A few questions about the drum of the kit

Open the wrist is not an overnight thing, you learn the drum for 3 months is only a part of the wrist, many masters have to practice an hour before the performance of the click to warm the hand, that is actually considered to open the wrist, so the wrist problem is long-term, I have been playing the drum for almost ten years, some things feel bad to make the wrist is not very smooth, this is also a wrist problem, you are practicing legato, compound jump at the same time is in the wrist, this is also the most common way to open the wrist, personally give you some advice:

1. Don't practice too fast, the quality of the blow is the most important, otherwise theoretically you will practice fast, but the actual operation is still not fast, because the faster you play, the more floating, the situation directly affects the sustained force of your blow and the quality of the blow, your limit is 130, and the speed of practicing 100-125 is more appropriate.

2. It is not recommended that you practice compound jumping after learning for 3 months, I personally think that if the most difficult guitar is to sweep and the bass is to hit the hook, then the most difficult hand skill of the drum is the compound jump, because it is not only used in the hand, for novices who have just learned the drum for 3 months, it is very good to be able to play the click well, and only after clicking to play can you adapt to the double-click practice, and the double-click OK is OK to practice the compound jump.

3. Zhong is not as good as other countries, and even compared with South Korea, there is a big gap between it, and the word rhythm is very unfamiliar to many novice friends, not only a problem for drummers. I still often go to my old teacher to ask questions. The word rhythm is not to play a certain rhythm well, a certain flower is played well, it is called rhythm.

It's a kind of thinking leap for your own understanding of notes, beats and **, which requires long-term practice, and requires a lot of contact with all kinds of ** accumulation, 3 months is almost no rhythm, and you can hard-tie what your teacher taught you to play out with relatively high quality, even if you do it very well, this can only be done slowly, the rhythm is not like basic skills, and it is not something that can be taught by hand!

4. The last problem is the problem of the left and right hands, don't be discouraged about this, many people are born left-handed, including myself, the requirements passed down by my ancestors in my family are left-handed, but this has nothing to do with playing the drums, no matter which hand you are used to, the normal drum set, the way of passing the drum is from left to right, which means that this is almost all from the right, and the left is only to enhance the initiative of your left hand, not to distinguish your independence from the right hand, after all, it is to use two hands to play the drum, What is needed is coordination and cooperation, you can only practice the initiative of the left hand stronger, you also add some left-handed exercises when practicing the basic skills, such as putting the right thing on the left, not requiring the left hand to be exactly the same as the right hand (that is also impossible), in some cases when the left hand is needed, you can use the left hand to play the drum or cymbal you need to play for the first time, no matter how fast the left hand is practiced, there is not much practical use. Good luck.

You can slow down the speed to practice, don't be too rushed, and it will be better to slow up when you practice more. Note that the strength of both hands should be about the same.

Agree with the hedgehog teacher's statement, add a point, you can try to relax your muscles, and then put the rhythm type on the leg to knock, feel the strength of your hands, hold on for a period of time, and balance the strength of your hands, and then go on the drum to experience the feeling of percussion, hehe, this is difficult to express clearly in words. I hope it helps, and I wish you a lot of drumming skills!

Always contact the other hand.

1. Place the forearms of both hands flat on some plane, such as a table or thigh, with the palms facing the ground and the backs of the hands facing the sky, and then the hands are in a flat palm state, the five fingers are together, and the hands do the action of slapping the plane, try to keep the five fingers together and the palms are straight, the wrist movements are as close as possible to 90 degrees of bending, and each hand is clapped 5,000 to 10,000 times a day for 3 months.

2.Find something that has no elasticity to hit, and then double jump with both hands, and you can open your wrist 3The drum kit is a very important percussion instrument in a jazz band, which usually consists of a bass drum (also known as a "kick drum"), a snare, two or more tom-tom drums, one or two crash cymbals, a ride cymbal and a hi-hat with pedals.

Of course, sometimes due to the need for performance, some such as cowbells, wooden fish, shakers, triangles, and hanging bells will be added, no matter how many devices are added, they are all played by one person. The drummer hits the parts with a drumstick to make it sound. Commonly used drumsticks in jazz include wooden drum sticks, drum brushes made of steel wire, and bundle sticks made of a bundle of thin wooden strips.

4.Formed in the 40s of the 20th century, the drum kit contains a variety of different types of hand and foot percussion instruments with different timbres. Hand percussion instruments include snare drums, toms, hanging hairpins, etc., and foot percussion instruments include big drums and hi-hats.

On this basis, additional percussion instruments can be added or removed at any time according to the needs of the performance. In a band, the drummer is in control of the speed and rhythm of the music, especially in jazz, and the drummer especially needs to maintain a good state of cooperation with other musicians.

The easiest way is to find something that has no elasticity to hit, and then double jump with both hands, and you can open your wrist by practicing.

There are three main ways to hold the drum: straight wrist and buckle wrist, and standard. The most flexible, free, and convenient to exert force is the straight wrist pose.

Find some drum textbooks yourself, look at the detailed introduction and the diagram of holding the drum stick, the practice of drums lies in being flexible and changeable, improvisation, you can be more flexible in this way of practice, so many drums and so many methods, why stick to one.

Don't go for speed! Haste makes waste!

First of all, we must learn to hold the drum and find its bounce point by ourselves, that is, the index finger is the fulcrum and naturally put down the drum, the point where it can bounce the highest and most times.

Then practice single and double jumps, preferably on a dumb drum mat, the kind that should be on the snare drum, not the kind used to move your wrist before the performance (you can also use the former, but use the former in the early stage, and use the latter if you can't use the former).

When practicing single and double jumps, you should stabilize the beat, and you must stabilize the hitting strength of your left and right hands, and you must be even, and it's okay if you're not fast! It's best to have a metronome, and it's okay to have none.

Practice slowly, don't play slowly, practice at least 2 hours a day, and it is recommended to practice for 4 hours if you have time, so that you can open your wrist in 1 month.

In the future, not only will I practice 4 sticks, rhythm and flowers, but more importantly, single and double jumps, which is the basic skill in the basic skills, and there are some basic skills in the hands, about 24 of them, and the text is not clear.

When fighting, use your wrist to hit, don't use your forearm, the drum and the forearm are in a line, the arm hangs down naturally, and the waist is straight.

It's almost time to speed up, and when accelerating, you can directly practice at a constant speed with the fastest and most stable beat, don't hit faster and faster, it's easy to play"Crippled", must be equal in strength of the left and right hands, at least the human ear can't hear it, come on, persevere.

A simple suggestion is that you can practice the basic skills, click double jumps, etc., and be able to play freely in the rhythm type.

Listen more to this aspect of things, pull out what others are beating, and cultivate rhythmic sensitivity.

Also, practicing against a metronome, it is very important to have a steady rhythm.

These exercises are essential for self-study. There are many specific learning methods and performance methods that you need to experience slowly, and self-study can get a lot of fun and master a set of methods that suit you.

He's right. You have to practice well and play quickly. Practice more every day. If you practice more, you will naturally be powerful.