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The above one is an allusion to Zhuangzi's butterfly:
In the past, Zhuang Zhoumeng was Hu Die, and Hu Die was also lifelike. Self-proclaimed ambition and! I don't know Zhou. If you feel it, you will feel it. I don't know if Zhou's dream is Hu Die? Hu Die's dream is Zhou and ?? Zhou and Hu Die must have a difference. This is called materialization. ”
The meaning is roughly that Zhuangzi dreamed that he became a butterfly, and he couldn't tell whether Zhuangzi dreamed of being a butterfly or a butterfly dreaming of Zhuangzi.
The previous sentence is to pick up Lin Daiyu's words, Lin Daiyu is making fun of the ...... of cherishing spring
Original text: "Daiyu Dao:"It's not much in a year.
This garden has only been built for a year, and now it takes two years to paint it. I have to study ink, I have to dip my pen, I have to lay paper, I have to use color, and I have to color. "As soon as he said this, everyone knew that he was making fun of Xichun, so they all asked with a smile"What else?
Daiyu couldn't help but laugh at herself"I have to paint slowly like this, but it won't take two years! "”
Daiyu said that Xichun should draw slowly, she was making fun of Xichun's poor painting skills, but there were many shelves, and she had to draw slowly according to other people's patterns, pointing out the lazy ...... of Xichun
2 years is the year corresponding to the construction of the garden, which shows that it is more troublesome to paint the garden in the spring than to build the garden.
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Explanation: Zhuang Sheng: Zhuang Zhou, a Warring States person. Zhuang Zhou dreamed that he had become Hu Die. A metaphor for the fun of a dream or the fickleness of life. Also known as "Zhuang Zhou Dream Butterfly".
I don't know if Zhuang Zhou became a butterfly in his dream, or did a butterfly dream that he became Zhuang Zhou?
Hehe: There's only one question.
I'm sorry.
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"The Record of Stones" is a self-deprecation of the things that have been recorded in the stones;
The Treasure of the Wind and the Moon abstains from the feelings of the wind and the moon;
"Love Monk Record" refers to Baoyu's lover who became a monk;
"Golden Jade Yuan" records the marriage of the matching golden lock and Baoyu;
The Twelve Hairpins of Jinling clearly refers to the story of the twelve heroines in the book.
The Stone and "Dream of the Red Chamber".
The relationship between Shishi, Shenying's waiter, and Jia Baoyu is already delicate, and because of the multiple versions of Dream of Red Mansions, it is even more confusing. Judging from the fat book that is closest to Cao Xueqin's original intention, the relationship is as follows:
Shen Ying Waiter Jia Baoyu ≠ Stone Zhuzhu Fairy Lin Daiyu Nuwa mends the remaining stones, that is, Jia Baoyu wears the red jade from the mother's womb, which is the "author of the book" of the Dream of Red Mansions, and the Dream of Red Mansions is recorded by stones, so it is also called "Stone Records".
This relationship is the clearest and most logical, and it is also very consistent with lipids and lipids. Cheng Ben's writing of equating stones with Shenying's attendants has caused a lot of inconsistencies, the most obvious being that Jia Baoyu (Shenying's attendants) wears a stone (himself), which is logically inexplicable.
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Cao Xueqin originally positioned the title of the book as "The Story of the Stone", but Gao E later changed it to "The Dream of the Red Chamber", because he felt that the name "The Story of the Stone" was too blunt, and he thought that "The Dream of the Red Chamber" could summarize the aesthetic conception.
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This is a book**,**The names are more poetic, just like the painter's words, ordinary people understand it, and it is not called a famous painting!
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** It is said that it is false, it is all fake, it is all a dream bubble, and the couplet also said that when the fake is true, it is true and false, and there is a "Jia" word on every page, but the world thinks it is true, it is a true and false game, and life is the same, the spider silk is full of carved beams, and the green yarn is now pasted on the window. So it is: Dream of Red Mansions.
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This ......It's really not clear, it was originally called "The Story of the Stone" ......
