Urgent, Wang Wei and Meng Haoran s idyllic poems 60 points for the fast one, absolutely cash .

The deceased Zhuang Meng Haoran.

The old man Gu Ji invited me to Tian's house.

The green tree village is close to the edge, and the green mountain Guo is oblique outside.

Open the noodle garden, and talk about the wine.

Stay until the Double Ninth Day, and come to chrysanthemums.

Weichuan Tianjia Wang Wei. The oblique light ruins, the cattle and sheep in the poor alleys return.

The wild old man thought of the shepherd boy, leaning on the staff and waiting for the thorn.

The pheasant wheat seedlings are beautiful, and the silkworms sleep and the mulberry leaves are scarce.

Tian Fu and He hoeed, and the words of each other followed.

That is, the envy of leisure, and the decline of sorrow.

The similarities and differences between Wang Wei and Meng Haoran's landscape poems.

The idyllic poems of the two are based on the theme of landscapes and pastorals, expressing the quiet and tranquil beauty of nature, depicting mountains and rivers, and describing farm life without seeking the beauty of words, and many poems show their tranquil and lonely style. Here's what they have in common. The difference is:

Meng Haoran's landscape poems depict the fresh and beautiful landscape and countryside, the friendship between the old people is sincere and profound, and the life of the Tian family is also simple and lovely, expressing the poet's cheerful mood, such as "Passing the Old Man's Village" and so on. There are also many poems that write about their secluded life, the pleasure of self-purification, and the boredom of being talented, such as "Sujian Dejiang". Wang Wei's landscape idylls were mostly written in the later period, when Wang Wei held a negative attitude of birth, indulged in inner life, and sent his feelings to the landscape to escape from reality, often permeating the atmosphere of Buddhism's nihilism and loneliness.

For example, these landscape poems of "Mountain Dwelling in Autumn and Darkness" and "Zhongnan Mountain" have objectively produced a negative impact on whitewashing reality and guiding people to pursue a quiet and lonely life.

1. Wang Wei and Meng Haoran's landscape idylls both belong to the "Qing School", but Meng Haoran's style is more light. Meng Haoran's landscape poetry creation is obvious.

Influenced by Xie Lingyun and Zhang Jiuling, his light style is in the same vein.

2. Wang Wei is the master of the Southern Sect painting school, and his landscape idylls pursue the beauty of sound and rhyme, and Meng Haoran's landscape idylls show people their self.

However, with the beauty of humanity, it has a strong regional cultural color.

3. In his later years, Wang Wei lived in seclusion in Songshan Mountain and Zhongnan Mountain, and operated the reclusive Gongchuan business, and the scenery in his poems was mostly the scenery in the mountains. And Meng Haoran is all his life.

He traveled many times, and he preferred to travel by water, and met the scene when roaming Wuyue Water Town by boat.

4. Wang Wei's landscape idylls contain meaningful Buddhist and Zen interests, while Meng Haoran's poems have no Zen interest.

5. In terms of lyrical style, Meng Shi emphasizes subjective lyricism, while Wang Shi emphasizes objective depiction; In terms of creative skills, Meng Shi focuses on poetry, smooth and sparse, and Wang Shi integrates poetry and painting, which is precise and elegant; In terms of genre, Meng's poems emphasize five words, and Wang's poems work part-time; In terms of style, Meng Shi is more sparse and simple.

Su, Wang Shi has a beautiful Seiko in addition to dilution.

Tian Jiayuan Day Meng Haoran.

Last night, I went back to the north, and now I am in the east. I am already a strong man, and I am still worried about farming.

The mulberry field ploughed his father, and the lotus hoe followed the shepherd boy. The Tian family accounts for the climate, and it is said that this year is abundant.

Xiao into Nanshan Meng Haoran.

The miasma is full of atmosphere, and the South Mountain is full of water clouds. Kunfei is now seen, and the bird is old and smelled.

The ground is close to Changsha, and the river is divided from Mizhu. Jia Sheng once complained and gave him a pain.

Crossing Xiangshui at night (a poem by Cui Guofu) Meng Haoran.

The passenger boat was greedy for profit and secretly crossed the Xiangchuan River. The dew smells Fangdu, and the singing voice knows the lotus.

The list of people cast fire on the shore, and the fishermen stayed in the pond and smoked. The couple asked each other, where is Xunyang.

Tingtang, Meng Haoran.

Mingfa looks at the group, and Wanmu is gloomy. The frost gradually watered, and the orange seemed to be hanging gold.

The female companion competes to pick up, and the picking hinders the depth of the leaves. And sympathize with each other, showing the same feelings.

Bone spurs red Luo quilt, fragrant sticky green feather hairpin. In the jade plate, all wins in the secluded forest.

