What are the characteristics of paper cutting art, what are the characteristics of Chinese paper cut

They come from different regions, different genres of art masters and folk artists, different styles and characteristics, a wide range of subject matter, types of opera characters, birds, insects, fish and beasts, as well as the depiction of rural real life, reflecting the working people's love for life, the pursuit and yearning for truth, goodness and beauty. Whether it is to reflect people's auspicious and happy Qi Na or to the historical stories, folklore and characters that the working people like to see; Whether it is the unique cultural background and folk customs of the north, or used in celebrations such as the four seasons and wedding ceremonies, it reflects the superb wisdom and rich imagination of the people. Coupled with the dense and precise shape design, meticulous exquisite knife work, and gorgeous and vivid unique spot dyeing, each piece is very vivid, flavorful, and durable.

The ornamental, collectible and practical nature of paper-cutting is the more brilliant and brilliant art of paper-cutting, which has local characteristics.

Chinese paper-cutting originated from the Han Dynasty to the Northern and Southern Dynasties, and was quite sophisticated, but it was after the middle of the Qing Dynasty that it really flourished. Ancient paper-cutting is mostly in the countryside, mainly hinged out by scissors, interesting and simple, and natural, all of which are from the hands of peasant women; After paper-cutting enters the city, not only the citizens' interests and life ideals should participate in the art of paper-cutting, but also thousands of households are crowded together, and the suburbs become habits, and the need is quite huge; In order to save labor, paper-cutting artists changed to carving with more than one knife, and the style turned to exquisite, and the artists were not limited to women. However, with the change of times, life changes and aesthetic transformation, traditional folk art gradually cannot meet the needs of reality, so the modern emerging paper-cut art was born.

Paper-cutting is a folk art with a unique artistic style, which is hand-carved and dyed with bright and bright colors. The working people used it as a decoration for the New Year's festival and pasted it on the paper window, so it is also called "window grille".

The content of the traditional window grille, mainly including opera characters, flowers, grasses, insects, fish and beasts, as well as some auspicious and homophonic objects, is full of cheerful, healthy and loving life emotions, which are deeply loved by the masses.

1 Unity of dependency and independence.

2. The unity of collectivity and individuality.

3 Unity of variability and stability.

Paper-cutting is a traditional handicraft in China. Regarding the art of paper-cutting, the origin of paper-cutting, that is, paper-cutting in the true sense, should start with the appearance of paper. The invention of paper in the Han Dynasty led to the emergence, development and popularization of paper-cutting.

1. Chinese paper-cutting.

2. Chinese paper-cutting is a kind of folk art that uses scissors or carving knives to cut patterns on paper, which is used to decorate life or cooperate with other folk activities.

In China, paper-cutting has a broad mass base, blends into the social life of people of all ethnic groups, and is an important part of various folk activities. Its inherited visual image and modeling format contain rich cultural and historical information, express the social recognition, moral concepts, practical experience, life ideals and aesthetic tastes of the general public, and have multiple social values such as cognition, education, ideology, lyricism, entertainment, and communication.

The characteristics of paper-cutting are: easy to learn, wide folk foundation, can fully tap the ability to use the brain, can be a good exercise of image thinking.

The regional style characteristics of paper-cutting itself are: rough paper-cutting in the north and delicate paper-cutting in the south. There are different styles of paper-cutting in different places, each with its own characteristics. There are two types of paper-cuts: monochrome paper-cut and color paper-cut.

From the perspective of specific use, it can be roughly divided into four categories:

1. Posting, that is, directly posting on doors and windows, walls, lights, and color ties. Such as window flowers, wall flowers, ceiling flowers, smoke lattices, lantern flowers, paper flowers, door paper;

Second, it is used for decoration, that is, for decorating gifts, dowries, sacrifices, and offerings. Such as happy flowers, offering flowers, ceremonial flowers, candlestick flowers, incense flowers, Chongyang flag;

3. Embroidery base sample, used for clothing, shoes and hats, and pillows. Such as shoe flowers, pillow flowers, hat flowers, saliva flowers, sleeve flowers, strap flowers;

Fourth, for printing and dyeing, that is, as a printing plate of blue calico, used for clothing, quilts, curtains, wrappers, bibs, headscarves, etc.