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Bai Juyi, the word Lotte. No. Xiangshan Layman. The main advocate of the New Yuefu Movement in the Middle and Tang Dynasty, one of the three major poets of the Tang Dynasty, and Yuan Zhi are collectively called"Yuan Bai"。
His main works are "Qin Zhongyin", "Xin Yuefu" (including "Tan Seller", etc.), "Song of Long Hatred", "Pipa Xing", etc., which were compiled as "Bai's Changqing Collection" and later compiled as "Baixiangshan Poetry Collection". He is the inheritor of the realist tradition, advocates"Articles are written for the time, and songs and poems are written for the sake of things. A representative of the popular school, according to legend, the old woman can understand.
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"Song of Long Hatred", "Charcoal Seller", "Pipa Xing", "Farewell to the Ancient Grass", "Spring Trip to Qiantang Lake", "Remembering Jiangnan".
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Pipa language, compulsory; Long Hate Song Elective.
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"Qin Zhongyin", "Xin Yuefu", "Long Hate Song", "Pipa Xing".
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Long Hate Song? It's still the same song: Leaving the grass on the plain, one year old and one withering, the wildfire can't be burned, and the spring breeze blows and grows.
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In the first month of the seventh year of the Tang Dynasty (772), Bai Juyi was born in Xinzheng, Henan Province, in a small and medium-sized bureaucratic family of "Shidun Confucianism". Soon after Bai Juyi was born, there was a war in his hometown. The feudal town of Li Zhengji seized more than ten prefectures in Henan, and the war burned the people's lives.
When Bai Juyi was two years old, Ren Gongxian's grandfather died in Chang'an, and his grandmother died of illness immediately after him.
Bai Juyi's father, Bai Jigeng, was first awarded the county order of Pengcheng County, Xuzhou (780) by the Songzhou Sihu Army, and a year later because Bai Jigeng and Li Wei, the assassin of Xuzhou, adhered to Xuzhou and was promoted to Xuzhou. Bai Juyi was able to spend his childhood in Fuli, Suzhou. And Bai Juyi is very smart, he reads very hard, his mouth is sore, his hands are calloused, and his hair is all gray at a young age.
The early period of Bai Juyi was a period of helping the world, and the later period was a period of being alone. Bai Ju Yizhen Yuan 16 years (800 years) at the age of 29 years in the Jinshi, successively served as the secretary of the provincial school Shulang, Xuzhi Wei, Hanlin bachelor, Yuan and the years of the left to pick up, wrote a large number of satirical poems, the representative work is "Qin Zhongyin" ten songs, and "Xin Yuefu" fifty songs.
These poems make the powerful gnash their teeth, choke their wrists, and change color. In the sixth year of Yuanhe, Bai Juyi's mother died of nervous disorder in Chang'an, Bai Juyi returned to his hometown to keep filial piety for three years according to the rules of the time, and returned to Chang'an after serving filial piety, and the emperor arranged for him to be a doctor of Zuo Zanshan.
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Spring trip to Qiantang Lake.
Don · Bai Juyi.
Gushan Temple is in the west of Jia Ting, and the water surface is low at the beginning of the clouds. Several early warblers compete for warm trees, and whose new swallows peck the spring mud. The flowers are gradually charming to the eye, and the asakusa can have no horseshoe. The favorite lake is not enough to go east, and the white sand embankment in the green poplar shade.
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There will be a problem with the ...... methodMy life has been in front of me, and I have been seeing him on the forehead in others, and I am going to say when I will be on vacation, I don't know.
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As far as the title of the book is concerned, the original title "The Stone Record" is a self-confessed record of the stones; The Treasure of the Wind and the Moon abstains from the feelings of the wind and the moon; "Love Monk Record" refers to Baoyu's lover who became a monk; "Golden Jade Yuan" records the marriage of the matching golden lock and Baoyu; The Twelve Hairpins of Jinling clearly refers to the story of the twelve heroines in the book. As for "Dream of Red Mansions", it was originally the title of the song performed by the police illusion in the too illusory realm, and the ancient "Red Mansion" refers to the gorgeous buildings where the rich and powerful women lived, such as Bai Juyi's "Qin Zhongyin: Marriage Proposal" has the sentence "The rich girl of the Red Mansion embroiders the golden thread"; "Dream" is the "theme of the book", in the outline of the "Dream of Red Mansions Introduction", the author clearly pointed out that the "dream" of "sad gold and mourning jade" should be performed, so the preface of the master of the dream said: "The rich girl of the Red Mansion, the poem proves the fragrant mountain, the dream of Zhuang Zhou, and the dream returns to the butterfly."