Takerikan Wang Wei.

Sitting alone in the secluded grate, playing the piano and howling.

People in the deep forest don't know, and the bright moon comes to take pictures.

Autumn twilight in the mountain dwelling. After the new rain in Wang Weikong Mountain, the weather is late in autumn.

The bright moon shines among the pines, and the clear spring stone is upstream.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat.

Feel free to rest in spring, and the kings and grandchildren can stay.

Returned to Songshan Mountain. Wang Wei Qingchuan took the long and thin, and the carriage and horses went to leisure.

If the flowing water is intentional, the twilight birds will return to each other.

The deserted city is in the ancient crossing, and the sunset is full of autumn mountains.

Coming back and retreating.

Wang Wei of Zhongnan Mountain.

Taiyi is close to the sky, and even the mountains are connected to the sea.

The white clouds look back, and the blue mist enters to see nothing.

The peaks in the field change, and the clouds and sunshines are different.

If you want to stay with someone, ask the woodcutter across the water.

Come to the new pavilion of Yanli as Meng Haoran.

Eight solutions to Zen Lin Xiu, three Ming to Yuan Cai. The land is far away, and the heart is pure and the water pavilion is open.

The dangerous mountain is checked, and the stone path is returned. Ruihua grows from below, how can the elixir be planted.

The blue net crosses the mangroves, and the clear spring is full of green moss. Playing fish smells the law and gathers, and idle birds chant sutras.

Abandon the image and realize it, and forget to say that it should be. What can be gained in silence, chanting is also in vain.

The tooth sits in the south of the mountain, and Meng Haoran is hidden.

Xi Gong has a legacy, high in Baiyun. The woodcutter does not know, and the mountain monk appreciates himself.

Take the rest as a good thing, and join hands to take a look. Bamboo dew drips at night, and the pine breeze blows during the day.

I have always held a slight shang, and I feel the precursor to the situation. There is no miracle in this, and the common people ridicule it.

Deng Zongzhi Temple Floating Picture Meng Haoran.

Standing in the pagoda in mid-air, looking at Jinghua in the sun. The bamboo surrounds the Weichuan River, and the mountain is oblique to the garden.

The four doors open the emperor's house, and the people are subdued. Tired from the beginning, gathering sand for children's memories.

A glimpse of merit and merit, and the heart of the Tao is added. Sit and feel that the heavens are near, and the empty incense sends falling flowers.

Chang'an early spring (a poem by Zhang Zirong) Meng Haoran.

Guan Shuwei East Well, the city from the north star. On the peaceful day of the salty song, the spring of the building of the music is together.

The snow is all over the green mountains and trees, and the ice is open to the black waterfront. The grass welcomes the golden horse, and the flowers accompany the people of the Yulou.

Hong gradually watched countless songs, and the warbler songs listened to frequently. He was then promoted and returned to the wicker new.

Tian Jiayuan Day Meng Haoran.

Last night, I went back to the north, and now I am in the east. I am already a strong man, and I am still worried about farming.

The mulberry field ploughed his father, and the lotus hoe followed the shepherd boy. The Tian family accounts for the climate, and it is said that this year is abundant.

Xiao into Nanshan Meng Haoran.

The miasma is full of atmosphere, and the South Mountain is full of water clouds. Kunfei is now seen, and the bird is old and smelled.

The ground is close to Changsha, and the river is divided from Mizhu. Jia Sheng once complained and gave him a pain.

Crossing Xiangshui at night (a poem by Cui Guofu) Meng Haoran.

The passenger boat was greedy for profit and secretly crossed the Xiangchuan River. The dew smells Fangdu, and the singing voice knows the lotus.

The list of people cast fire on the shore, and the fishermen stayed in the pond and smoked. The couple asked each other, where is Xunyang.

Tingtang, Meng Haoran.

Mingfa looks at the group, and Wanmu is gloomy. The frost gradually watered, and the orange seemed to be hanging gold.

The female companion competes to pick up, and the picking hinders the depth of the leaves. And sympathize with each other, showing the same feelings.

Bone spurs red Luo quilt, fragrant sticky green feather hairpin. In the jade plate, all wins in the secluded forest.

The following Wang Wei. The Bamboo Pavilion sits alone in the secluded fence, playing the piano and roaring.

People in the deep forest don't know, and the bright moon comes to take pictures.

Autumn twilight in the mountain dwelling. After the new rain in the empty mountains, the weather is late in autumn.

The bright moon shines among the pines, and the clear spring stone is upstream.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat.

Feel free to rest in spring, and the kings and grandchildren can stay.

Returned to Songshan Mountain. Qingchuan takes a long and thin belt, and the carriages and horses go to leisure.

