The style of Li Yu s words, what are the styles and characteristics of Li Yu s words

The style of the word Li Yu can be divided into two periods with the captivity of 975. His early style of words is beautiful and soft, and he does not get rid of the habit of "flowers". According to the content, it can be broadly divided into two categories:

One is to describe the magnificent court life and the love affair between men and women, such as "Bodhisattva Man", "Seeing Joy" Due to the great changes in his later words, he made the king of the dead country the "king of the south" (Qing Shenxiong's "Ancient and Modern Words") in the eternal poetry altar due to the great changes in his life. These later lyrics, bleak and tragic, with far-reaching artistic conceptions, have laid the groundwork for Su Xin's so-called "bold" school, and are the great masters of the past and the future in the history of words. As for the clarity of its sentences and the harmony of its rhyme, it is unprecedented.

Li Yuci got rid of the "Flower Collection" of the flamboyance, his words are not pretended to be carved, the language is bright, the image is vivid, the character is distinct, the love is sincere, after the death of the country, the theme is broad, the meaning is deep, more than the words of the late Tang Dynasty, become the beginning of the early Song Dynasty Wanyue words, later generations called him "word saint".

Li Yu's words are divided according to the genre, it should be the Southern Tang Dynasty school, in the early stage, his style of words was mainly based on writing court life and love between men and women, after the fall of the Southern Tang Dynasty, his words were full of mournful and desolate meaning, so some people think that he is a poet of the Southern Tang Dynasty, in fact, strictly speaking, he is regarded as a poet of the Southern Tang Dynasty

Simple, elegant. You can look at Li Yuten's Hundred Pulpits: "The Emperor of Ancient Words".

He's a poet of the Graceful School, and the teacher said it!

It is of the Covenant Mission.

I think.

The content of Li Yuci can be divided into two categories:

The first category was written before the Song Dynasty, mainly reflecting court life and the love between men and women, and the subject matter was narrower; The style of the early lyrics is beautiful and soft, and it does not get rid of the habit of "flowers".

The second type is after the fall of the Song Dynasty, after the death of the queen country, in the house arrest life of "washing the face with tears day and night", with a swan song of crying with blood, Li Yu with the grief of the death of the country, rich in his own feelings, the achievements of the works in this period far exceed the previous period, can be described as a "divine product".The masterpieces of the ages, such as "Poppy Beauty", "Waves and Sands", "Seeing Joy", etc., were all completed at this time. Most of the lyrics of this period are sad and desolate, mainly describing the scene of looking at the distance by the railing and returning in a dream, expressing the infinite nostalgia for the past.

Style: The style can be roughly divided into two periods: before and after. The so-called early period refers to Li Yunan's works before the death of the Tang Dynasty, and these works are full of themes of love and beauty.

In the later period, after the fall of the Song Dynasty, after the death of the lord country, in the house arrest career, with a swan song of crying and blood, Li Yu with the grief of the death of the country, rich in his own feelings, most of the lyrics in this period are sad and sad, mainly expressing the scene of his own distant view and return in his dreams, expressing his infinite nostalgia for the past.

Features: 1. Straight to express the chest, slightly unabashed, showing the true feelings obtained from life, without pretentiousness.

2. Have a high artistic generalization, and show a certain typical feeling, mood and experience in life through specific artistic conception and image.

3. Write about people, scenes, and feelings through specific images, not just vague, so that readers can feel and touch them when they read them.

4. The language is natural, concise, and clear, and has reached a very high level in classical poetry.

Li Yu's words have the following characteristics:

Sincere feelings: Li Yu's words express sincere feelings, conveying his deep concern for love, life, nature and other realities and ideals and unyielding spiritual pursuit. For example, in "Bodhisattva Man", he expresses his longing for his homeland and lamenting the passage of time.

Meticulous description: The description of the scenery in Li Yu's words is closely integrated with the expression of emotion, rich in artistic conception, like a picture scroll, which is intoxicating. He is imaginative and creative, portraying natural and beautiful images in his words.

For example, in "Looking at the South of the River", he depicts the beauty of spring and the delicacy of the characters with vivid brushstrokes.

Seeing the big from the small: Li Yu's words often see the big from the small, and through specific artistic conceptions and images, they show a certain typical feeling, mood and experience in people's lives, so that they can resonate with people who share the same feelings of sorrow and hatred despite different specific life experiences in different places and times. For example, in "Seeing Huan", he wrote, "Lin Hua thanked Chunhong, too hurried, helpless to come to the cold rain and late wind."