I think this name is all and the most to the point.
The classic ** Dream of Red Mansions also has titles such as "The Story of Stones", "Fengyue Baojian", "The Twelve Hairpins of Jinling", but none of them are more in line with the original book. The "Ordinary Cases" of the original book said that "Dream of Red Mansions" is "the name of the whole thing". It means that the whole ** is written as a dream of the Red Mansion.
Red Mansion, like Zhumen, is the name of the ancient princely and aristocratic residences. It goes without saying that "Dream of Red Mansions" means that the prominence of the nobles of the Red Chamber is nothing more than a dream of Nanke.
Red represented "daughter" in ancient times, i.e., female; The building is a deep boudoir mansion;
The Red Chamber refers to the women who live in the deep boudoir mansion, and mostly refers to the young ladies of the official eunuchs.
There is a fat criticism that says: "The so-called 'good knowledge of the skeleton of the green mound is the man who hides the face of the Red Mansion'." The author is so hard at work. ”
The main writing thread of Dream of Red Mansions is Jia Baoyu's life experience. **The opening of the book said that this book is "the things that are recorded by the stone", this stone is the material of the heavens, and it has become a piece of beautiful jade after a monk has performed illusions. Later, this piece of beautiful jade was always worn on Jia Baoyu's chest and lived with Jia Baoyu.
This beautiful jade (i.e., stone) also had the same experience of "experiencing joys and sorrows, and the hot and cold world", all of which are engraved in stone.
Above the head, that is, the text of the book "Dream of Red Mansions". Therefore, "Dream of Red Mansions" is also known as "The Story of Stones", and the author's pen never leaves Jia Baoyu, the protagonist of Meiyu (stone). It can also be seen from here that "Dream of Red Mansions" is mainly about Jia Baoyu's life experience.
**The fifth chapter writes that Jia Baoyu's sleepwalking is too illusory, which is a hint of the whole book of "Dream of Red Mansions". Jia Baoyu flipped through the "Twelve Hairpins of Jinling" album in the too illusory realm, listened to the fairies sing the "Twelve Songs of the Dream of Red Mansions", drank fine wine, tasted fragrant tea, and had tenderness with "Jianmei", and there were police illusion fairies and ancestral spirits to warn him, and finally he fell into a maze, which is a brief summary of Jia Baoyu's life, and it is also the origin of the title "Dream of Red Mansions".
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The author is Cao Xueqin, formerly known as Shiji.
Origin: In the ancient book "The Story of the Stone", the evolution of the title of the book was introduced in the first chapter, and the earliest book was called "The Story of the Stone", because the artistic idea was that a piece of the remaining stone of Nuwa to mend the sky was thrown on the Qinggeng Peak of the Great Wilderness Mountain, turned into a Tongling Jade, and traveled around the world; It was originally very large, but later after the immortal monks performed a large illusion, it could be big or small, and finally shrunk to the size of a fan pendant, which could land in the world at the same time as a life, because it could make the baby hold in the mouth; **The baby inside is Jia Baoyu, a psychic treasure jade, born in a gentle and wealthy township, experienced the joys and sorrows of the world, and finally the stone returned to the Great Wilderness Mountain, back to the Qinggeng Peak; There, the original shape was restored, a large stone, full of words, telling the story of what the mortal experienced, so this book is "The Stone Record", and the name of the earliest book is "The Stone Record".
In the book, it is also said that the empty man - this is a character conceived by the author in the book, a somewhat unrealistic character - after reading it, he felt that he could copy it down and circulate, so he renamed it "Love Monk Record", because after eighty times in the book, it was written that Jia Baoyu became a monk, and the monk was a monk, and he was a lover and a lover, so it was "Love Monk Record". Then in the ancient book "The Story of the Stone", there is no such title as "Dream of Red Mansions" in many versions, only there is a sentence in the Jiazhu book, saying that there is a person named Wu Yufeng who called this book "Dream of Red Mansions".
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There are many aliases for Dream of Red Mansions, such as Stone Records, Fengyue Baojian, Jinling Twelve Hairpins, Love Monk Records, etc., but the main part of Dream of Red Mansions is completed in Mourning Hongxuan, plus the author's own sense of life like a dream and the suggestion of Fat Yan Zhai to change the name of Dream of Red Mansions Dream of Red Mansions was originally known as Stone Record!