If the flowing water is intentional, the twilight birds will return to each other.

The deserted city is in the ancient crossing, and the sunset is full of autumn mountains.

Coming back and retreating.

Zhongnan Mountain Taiyi is close to the sky, and even the mountains are connected to the sea.

The white clouds look back, and the blue mist enters to see nothing.

The peaks in the field change, and the clouds and sunshines are different.

If you want to stay with someone, ask the woodcutter across the water.

Pass the Xiangji Temple. I don't know the Xiangji Temple, a few miles into the cloud peak.

Ancient trees are uninhabited, where is the clock in the deep mountains?

The sound of the spring swallows the dangerous stone, and the sun is cold and green pine.

The twilight empty pool is bent, and Anzen makes a poisonous dragon.

Wang Wei Zhuli Pavilion.

Sitting alone in the secluded grate, playing the piano and howling.

People in the deep forest don't know, and the bright moon comes to take pictures.

Autumn twilight in the mountain dwelling. After the new rain in the empty mountains, the weather is late in autumn.

The bright moon shines among the pines, and the clear spring stone is upstream.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat.

Feel free to rest in spring, and the kings and grandchildren can stay.

Meng Haoran passed the old man's village.

The old man Gu Ji invited me to Tian's house.

The green tree village is close to the edge, and the green mountain Guo is oblique outside.

Open the noodle garden, and talk about the wine.

Stay until the Double Ninth Day, and come to chrysanthemums.

I'm looking for it too - these songs are easier to memorize and some are famous.

Autumn twilight in the mountain house -- Wang Wei.

After the new rain in the empty mountains, the weather is late in autumn.

The bright moon shines among the pines, and the clear spring stone is upstream.

The bamboo noise returns to the Huannu, and the lotus moves the fishing boat.

Feel free to rest in spring, and the kings and grandchildren can stay.

The deceased Zhuang Meng Haoran.

The old man Gu Ji invited me to Tian's house.

The green tree village is close to the edge, and the green mountain Guo is oblique outside.

Open the noodle garden, and talk about the wine.

Stay until the Double Ninth Day, and come to chrysanthemums.

Wang Wei of Zhongnan Mountain.

Taiyi is close to the sky, and even the mountains are connected to the sea. The white clouds look back, and the blue mist enters to see nothing. The peaks in the field change, and the clouds and sunshines are different. If you want to stay with someone, ask the woodcutter across the water. Deng Zongzhi Temple Floating Picture Meng Haoran.

Standing in the pagoda in mid-air, looking at Jinghua in the sun. The bamboo surrounds the Weichuan River, and the mountain is oblique to the garden.

The four doors open the emperor's house, and the people are subdued. Tired from the beginning, gathering sand for children's memories.

A glimpse of merit and merit, and the heart of the Tao is added. Sit and feel that the heavens are near, and the empty incense sends falling flowers.

Wang Wei is a Buddhist, and his poems bring Buddhism. Meng Haoran has more Zhuangzi-like literary brilliance.

1, "The Old Man's Village" The old man Gu Ji Huang invited me to Tian's house. The green tree village is close to the edge, and the green mountain Guo is oblique outside. Open the noodle garden, and talk about the wine. Stay until the Double Ninth Day, and come to chrysanthemums.

2, "Autumn Denglan Mountain Sends Zhang Wu" in the white clouds of the North Mountain, the hermit is self-pleased. Looking at each other and trying to climb high, the heart flies away with the geese. Sorrow is due to the twilight, and the prosperity is the autumn hair.

When I saw the people returning to the village, the sand crossed the head to rest. The trees on the horizon are like camellias, and the boats on the riverside are like the moon. Why should he bring wine and get drunk on the Double Ninth Festival.

3, "Returning to Nanshan at Dusk" is a book in the north, and Nanshan is in the Ming book. Not only does it know that the Lord abandons, and many people are sick and sparse. The gray hair urges the old, and the green sun forces the old age. Forever sorrowful, pine moon night window empty.

4, "Climbing Lumen Mountain in Spring" came in the early morning and crossed the river by river. The sand fowl is close to the knowledge, and Pu Shu is far away and does not sell macro discrimination. Gradually to Lumen Mountain, the mountain is bright and shallow.

The rock pond is bent more, and the boat is repeatedly turned. In the past, when he heard about Pang Degong, he did not return to collect medicine. Golden stream bait zhishu, stone bed lying moss.

I feel old, and I take care of things. The hidden trace still exists today, and the high wind is far away. When will the white clouds go, the osmanthus will be empty.

**The intention is not endless, and the sunset is late on the boat.

5, "North Stream Boating" The North Stream is always full, and the floating boat touches everywhere. Along the migration from interesting, why bother in the five lakes.