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1. The technique of contrasting and contrasting: with the general tour and general feeling on weekdays, and the "strange" and special feeling of Xishan. Contrast.
2. The artistic conception is grand: "the size is thousands of miles", "the green and white, the outside and the sky", the grand realm and the author's feelings are integrated, "leisurely and the air are all without the end, and the ocean is like swimming with the creator without knowing what it is poor".
3. Emotions and scenes: It shows the performance of a broad mind and great ambition. "The heart condenses and releases, and the ten thousand transformations are combined, forgetting the "chestnut", and integrating their own experiences, thoughts and feelings with the landscape.
4. Beginning and end: The beginning is "Heng Li" after the demotion of the official, and the end is after the banquet in the West Mountain, nature makes him "condensed and relieved" and forgets his fear.
5. The language is exquisite. For example, in the first paragraph, in order to avoid the generalization, the author uses the rhetorical device of "thimble", such as "......Far from it. When they arrived, they sat on the grass and poured the pot and got drunk.
If you are drunk, you will lie on the pillow and lie down, and you will dream while sleeping. The meaning is extreme, and the dream is also interesting. Wake up, get up and return.
This figure of speech uses the end of the previous sentence (e.g., "to, drunk, lying, rising") as the beginning of the next sentence, which makes the sentence coherent and vivid. In addition, this article also uses many even sentences and lines, such as "give and walk, wander for a long time", "climb and climb, sit and sail", "leisurely and with the spirit of the sky but do not know the end, and swim with the creator without knowing its poverty"; "Go up to the high mountains, enter the deep forest, and return to the creek poorly", "cross the Xiangjiang River, dye the stream, cut the hazelnut, and burn the thatch". These sentences have a clear rhythm, sonorous tone, and smooth rhyme, which makes people love to read.
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Assignment Group Task +1 + What was Liu Zongyuan's identity when he wrote "The Journey to the West Mountain Banquet"? What is the state of mind.
Liu Zongyuan was degraded to Yongzhou's annihilation and lived in a remote area, so that he was surprised to discover the beauty of Yongzhou's natural landscapes, and wrote a number of travelogues in succession, "Yongzhou Eight Notes" is the representative, and "Shide Xishan Banquet Travel Notes" is the first article in the Eight Notes. The article is always written around the word "Shide", with a corresponding topic, a new and ingenious conception, and a rigorous structure. Liu Zongyuan's landscape and reeds are personified nature, which not only gives people a sense of beauty, but also can inspire people to think deeply and distinguish things.
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The travelogue of the Xishan banquet not only describes Liu Zongyuan's travels to the West Mountain, but also has a sustenance, trying to write the sustenance.
The author is allegorical in the scene, and his degraded resentment and pain are intertwined and infiltrated in the subtle description of the scene, and the text personifies the landscape, starting from the fear and roaming after being degraded, revealing the author's situation and mood. The organic combination of description and lyricism can achieve the praise of Xishan at the same time, and the words and aspirations are lyrical.
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Shide Xishan Banquet Travelogue is a prose by the Tang Dynasty writer Liu Zongyuan, which is the first article of "Yongzhou Eight Records". This article recounts the author's discovery and banquet of Xishan, describes the strangeness of Xishan, and expresses his helplessness about Huaicai's indignation and ugliness of reality.
In this article, the author repeatedly writes about the height of the West Mountain, mainly to show the uniqueness and magnificent landscape of the West Mountain.
West Hill is a tall mountain that is known for its towering heights into the sky. The author repeatedly emphasizes the height of Xishan, not only to depict its unique geographical location, but also to express its magnificent natural landscape. By describing the height of the western mountain, the author allows the reader to feel the majesty and momentum of the mountain, while also highlighting the beauty and grandeur of the natural landscape.
In addition, in Tang Dynasty literature, natural landscapes were often described through exaggeration and rhetoric to express the magnificence and wonder of nature. Repeatedly writing about the height of the West Mountain is also a rhetorical device, allowing readers to feel the uniqueness and magical beauty of the West Mountain more deeply. At the beginning of the article, the author expressed the fear and depression after being degraded, which is in stark contrast to the pleasure of traveling in the mountains and rivers, and sets a sad mood for the "joy of mountains and rivers".
