The answer to Northern Shaanxi paper cutting, Shaanxi Folk Paper cutting reading answer

1. Shaanxi paper-cutting.

BAI's status; The history of Shaanxi paper-cutting; the current situation of Shaanxi paper-cutting; (Representative of Shaanxi Paper-cutting DAO; The future of Shaanxi paper-cutting).

2. Examples: Examples can be drawn from abstract to concrete, so that the content of the description is concrete, clear, easy to understand and convincing.

4. Shaanxi paper-cutting is constantly developing with the times.

It is mainly monochrome paper-cutting, and the content is mainly based on animals and flowers. Shaanxi paper-cutting is one of the traditional folk art forms with a long history. Paper-cutting is a kind of hollow art, which visually gives people a sense of transparency and artistic enjoyment.

Its carrier can be paper, gold and silver leaf, bark, leaves, cloth, leather, leather and other sheet materials.

Paper-cutting first originated in the period of the Northern and Southern Dynasties, mostly taken from the festive season, grain harvest, folk opera stories, children, animals, etc., both rich in interest and beautiful decoration, with a deep mass foundation, so it is deeply loved by everyone. Chinese folk artists have passed down the legacy from generation to generation with their unique art forms, making paper-cutting art a traditional folk art close to life and rooted in the public.

Shaanxi paper-cut forms are diverse, one is monochrome paper-cutting, the second is color paper collage paper-cutting, the third is dotted paper-cutting, the fourth is dyeing paper-cutting, the fifth is imitation paper-plastic window flowers, and the sixth is paper-cutting smoked samples. Shaanxi folk paper-cutting belongs to the heads-up composition in the composition of the lifting fiber. Since the production material of paper-cut is flat paper, the pattern formed by the points, lines and surfaces with decorative effect determines that paper-cut can only use simple two-dimensional graphics to show the specific meaning of the pattern to be expressed.

Window flowers, is the most paper-cut in Shaanxi one of the kind, in addition, the wedding of Qingtong decoration, pillow top, shoe flowers and embroidery patterns, etc., is also based on paper-cutting. The paper-cutting in southern Shaanxi is also curved, generally larger, and the pattern decoration mostly adopts plant patterns, with patterns similar to carpets.

The art of Chinese paper-cutting is my Chinese nation.

It is one of the ancient folk arts, and it is also the crystallization of the wisdom of the working people of the Chinese nation for 5,000 years. People use scissors or carving knives to cut various patterns on paper, this traditional hollow art can not only give people visual enjoyment, but also entrust people with a better life.

You have to yearn for it, a vision for the future. During festivals or celebrations, people habitually pasted bright red paper cutouts on windows, doors and walls of their homes. In the concept of many older generations, a piece of paper and a pair of scissors can express our lives. Chinese paper-cutting.

Decoupage. Origin.

The history of paper-cutting in northern Shaanxi is very long, as early as the period of the Northern and Southern Dynasties, it is like integrating into the daily life of the common people. In the Qing Dynasty, northern Shaanxi paper-cutting entered the court. In fact, a large part of the origin of paper-cutting in northern Shaanxi comes from the boss's surname for a better life.

In the past, people hoped that the weather would be good, so that as long as the farmers were industrious and kind, the livelihood of the whole family would be guaranteed. In this way, they hope to usher in a smooth and happy life. In some economically developed places in northern Shaanxi, the commercial value of paper-cutting has been fully exerted.

In some remote places in northern Shaanxi where the traffic is inconvenient and the location is remote, paper-cutting records the Loess Plateau in a special form.

of people's lives.

Style. The simple, rugged paper-cutting style and exquisite skills are the most impressive paper-cutting in northern Shaanxi. In terms of expression, northern Shaanxi paper-cutting is known for its exaggerated shape, but the bold shape and rough style have the beauty of delicateness, which makes people have to sigh the wisdom of paper-cutting artists.

In terms of content, northern Shaanxi paper-cutting is dominated by animals, characters, and flowers. And the subject matter of paper-cutting is more abundant. Ancient myths, legends, and beliefs are common paper-cut subjects.

Representative figures. Gao Fenglian is a leader in northern Shaanxi paper-cutting, and she is known as "Chinese folk paper-cutting."

Masters of the Arts". She is very good at combining the beliefs of the Chinese with the ancient totemic culture to present a new artistic image to the private. Gao Fenglian's paper-cut themes are all-encompassing, including both traditional folk life and modern life.

She is good at showing the beauty of modern young people talking about love. Her in-depth understanding of the folk life and folk culture of the northern people helped her better realize the art of paper-cutting, enriching the connotation of paper-cutting art. Although in the impression that the big sail is mostly people, paper-cutting is what women are good at.

But in northern Shaanxi, there are indeed a few men who love and practice this art. For example, Guo Rulin. Under his scissors, all kinds of themes are very vigorous and vigorous, with the spirit of a man on the plateau with a yellow picture.

He is very good at expressing life in flowers, birds, fish and insects. With the help of the unique language of paper-cutting, he skillfully conveys his worldview, and his yearning for a better life is integrated into paper-cutting.

Although the older generation of northern Shaanxi paper-cutting artists Kuan Sou has passed away one after another, replaced by a new generation of young people. However, the new generation will definitely be able to inject new strength into this ancient art and let the art of northern Shaanxi develop in a better direction.

Shaanxi paper-cut forms are diverse, one is monochrome paper-cutting, the second is color paper collage paper-cutting, the third is dotted paper-cutting, the fourth is dyeing paper-cutting, the fifth is paper-plastic window flowers, and the sixth is paper-cutting smoked samples.

Northern Shaanxi is dominated by monochrome paper-cutting, with simple and simple shapes, focusing on exaggerated deformation, inheriting the ancient aesthetic taste and modeling concepts. In terms of content, it is mainly based on animals, flowers and plants. It is said that the Confucian sage educated the world, but the northern Shaanxi was omitted, so the temperament of the northern Shaanxi people is not as moderate as the Guanzhong people, so the creativity is very strong, and the joy, anger and sorrow are vividly expressed, so the personality is extremely strong.

In Jingbian, Anbian and Dingbian in northern Shaanxi, people call it "three-sided paper-cutting", and paper-cutting has become another style, delicate and subtle, small and exquisite, small in big, and depicted finely. The "Lele" is as thin as a needle, and the thread cut out is as thin as a hair, which is different from Yan'an Sui? The paper-cutting is rough, and it is different from the craftsmanship and realism of Jiangnan.

According to research, the three sides were originally important border towns, and the imperial court often sent southern generals to guard here, and they lived here with their families, and also brought the folk culture of the water town, which was combined with the local ancient folk art, resulting in a unique trilateral paper-cutting.