The stylistic characteristics of Li Yu s poems are urgently needed

The content can be divided into two categories: the first type was written before the Song Dynasty, which mainly reflected court life and the love between men and women, and the subject matter was narrower; The second type is after the Song Dynasty, Li Yu made it with his own feelings with the grief of the death of the country, and the achievements of his works in this period far exceeded those in the early period, which can be described as "divine products". Most of the lyrics of this period are sad and desolate, mainly describing the scene of looking at the distance by the railing and returning in a dream, expressing the infinite nostalgia for the past.

Therefore, some people say: Li Yu is not a good emperor, but a good poet.

Li Yu is a representative of the Wanyue school, and his early poems mostly describe court life, and during the later period of the Song Dynasty, he wrote a large number of excellent works, such as the poppy beauty waves and sand, showing the sadness of the country's ruin and the death of the family.

With the Song Dynasty as the boundary, the early realm is narrow, and the style is soft, which is the continuation of the palace style and the style of words between the flowers of the Southern Dynasty; In the later stage, the field of vision is broad, swaying freely, sometimes injecting ink close, sometimes putting the pen far away.

The expressions before and after the period are different, you have to see which one it is, in general, it is divided into before and after the captured Song Dynasty, the front expresses the life in the court, and the latter expresses the longing for the country and sorrow.

Southern Tang words refer to the school of words represented by Li Jing, the main Li Jing of the Southern Tang Dynasty, Li Yu and Feng Yansi. The words of the Southern Tang Dynasty, especially the words of the later lord Li Yu, have expanded their realm compared with the words between the flowers.

It is also a representative of the Wanyue faction, and it is one of the four banners of the Wanyue faction, and the four banners are called "Sorrowful Sect".

Desolation, sadness, nostalgia, loneliness, remorse, loneliness, pessimism.

1. The style of words in the early stage is beautiful and soft, and it does not get rid of the habit of "flowers". According to the content, it can be roughly divided into two categories: one is to describe the magnificent court life and the love affair between men and women, such as "Bodhisattva Man" and "Seeing Joy".

2. Due to the great changes in life, the later words wept with blood in one swan song, making the king of the dead country the "king of the south" (Qing Shenxiong's "Ancient and Modern Words") in the eternal world, which is "the unfortunate poet of the country, and the beginning of the vicissitudes of life".

3. These later lyrics, bleak and tragic, with far-reaching artistic conception, have laid the groundwork for the so-called "graceful" school such as Liu Yong, and are the great masters of the history of words. As for the clarity of its sentences, it is unprecedented. Such as "Poppy Beauty", "Wave and Sand Order".

His words are unique and highly praised by posterity. Its words do not use dictionaries, do not carve, express their hearts directly, make good use of white descriptions and metaphors, the language is simple and natural, the personality is distinct, the artistic skills are extremely high, and it has a strong appreciation value and artistic sense of the hall. Li Yu's words can be divided into two periods, before and after, with the eighth year of Song Taizu Kaibao when he descended to the Song Dynasty as the boundary.

The early lyrics have shown Li Yu's extraordinary talent and outstanding skills, but the subject matter is narrower, mainly reflecting court life and the love between men and women, such as "Jade Mansion Spring", "Joyful Migration Warbler", "Yihu Zhu", "Bodhisattva Man", and there are also works that write parting lovesickness, writing scenes lyrically, and blending together. In the later period, Li Yu changed from a little emperor to a prisoner. The humiliating life, the deep pain of the country, and the reminiscence of the past make the achievements of his words greatly exceed those in the early stage of Fuliang.

"Breaking the Array" "Forty Years of Home and Country" reflects the sublease and twists and turns of his life experience and style of words. "Poppy Beauty", "When is the Spring Flower and Autumn Moon", "Waves and Sands", "The Rain Murmurs Outside the Curtain", "Crying in the Dark Night", "Lin Hua Thanked Chunhong", "Gone to the West Building Alone Without a Word" and so on are his later masterpieces, mainly describing the scene of looking at the distance by the railing and returning in the dream, expressing the nostalgia for the "old country", and the artistic conception is tragic and desolate.

Li Yu's words have the following characteristics:

Sincere feelings: Li Yu's words express sincere feelings, conveying his deep concern for love, life, nature and other realities and ideals and unyielding spiritual pursuit. For example, in "Bodhisattva Man", he expresses his longing for his homeland and lamenting the passage of time.

Meticulous description: The description of the scenery in Li Yu's words is closely integrated with the expression of emotion, rich in artistic conception, like a picture scroll, which is intoxicating. He is imaginative and creative, portraying natural and beautiful images in his words.

For example, in "Looking at the South of the River", he depicts the beauty of spring and the delicacy of the characters with vivid brushstrokes.

Seeing the big from the small: Li Yu's words often see the big from the small, and through specific artistic conceptions and images, they show a certain typical feeling, mood and experience in people's lives, so that they can resonate with people who share the same feelings of sorrow and hatred despite different specific life experiences in different places and times. For example, in "Seeing Huan", he wrote, "Lin Hua thanked Chunhong, too hurried, helpless to come to the cold rain and late wind."

This sentence expresses the emotion of the impermanence of life and the passage of time, which arouses a strong resonance among readers.

Exquisite allusions: Li Yu's words like to use allusions, but he does not simply pile up allusions, but skillfully integrates allusions into the artistic conception, making the words more meaningful. For example, in "Crying in the Dark Night", he used the allusion of "the peach and plum blossoms bloom in the spring breeze, and when the leaves of the sycamore fall in the autumn rain" to express the impermanence of life and the rush of time.

In general, Li Yu's words have a unique style, sincere feelings, meticulous descriptions, small to big, and exquisite allusions. Through his unique expression techniques and profound ideological connotations, he created a series of excellent lyrics and became a generation of grandmasters in the Tang and Song dynasties.