The beauty of the natural scenery and the darkness of the social reality incongruously stir the author's emotions. The author's description of the mountain tour also expresses his feelings from comparison and contrast. wrote the "long journey" of "unobtained" West Mountain, precisely to contrast the surprise of the West Mountain; Writing about the insignificance of all things shows the "uniqueness" of Xishan.
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Landscape travelogues generally have the artistic characteristics of borrowing scenery to express lyricism and blending feelings into the scene. The author's description of the scenery of the West Mountain does not directly write about the West Mountain in his eyes, but writes about what he sees and feels when he climbs the West Mountain from multiple angles, and uses the technique of contrasting and contrasting to highlight its tall and steep appearance. "The Beginning of the West Mountain Banquet Travel" is the first article of Liu Zongyuan's "Yongzhou Eight Records", the author sends his affection to the landscape, writes about the joy of knowing the West Mountain, writes about the lofty situation of the West Mountain, writes about the joy of feasting and drinking, writes about the integration with nature, and expresses his proud feelings.
Lyrical borrowing scenes: For example, at the beginning of the article, the past tour is written, and the narrative reveals the depressed and depressed mentality. Later, the text of the tour of the West Mountain shows the joy of knowing the West Mountain, the joy of indulging, and the lofty momentum of the West Mountain, showing his noble personality.
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1.Poor: Coming to an end. Return: Return: Surprised.
2.I thought there was something a little peculiar in the landscape of Yongzhou. I have already visited them, but I don't know that there is a strange and unique West Mountain.
3.Mountains, forests, streams|Stone|
4.The scene of visiting the West Mountain of Yongzhou. Sending love to the mountains and rivers to talk about the proud feelings of forgetting.
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In terms of ornamental scenery, the author appreciates the lofty and unique West Mountain; In terms of spiritual gain, made.
He was intimidated by the lofty and unique image of Xishan, became one with all things, and saw the gains and losses of life with ease, and the fear of the guilt of the court was also swept away.
The "meaning" of this article is the feeling of apprehension caused by derogation, and it is to place fear and depression in the landscape.
Ou's "meaning" is to forget the pain of being degraded, enjoy the joy of mountains and rivers, and enjoy the joy with the people.
This article writes about Xishan from three aspects. The land of several states is under the throne, and the view from the top is wide, highlighting that Xishan is the highest mountain in Yongzhou. Write what you see, from the distance to write the height of the West Mountain; It depicts the green mountains and white water connecting with the sky, and emphasizes the towering image of the West Mountain from the perspective of looking around.
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First, this travelogue is the first article of the "Yongzhou Eight Notes", so "Shide" is the beginning of the eight articles. It expresses the meaning of the first visit to the beauty of Yongzhou's landscape;
Second, what is more important is that the author's visit to Yongzhou did not start with a tour of Xishan. Before visiting Xishan, he had visited some places and also wrote some articles about the tour. For example, before visiting Xishan, he had traveled to an ancestral temple "Bahua Temple" and initiated the construction of a West Pavilion there.
He also wrote an essay on "Yongzhou Bahua Temple's New Work Xiting Ji". But Liu Zongyuan felt that only after visiting Xishan could he truly discover the special features of Yongzhou's landscape. And during the tour, a unique feeling was obtained.
This feeling was something he had never experienced when he visited in the past, and it left a deep impression on him. Therefore, he regarded the visit to Xishan as the real starting point for visiting the mountains and rivers of Yongzhou. Then the word "Shide" very solemnly marks the boundary between the previous visit to Xishan and this visit to Xishan;
Three has special significance for the author. From the perspective of state of mind, it cracked the author's mood of "constant sorrow" after being demoted to Yongzhou, and achieved the aesthetic feeling of "heart condensation and interpretation, and harmony with Wanhua"; From the tour itself, before this, there was no fun due to the depressed mood of the tour, and the real tour began from here.
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