Briefly describe the styling changes of ethnic architecture in the development

The basic characteristics of ancient Chinese and Western architecture in each period are that ancient Chinese architecture is more inclined to courtyard-style architecture, adopting a balanced and symmetrical way, and planning the building in accordance with various conventions and conventions.

The layout of ancient buildings in the West is single, but it looks more three-dimensional, giving people a more perfect visual experience, and the buildings in different regions are different cultures.

The Forbidden City and other buildings are the representative buildings of ancient China, while the ancient buildings of the West include the Parthenon and other buildings.

In this most basic ancient architectural form, there are single eaves and heavy eaves and halls; There are single eaves rest mountain, heavy eaves rest mountain, three drops of water pavilion rest mountain, big eaves rest mountain, roll shed rest mountain, etc.; Hard mountain, hanging mountain, common both one-story and two-story buildings; There are various forms of triangular, quadrangular, pentagonal, hexagonal, octagonal, circular, single eaves, heavy eaves, and multi-layer eaves.

1. Pay attention to the symmetry of the left and right, and have a central axis.

2. Pay attention to the hierarchy system, and all kinds of building grades should be in line with the identity of the owner.

3. Pay attention to the divine authority of the monarch.

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The style and characteristics of ancient Chinese architecture.

In the long course of history, the Chinese people, with their own diligence and wisdom, have created rich content and colorful forms in architecture, forming a unique system and style. Its basic characteristics are mainly manifested in the following four aspects:

A high degree of unity in the function, structure and art of a single building.

The timber frame system is a basic feature of ancient Chinese architecture. As a single timber frame building, it can be roughly divided into three parts: lower, middle and upper. The so-called lower part is the base part, which includes the base that directly supports the wooden building, the railing around the base, and the steps that can be used to go up and down.

Generally, houses use a single-story pedestal, and solemn halls use a two- or three-story pedestal. The pedestal supporting the wooden building is mostly made of rammed three-fold soil, and the appearance of the seat wall is often processed into a smooth and straight surface, a surface with pilasters or a Sumeru seat according to the requirements of the unity of architectural function, structure and art. Sumeru is evolved from the Buddha seat, the shape is complex and gorgeous, and it is mostly used in palaces, altars and temples and other high-level buildings.

The balustrade around the pedestal was originally made of wood, and only later became made of stone. It is composed of a pillar of hope, a rod, a pinch, a cloud arch, a basin lip, a large Chinese board, a girdle, a dixia, a small huaban, a dihua, and so on. The cross-section of the lookout pillar has the forms of square, round, octagonal, multi-petal (melon); The stigma has the styles of lotus, lion, cirrus cloud, coiling dragon and so on.

The railing is not only a protective facility, but also an indispensable part of the architectural image. Generally speaking, the size of each part of the foundation of the lower part of the house is restricted by the depth of the eaves of the roof and the diameter of the eaves columns, etc., and there is a certain proportional relationship. For up and down treadways, common use of stepped treadways, ramps and tramps

It is a special ramp with good anti-skid effect made of masonry on the slope with brick and stone exposed edges. However, no matter what kind of walkway is used, it must also be in harmony with the function, structure and art of the entire building. Mortise and tenon and dougong are Chinese.

It is mainly made of wood, with a column structure and a beam frame structure.

All have eaves. It's easy to build, but it's not very comfortable to live in.

Rugged. The roofs are mostly mountain-shaped.

There is a threshold in front of the door.

It is built on many sides and south sides.

The hierarchy is very strict.

The inside and outside are distinct. There are many plaques on the doors.

1. The structure is mainly based on wood frame.

2. Unique monomer shape.

3. Symmetrical central axis, square and strict group combination and layout.

4. Varied decoration and decoration.

5. Freehand landscape landscape.

Summary. The design expression of Chinese national architecture is based on traditional Chinese culture, combined with local region, climate, lifestyle and other factors. It is deeply influenced by traditional Chinese culture and embodies the characteristics and charm of Chinese culture.

The design expression of Chinese national architecture is the expression of Mingwu's architectural design based on traditional Chinese culture, combined with local region, climate, hail lifestyle and other factors. It is deeply influenced by traditional Chinese culture and embodies the characteristics of Chinese culture and the charm of the inspiring liquid.

It also analyzes the value and significance of traditional Chinese architecture to modern design.

For example, the ancient Chinese mosque building is a good example. The design of the mosque reflects the characteristics of traditional Chinese architecture, such as corridors, cloisters, cornices, and ornamental structures. These elements were designed to suit the religious function of national architecture.

The construction of mosques is usually made of wood, and the roof is supported by many pillars and beams. The façade of the building is often covered with painted or gold leaf decoration, which makes the building look more elaborate and ornate.

Traditional Chinese architecture has high artistic value and cultural significance, and has important value and significance for modern design.

First of all, traditional Chinese architecture is an important part of Chinese culture, which records the development process of the history, culture and society of Zhongmeng. Modern design can draw on the essence of these historical cultures to give cultural connotations to modern architecture.

Secondly, the design of traditional Chinese architecture is often in harmony with nature, and they pay attention to the use and conservation of nature, which fully embodies the design concept of "less is more". Modern design can learn from this design concept, so that the bright building and nature are harmoniously integrated and resource-saving.

In addition, the design of traditional Chinese architecture focuses on the needs and practicability of functional and material improvements, so that the buildings can adapt to different lifestyles and use needs. Modern design can draw on this design concept to make the building better meet people's needs for making the hood useless.

In short, traditional Chinese architecture has high value and significance for modern design, and can provide many useful inspirations and references for modern design.

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That is, is this repetition rate high?

Very low. 10% or so.