Hello dear. Paper-cutting, a kind of hollow art, is one of the most distinctive and popular folk traditional decorative arts in China, with a long history, in its own specific way, showing the connotation and essence of traditional culture.

The artistic characteristics of paper-cutting: because of its easy access to materials, low cost, immediate effect, wide range of adaptation, various styles, and generally vivid images; It is also suitable for rural women's leisure production, which can be used as practical objects and beautify life.

1. It is characterized by easy learning, wide folk foundation, and can fully tap the ability to use manual brains. It can be a good exercise for image thinking. The regional style characteristics of the paper-cut itself are:

The northern paper-cutting is rough, and the southern paper-cutting is delicate. There are different styles of paper-cutting in different places, each with its own characteristics. There are two types of paper-cuts: monochrome paper-cut and color paper-cut.

2. Monochrome paper-cutting is divided into yin carving, yang carving, yin and yang carving, and silhouette. Color paper-cutting is divided into dyeing paper-cutting, color-lining paper-cutting, color-filling paper-cutting, color-matching paper-cutting, pointillism paper-cutting, color separation paper-cutting, color-matching paper-cutting, stacking color paper-cutting and so on.

1 Unity of dependency and independence.

Folk paper-cutting is an indispensable artistic activity that conforms to Chinese folk customs. Its existence must depend on the specific cultural background and living environment of the people.

2. The unity of collectivity and individuality.

In an absolute sense, no artistic creation can simply be considered a purely personal product. The social attributes of human beings inevitably reflect the artistic tastes of a certain class. Individuality, on the other hand, is only played on a collective, or traditional basis.

3 Unity of variability and stability.

After all, not every working woman who cuts with paper can achieve artistic maturity. A village, a ravine, and one or a few well-recognized people in society, their works will naturally circulate everywhere.

1. The line is connected and the line is broken.

Because the paper-cut work is cut out or carved out on the paper, it must take the method of hollowing, because of the hollowing, the paper-cut of the yang pattern must be connected by the line, and the paper-cut of the yin pattern must be broken by the line, which produces the structure of the thousands of moments and the continuous cut.

2. Patterning of composition and modeling.

The sun, moon, stars, birds, clouds, buildings, people, and animals on the ground can be arranged on the same screen at the same time. The common form is "layer high" or "changing the scenery with partitions".

3. The image is exaggerated, concise, beautiful and full of rhythm.

The shape should be prominent, forming a simple and generous sense of beauty, the posture of the object should be exaggerated, the action should be large, and the posture should be beautiful, just like the appearance action on the stage, full of rhythm.

4. The colors are simple and bright.

The color requirements of paper-cutting are simple and complex, less configuration of similar colors, similar colors, and adjacent colors, and coordination is required in contrasting colors, and at the same time, we should also pay attention to the proportion of colors.

The reason why folk paper-cutting has been able to go through China's long historical evolution without losing its pure and fresh characteristics is closely related to the stable social and cultural structure of China's rural areas. The different characteristics of its own contradiction, but also mutual unity, determine its natural selection of the constantly changing side, thus opening up the distance from court art and literati art.

Paper-cutting is a unique form of Chinese folk art, the characteristics of paper-cutting are cut or carved out on paper, so it is necessary to take the method of hollowing, because of the hollowing, the paper-cut of the yang pattern must be connected by the line, and the paper-cut of the yin pattern must be broken by the line, otherwise the whole paper-cut will be broken and cannot be formed. The structure of connecting and breaking the lines is an important feature of the art of paper-cutting.

Paper-cutting is very particular about lines, because the picture of paper-cutting is made of lines. According to practical experience, the lines of paper-cutting are summarized into five words: "round, pointed, square, missing, line".

The requirements are: "round as the autumn moon, sharp as wheat, square as green bricks, missing as sawtooth, line like a beard." "It can be said that lines are the basis of decoupage shapes.

Chinese paper-cutting: Folk art used to decorate life or cooperate with other folk activities.