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The Dream of Red Mansions is taken from the twelve songs of Dream of Red Mansions in the fifth chapter.
This name may have been taken by Gao He himself, or it may have been taken by people around Gao He and he used it.
Cao Xueqin's original intention was to name it Shiji, as for Fengyue Baojian, Jinling Twelve Hairpins, and Love Monk Records, etc., they were named after him when he was a child.
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Written by Cao Xueqin. Formerly known as "The Story of the Stone".
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Among Jia Baoyu's characters, the most impressive thing is the hatred and contempt for secular men and the special love and respect for girls on the contrary. In the second episode, he expressed his unique opinion on deviating from the scriptures: "It turns out that people are born as the spirits of all things, and the beauty of the mountains, rivers, sun and moon is only favored by daughters, and men with eyebrows are just some scum and turbidity.
The daughter is flesh and bone made of water, and the man is made of mud. When I saw my daughter, I was refreshed, and when I saw a man, I felt turbid and smelly. Later, as Baoyu grew up, his thinking became more and more mature, and he found that the "daughter" was also constantly changing, so there was also the view that the daughter changed from the "priceless pearl" before marriage to the "dead pearl" after marriage, and finally became "fish eyes".
This shows that he came to realize that the most oppressed girls in feudal society were the ones who were the most oppressed. Therefore, he showed unusual tenderness and consideration for his daughter in action. Moreover, Jia Baoyu extremely despises the feudal hierarchy of respect and order, and distinction between the noble and the low.
Jia Huan is not only his younger brother, but also a concubine, "his family rules, everyone who is a brother is afraid of his brother", "you must be an example for your children", but Baoyu is "don't be afraid of me", so Jia Huan They are not very afraid of him, and even want to kill him and Sister Feng by inch. Even if he was deliberately scalded by Jia Huan with hot wax oil, he was still covering for Jia Huan. He also had no master-slave boundaries for his servants and directly undermined the feudal order.
"No, everyone played around for a while," and "tearing the fan and laughing" made Qingwen turn annoyance into laughter; Jin Chuan was humiliated and died, Baoyu never forgot it, regardless of such a major event as celebrating Sister Feng's birthday, she secretly ran to a deserted place in the suburbs to shed tears to mourn. Moreover, even the love marriage pursued by Baoyu is based on this rebellious idea. He had already made the idea of pursuing marital autonomy and individual emancipation clear, and he scolded in his dreams, "How can the words of monks and Taoists be trusted?"
What is 'Golden Jade Relationship'? I prefer to say 'wood and stone marriage'". even took the attacker's hand and poured out his love for Daiyu.
Therefore, some people say that the image of Jia Baoyu embodies the initial idea of democracy and equality. But after all, his thinking is still a little narrow. For example, he did not dare to make a complete break with the feudal system; He never dared to clash head-on with the feudal parents, and the confrontation was relatively negative; And when he struggled to find a way out of his thoughts, he had the illusory and empty thoughts of wanting to die and "turning smoke into ashes".
There is a preface or afterword in the book of Dream of Red Mansions. >>>More
There is a [Ordinary Case] in Jiaxu, which is equivalent to the "Author's Preface" of the current **, and there is a poem at the end of [Ordinary Case], I don't know if your teacher is referring to this. >>>More
First of all, Daiyu has always been loved by Jia's mother, and Jia's mother already knows about Daiyu and Baoyu, what reason does she have to break up the two younger generations she loves the most, and how can she bear to make him sad? Moreover, according to the kinship, Daiyu is the granddaughter of Jia's mother, and Baochai and Jia's mother are actually not related by blood, so why does she have no reason not to favor Daiyu and be so attentive to Baochai? >>>More
Cao Xueqin, the author of "Dream of Red Mansions", this book is based on the author's family experience and carries out artistic processing. With Bao Dai's love tragedy as the main line, it reflects the darkness of the old arranged marriage. Taking the transformation process of Jiafu from sainthood to decline as the secondary line, it is revealed that it is the decay of the feudal aristocracy. >>>More
Dude, you go up to break into the "Red Study" and go to the sea.