Chinese is so beautiful, Chinese is so beautiful Read Answers

1.The art of Chinese calligraphy is not only an independent art form, but also influences its neighbors with its unique talents.

2.It first influenced Chinese painting. In fact, Chinese painting is also a kind of line art in its bones.

The so-called "clothes and belts are the wind", what is not the line? The so-called white drawing technique, what is not the line? Traditional Chinese painting does not win with form, but with meaning; Not to be proud of beauty, but to compete for the first.

There is a meaning inside, and there is a shape outside; The heart has its source, and the painting has its context. However, its specific operation and expression are linear.

3.Chinese calligraphy has influenced traditional Chinese architecture. Ancient buildings must have inscriptions, there must be plaques, there must be couplets, there must be a middle hall, there must be mountain names, water names, hall names, pavilion names, without these, it is like the lack of hairpins on the head of the beauty, and the young man has less jade in front of his forehead, so he will feel that his heart is not clear, his eyes are not bright, his intention is not reached, and his feelings are not finished.

4.Chinese calligraphy is also connected with martial arts. Martial arts and words have been connected since ancient times.

You don't see that there are scenes of samurai calligraphy in the movies "Hero" and "Crouching Tiger, Hidden Dragon", although there are inevitably some artistic exaggerations, but they are by no means conjectures. Needless to say, just the pursuit of calligraphy and martial arts, there is a great similarity. Both of them pay great attention to gong, law, qi, rhyme, and beauty.

5.Chinese calligraphy has also influenced classical Chinese**. Chinese classical ** is dominated by a linear structure, although its sense of space is very free, even free to the extent of omnipotence, one moment in the sky, one time underground, one time ghost domain, one time shrine.

And not only the gods and monsters**, even the realism ** is often so, such as the too illusory realm of "Dream of Red Mansions", such as the manifestation of Guan Yunchang Yuquan Mountain in "Romance of the Three Kingdoms", such as the goddess Tianshu in "Water Margin", such as the Youxian Pillow and Tanyin Mountain in "Three Heroes and Five Righteousness", but in terms of time, its structural form is still linear. It does not like or even reject the reversal of time and space, but insists on doing it according to the time, acting according to the time, narrating it according to the time, and speaking according to the time. Although the structure of ** is complex and simple, its basic form is ever-changing.

6.Simple into a line, such as "Journey to the West", belongs to a single-type linear structure. Sun Wukong is the golden needle of the lead, the monkey was born, it is the golden needle appeared, and then Sun Wukong "walked" to **, and the story "followed" to **, and the monkey became a fight to defeat the Buddha, and the story came to an abrupt end.

A more complex one, such as "Water Margin", is a water vein structure, but it is essentially a linear structure, but it is not just a line end, but hundreds of rivers and thousands of rivers are grouped into one system. More complicated is "Dream of Red Mansions". The structure of "Dream of Red Mansions" is network-like, with a myriad of threads, and the network is natural.

But the idea and value of that line are still there. How can there be a wireless network, and the network becomes more and more wire-based.

7.It can be said that Chinese calligraphy is the foundation of all traditional Chinese arts, and although its influence on other art forms varies in magnitude, manifestation, and concealment, and is somewhat different, there is no doubt about its fundamental role.

1.Chinese painting, traditional Chinese architecture, martial arts, and Chinese classics**.

2.This pattern adopts the style of the Chinese seal, and the character "Jing" is evolved from the seal style, like a dancing human body, showing the oriental thought and national arrogance presented by the Chinese characters, and conveying the unique humanistic characteristics and elegant character of the Chinese civilization.

3.The sentence structure is flexible and diverse, using rhetorical methods such as comparison, duality and metaphor, and the language is concise and vivid.

4.The Water Margin was first written separately with different characters as clues, and then wrote about the plot of the gathering of heroes in Liangshan. The full-text structure is like a river. The tributaries merge into the main stream and rush forward. Therefore, this kind of ** structure is called the water vein structure"。

Can't understand what you said in full text**?

In this era when everyone learns English, everyone seems to have forgotten how beautiful and powerful our Chinese is!