This sentence expresses the emotion of the impermanence of life and the passage of time, which arouses a strong resonance among readers.

Exquisite allusions: Li Yu's words like to use allusions, but he does not simply pile up allusions, but skillfully integrates allusions into the artistic conception, making the words more meaningful. For example, in "Crying in the Dark Night", he used the allusion of "the peach and plum blossoms bloom in the spring breeze, and when the leaves of the sycamore fall in the autumn rain" to express the impermanence of life and the rush of time.

In general, Li Yu's words have a unique style, sincere feelings, meticulous descriptions, small to big, and exquisite allusions. Through his unique expression techniques and profound ideological connotations, he created a series of excellent lyrics and became a generation of grandmasters in the Tang and Song dynasties.

Li Yu's early lyrics were influenced by the late Tang Dynasty Huajian School of Lyrics, mainly showing off the complicated court orchestra and seeking pleasure in life, while the later lyrics were all based on expressing the thoughts of the homeland and the pain of losing the country, with far-reaching artistic conception, sincere feelings, and infectiousness.

Li Yuwan Min has lived in the imperial group since he was a child, living in a rich life, with superior conditions and few troubles, he has been respected since he was a child, and he has seen the luxury and richness of the emperor, and he feels the support of the people and the friendship between men and women, so most of the works in this period are words with light language and distinctive style. In the later period, Li Yu was captured and imprisoned, his life changed dramatically, and there was no longer a rich and luxurious life, and the environment of prison life made his emotions plummet.

His words are unique and highly praised by posterity. Its words do not use dictionaries, do not carve, express their hearts directly, make good use of white descriptions and metaphors, the language is simple and natural, the personality is distinct, the artistic skills are extremely high, and it has a strong appreciation value and artistic sense of the hall. Li Yu's words can be divided into two periods, before and after, with the eighth year of Song Taizu Kaibao when he descended to the Song Dynasty as the boundary.

The early lyrics have shown Li Yu's extraordinary talent and outstanding skills, but the subject matter is narrower, mainly reflecting court life and the love between men and women, such as "Jade Mansion Spring", "Joyful Migration Warbler", "Yihu Zhu", "Bodhisattva Man", and there are also works that write parting lovesickness, writing scenes lyrically, and blending together. In the later period, Li Yu changed from a little emperor to a prisoner. The humiliating life, the deep pain of the country, and the reminiscence of the past make the achievements of his words greatly exceed those in the early stage of Fuliang.

"Breaking the Array" "Forty Years of Home and Country" reflects the sublease and twists and turns of his life experience and style of words. "Poppy Beauty", "When is the Spring Flower and Autumn Moon", "Waves and Sands", "The Rain Murmurs Outside the Curtain", "Crying in the Dark Night", "Lin Hua Thanked Chunhong", "Gone to the West Building Alone Without a Word" and so on are his later masterpieces, mainly describing the scene of looking at the distance by the railing and returning in the dream, expressing the nostalgia for the "old country", and the artistic conception is tragic and desolate.

The later words reflect the pain of the loss of the country, sad and desolate, far-reaching artistic conception, and extremely artistic.

Most of Li Yu's works are straightforward to express their hearts, pouring out their feelings of family and country, and their feelings are sincere, so that the words get rid of the traditional style formed in the long-term singing of the mansheng in front of the flowers, and become a new poetic style in which poets can speak in many ways, and the artistic technique has an influence on the later bold words.

After the fall of the Southern Tang Dynasty, Li Yu was captured in the Song Dynasty, Li Yu realized the sorrow of the suffering and impermanence of life, and really wrote the desolation and remorse of the country and the broken family with blood and tears; And generalized the tragic experiences he had experienced, obtained a wide range of forms and meanings, and led to the tragic experience and examination of life in the universe, so the depth and breadth of his romance surpassed that of other Southern Tang Dynasty poets.

The language is natural, concise and expressive, with a high degree of generalization. Li Yu is good at using white sketches to express his life feelings, using appropriate metaphors to visualize abstract feelings, often reflecting a certain realm of general significance in real life through concrete and perceptible personality images, which are not vague but timeless. It forms artistic characteristics that are both fresh and beautiful, and graceful and profound.