Seek the appreciation of Yan Shu s Huanxi Sha and Du Fu s Shu Xiang . Detailed, urgent

Upstairs is very detailed, study.

"Shu Xiang" is a famous poet of the Tang Dynasty Du Fu settled in Chengdu thatched cottage and visited the Wuhou Temple in the following year. The author used a tour of historic sites to praise Zhuge Liang, the prime minister of the Shu Han Dynasty, for assisting the two dynasties, and regretted that he died after failing to succeed in his education. There is not only the orthodoxy of respecting Shu, but also the feeling of being in trouble.

Between the lines, it conveys the feelings of feeling things and thinking about people. Writing about the prime minister's eloquence and loyalty to the country, lamenting the ending of his ambition and dying before he was rewarded, it resonated with those who have not finished their heroic career for thousands of years. Although Du Fu cherished the political ideal of "To Jun Yao Shun", his career was bumpy and his ambitions could not be realized.

When he wrote the poem "Shu Xiang", the Anshi Rebellion had not yet subsided. Witnessing the country's difficult situation and the misery of the people, and he has no way out and no way to serve the country, he has infinite admiration and respect for Zhuge Liang, who created the foundation and saved the situation.

Yan Shu. has always been young and limited, and it is easy to lose his soul when he is idle, and he is not willing to resign from the wine banquet and singing.

The mountains and rivers are full of empty thoughts, and the falling flowers and wind and rain hurt the spring even more, so it is better to take pity on the people in front of you.

This poem expresses a kind of parting feelings, from which people can also experience some life philosophy.

At the beginning of the film, "I have always been young and limited", indicating that the existence of the human body is extremely short-lived, and it passes in an instant. This is a lament for the fleeting years and the finite nature of life. In the next sentence, "Waiting for leisure to parting is easy to lose the soul", the emotional waves are further improved, that is, in the short course of life, the most common parting things are encountered, which makes it easier to make people sad and cry.

The feeling of regret is even deeper. The third sentence, "Wine feasts and singing and dancing", come to a twist. Since life is limited and parting is impermanent, then, there is no need to shirk the banquet, singing and dancing, etc., it is better to have fun and enjoy it on the spot.

This is actually a kind of self-consolation, an attempt to relieve helpless sorrow.

The first sentence of the next film, "The mountains and rivers are full of empty thoughts", echoes closely with the "parting" of the previous film. Since there are only "mountains and rivers full of eyes" in front of me, it means that the old people I miss are far away and cannot be seen, and it is in vain to miss them. Immediately afterwards, it was "falling flowers and wind and rain hurt spring even more".

The pain of parting is already embarrassing, not to mention the wind and rain, and the flowers fall into the dust. "Hurting spring" is, of course, lamenting the destruction of spring, but also deploring the destruction of people. In these two sentences, the waves of feelings are also progressive.

The "emptiness" of "empty thoughts" shows that the trauma of the heartbeat is irreparable, and the "injury" of "more hurtful spring" is the addition of new trauma to the old wound, which is naturally doubly uncomfortable. And the third sentence is another twist. "It's better to take pity on the people in front of you", using Cui Yingying's poem in "Huizhen Ji":

will also come to the old intentions and take pity on the people in front of them. "Now that the deceased is far away, it is in vain to think of him; Youth has also been destroyed, but there are many scars, in this time of sorrow and no solution, I am bored, and I have to comfort myself, "take pity on the people in front of you".

This poem, two pieces up and down, six levels, the author's parting feelings, ripples and loops, very distinct.

Looking at the whole word, from "limited body", "waiting for leisure parting" to "wine feast and song banquet", from "empty thoughts", "falling flowers and wind and rain" to "pity" the person in front of us, or this kind of emotional turn, that is, the description of extreme sadness and strong self-comfort, often causes us to make all kinds of associations. In the short course of life, everyone will inevitably have sad things, and when they are disappointed, everyone will inevitably have some unrealizable wishes. How should it be treated?

There seems to be some enlightenment to be drawn from this.