Here is a poem in English, translated in Chinese, and everyone was stunned! Unbelief? Check it out!

You say that you love rain, but you open your umbrella when it rains....

you say that you love the sun,but you find a shadow spot when the sun shines...

you say that you love the wind,but you close your windows when wind blows...

this is why i am afraid;

you say that you love me too...

Ordinary Translation:

You say you like the rain, but when it rains, you open your umbrella;

You say you like the sun, but when the sun shines, you hide in the shade.

You say you like the wind, but when the breeze blows, you close the window.

I'm afraid you love me the same.

Literary version: You said that the smoke and rain are slight, and the Lanting is far away;

Later, it was lightly swept and deeply covered with neon clothes.

You say that spring is blooming, green sleeves and red fragrance;

Later, the west building was covered, and it was quietly next to Qingqing.

You say that the soft breeze blows, and you are drunk and meditating;

Later, the doors and windows were closed tightly, and the tent became a disaster.

You say that love is soft, how to forget each other;

But my eyes turned slightly, and I became frost.

Book of Poetry Edition: Ziyan Mu Yu, open the umbrella to avoid it.

Ziyan is good and yang, looking for shade and refusing it.

Ziyan is happy, and the family leaves.

Ziyan grows old, and I am afraid of it.

Lisao version: Junle opens the umbrella branch in the rain, Junle covers the sun in the forest during the day, Junle winds and columns, and Junle eats my heart.

Five-word poem version: Love the rain and play the umbrella, but love the sun but shade the shade.

The wind came to cover the window, and Ye Gong startled the dragon king.

The words are short, and the lovesickness is long.

Lang Jun said that he loved me and didn't dare to think about it.

Seven-word quatrain version:

Love the rain but are afraid of wet embroidered clothes, and the sun is leaning under the tree.

The desire to wind always closes the window, telling the slave how to pay Yi.

The Seven Laws Finale:

The rain in March in the south of the Yangtze River is slight, and the umbrella is wet and fragrant.

The summer is slightly drunk and pleasant, but the good wood takes advantage of the shade.

The frost wind is clear and the first day is brighter, and the moth eyebrows are lightly frowned and the red window is locked.

Lianqing was lovesick, and she was afraid of tearing down the mandarin ducks over the years.

I don't know if there is a second language in the world that has such a beautiful rhythm as Chinese.

When we follow the crowd without thinking, we are crazy to learn English, Korean, Japanese...Can we pause once in a while and look back at our own culture? Can we occasionally calm down and savor the different touches that Chinese brings us?

You can feel it by looking at ancient poems and words.

Chinese culture is broad and profound, and Chinese is a kind of hieroglyphic script, and each character can find some cultural origin from the appearance. Personally, I think that one of the most beautiful Chinese characters is the word "tea". It is not only the beauty of the meaning and artistic conception, but also the feeling of concrete pictograms.

The most beautiful word for this is the word "tea", which uses static to dynamic beauty.

"Tea" has a cursive prefix at the top, a glyph in the middle, and a wooden character at the bottom. The meaning of harmony is that people are among the grass and trees. What a meaningful word, people are among the plants and trees, absorbing the aura of heaven and earth, and taking the essence of the sun and the moon.

And the tea itself is a collection of the "aura" between the sun, the moon and the earth, and it is transformed. You wonder if "refreshing" is the way you feel after taking a sip of tea.

Not only is the artistic conception of tea beautiful, but tea is also a pictograph. You see, do you want this tea word to be filled with tea and bubbling up. I think only Chinese characters can have both beautiful meanings and actual images.

Let's look at the word "tea", the word leaf is a mouth, a cross, the mouth represents drinking tea, the cross represents the meridians in the green leaves of the trees, and the tea is not the meridians of the trees that are drunk? The beauty of the word tea is beautiful in a noun, but it has the meaning of a verb, which is very interesting.

The first time I thought the word tea was beautiful, it was when I saw the tea leaves in the teacup, with the boiling water, rhyme together, and seemed to appreciate the beauty of the word "tea" at once. Therefore, when you carefully observe the tea brewed once like me, you will definitely re-recognize the beauty of this word like me.