not engage in such a "ninth-rate" profession, and hope that he will go to college and glorify his ancestors.

In 1948, due to the war, he fled Changchun with his parents and two younger sisters and moved to Jilin City. In the spring of 1949, he went to Shenyang to reunite with all his relatives who were separated from the war; In the same year, after the founding of the People's Republic of China, he returned to Xiexin Primary School to continue his studies. In 1950, when the "anti-rebellion" work began, his parents were implicated and detained, and he cooperated with his grandmother to take care of the housework and run in all directions.

Liu Kaiqing's "Beijing Commentary", Lian Liru's "Tianjin Commentary", Liu Lifu's "Liaoning Commentary", Yuan Kuocheng, Liu Lanfang's "Anshan Commentary", Shan Tianfang's "Anshan Commentary", Tian Lianyuan's "Benxi Commentary", and Chen Lijun's "Chen Pai Commentary".

Storytelling, also known as storytelling, storytelling, Guangdong Cantonese and other regions are commonly known as speaking, ancient uproar is called speaking, is an ancient Han traditional oral speaking performance art form, in the Song Dynasty began to popularize. Storytellers from all over the world tell different stories in their native language, and are therefore part of the chaos of dialect culture. At the end of the Qing Dynasty and the beginning of the Republic of China, the performance of storytelling was a person sitting behind a table, with a folding fan and a waking wood, and the costume was a long shirt; By the middle of the 20th century, most of them no longer used tables, chairs, folding fans, hengzheng, xingmu and other props, but stood to give speeches, and the costumes were relatively unfixed.

The traditional storytelling that has been handed down has the characteristics of Han oral literature. It brings together the masses of the people.

The wisdom is not only the brainchild of the storytellers of the past generations, but also the achievements of mass artistic creation. It has been handed down through the "booklet" (a detailed outline of a book, also known as the "liangzi") and the oral method of teaching. Different genres and actors have different ways to deal with the characterization and plot arrangement of a book, especially in terms of "review", which varies from person to person and has great variability.

Storytellers are both actors and authors, and their performance process is often a process of careful conception and continuous creation. This is precisely the characteristic of oral literature.

Features of storytelling:1Strong storytelling. 2.The length is generally long. 3.There are many characters and complex plots, but the structure is simple and the eyebrows are clear. 4.The language is rich, the performances are detailed, and the characters are characterful.

Bright and prominent, detailed description.

More. In addition, in the process of its development, there are some external features. The first is the staggered development of prose and rap. The second is the staggered development of artist storytelling and literati creation, that is, the staggered development of oral literature and written literature.

Li Jinshun is the first generation of Pingju actor and the founder of "Li School"; is the most important representative of the period when Pingju has entered the period of "Fengtian Luozi". His father is a high-pitched actor. Li Jinshun studied Beijing rhyme drums, Peking opera, and minor tunes when he was a child, and at the age of 16, he worshiped Sun Fengming as his teacher to learn to sing and fall.

Li Jinshun went to Ni Junsheng to learn art, and changed to many teachers, and finally formed a clear, simple and emotional singing style.

When Liu Cuixia was 10 years old, she was sold to He Chouzi, a land-throwing artist, to learn to sing the Liaohe drum, and soon followed her master to Dalian to make a living. At the age of 11, he entered Li Jinshun's class and embarked on the road of drama art, learning to sing and commenting on opera from Zhang Bailing and Zhao Yuelou, and was guided by Luo Wansheng. He has played for Hualien Fang and Li Jinshun.

In 1934, she was known as the "Queen of Pingju" in Tianjin, and in 1936, she was also known as the "Empress of Pingju", which was popular all over Tianjin, Beijing, Hebei, Shandong and Northeast China. He died at the age of Chinese New Year's Eve.

Bai Yushuang is a Pingju performance artist, formerly known as Li Guizhen, also known as Li Huimin, a native of Luan County, Hebei, the daughter of Lotus Fall artist Li Jingchun, known as the queen of Pingju, and the founder of Baipai Art. In the 30s of the 20th century, he and Liu Cuixia, Ai Lianjun, and Xi Cailian were called the "Four Famous Dans" of Pingju. The representative repertoire includes "Qin Xianglian", "Qin Xuemei Hanging Filial Piety", "Peach Blossom Temple" and so on.

Ailianjun was sold to Zhao Lianqi as an adopted daughter since she was a child, and was named Zhao Jiuying. His parents opened brothels in Tianjin and Yantai. Later, she couldn't bear this kind of physical and mental torture.

knelt in front of his adoptive parents and begged to learn to play. At the age of 16, Ai Lianjun became a teacher and cooperated with Ai Lingjun (Zhao's adopted daughter) to perform all over the country. In 1935, she led the Ailian Society to perform in Shanghai.

In just a few years, she gradually formed her own unique style and was called the "love" faction.