The meaning of the Travelogue of the Journey to the West Mountain Banquet, and what is the backgroun

I'm me, I'm me, I'm me.

"Yongzhou Eight Records".It is the crystallization of Zhezhe's travels, and this article was written in the fourth year of the reign of Emperor Emperor of the Tang Dynasty (809 years of repentance). Liu Zongyuan.

Because of his participation in Uncle Wang's Cultural Revolution.

In the new movement, in the first year of the reign of Emperor Xianzong of the Tang Dynasty (806), he was demoted to Yongzhou as Sima.

After arriving in Yongzhou, his mother died of illness, Wang Shuwen was executed, and he himself was constantly slandered and attacked by the rulers, and his mood was depressed. The mountains and rivers of Yongzhou are strange and dangerous, and many places are still little known. During this long period of sin, Liu Zongyuan traveled everywhere, searching for curiosities and victories, so as to broaden his mind and get spiritual comfort.

This article recounts the author's discovery and banquet of Xishan Qinghao, describes the strangeness of Xishan, and expresses the helplessness of Huaicai not to meet resentment and the ugliness of reality.

Closely related to the topic, the selection of materials is unique. Blaze a trail and don't mention the West Mountain, but it's all for the sake of the "West Mountain". In view of the author's "human" status, he has leisure and inner sorrow, so he needs to vent and dissipate, which seems to freeze the sad foundation of the work.

The way of sightseeing is also logical, one of which is "going up the mountain, into the deep forest, poor back to the stream, the strange rocks of the secluded spring, all far away", which shows the characteristics of randomness and purposelessness; Second, "Born in grass, poured the pot and drunk, drunk is more pillow to lie down... Wake up, get up and return". Finding pleasure in suffering also reflects the characteristics of looseness and willfulness.

The method of moving from suppression to promotion in the article clearly expresses the author's melancholy mentality after degrading Yongzhou. In order to concentrate on the description of the West Mountain, the author discarded the scenery and water along the way, what he saw, heard and felt, and abandoned all the manuscripts, and the process of seeking the way to climb the mountain was difficult and there was more room for expression, but it was only "ordered to cross the Xiangjiang River."

The edge dyes the stream, chops the reckless, burns the grass, and the height of the poor mountain stops" lightly.

The theme of "The Journey to the West Mountain Banquet" is to explore a real road to relieve boredom and comfort, and the author degrades Yongzhou and travels in the mountains and rivers after a summary of his thoughts.

Shide Xishan Banquet Travelogue is a prose written by the Tang Dynasty writer Liu Zongye and is the first article of "Yongzhou Eight Records".

The Journey to the Banquet in the West Mountain describes the author's discovery and banquet of the West Mountain, describes the strangeness of the West Mountain, and expresses the helplessness of the indignation and ugliness of the disrespect for Huai Cai.

"Yongzhou Eight Records".Shide Xishan Banquet Travelogue is an essay by the Tang Dynasty writer Liu Zongyuan, which is the first article of "Yongzhou Eight Records".

Yongzhou Eight Records includes "The Journey to the West Mountain Banquet", "The Story of Cobalt Pond", "The Story of the West Hill of Cobalt Pond", "The Story of the Little Stone Pond in the West of the Little Hill", "The Story of the Yuan Family Thirst Lu Heng", "The Story of the Stone Canal", "The Story of the Stone Knowledge" and "The Story of the Little Rock Mountain".

Source: "Willow River East Collection".

Created in: Middle Tang Dynasty.

Subject: Prose.

"Yongzhou Eight Records" is the Tang Dynasty writer Liu Zongyuan was demoted to Yongzhou Sima, by writing landscapes and early fierce travelogue to write the angry prose in the chest. In fact, there is another record in the landscape travel book written by Liu Zongyuan, that is, "The Story of Traveling to Huangxi", because the first eight records are in the suburbs of Yongzhou, and the literati of the past dynasties have sought more victories, so it is called "Yongzhou Eight Records".

It expresses the meaning of the first visit to the beauty of the slippery landscape in Yongzhou, and solemnly marks the boundary between the previous visit to Xishan and this visit to Xishan;

The Journey to the West Mountain Banquet is an essay by the Tang Dynasty writer Liu Zongyuan, the first article of the "Eight Records of Yongzhou", which describes the author's discovery and banquet of the West Mountain, describes the strangeness of the West Mountain, and expresses the helplessness of the resentment and ugliness of the chaotic reality.

The required sentences of the Xishan Banquet are as follows:

1.I want to see through it, but it is a sea of clouds, as if I am in a fairyland.

2.The mountains are full of red leaves, like fire and blood, which makes people intoxicated.

3.The wind blows across the face, bringing a fresh breath that is refreshing.

4.The mountain streams are babbling and so clear that you can hear their murmurs.

5.The afterglow of the setting sun is reflected on the top of the mountain, and it is so beautiful that you can't bear to leave.

6.The mountain peaks loom in the distance, and they look even more mysterious in the reflection of the setting sun.

7.The lotus flowers in the pond are in full bloom, and the petals are as white as snow, like a beautiful picture.

8.Visitors stroll along the mountain trails and feel the gifts and wonders of nature.

9.Between the rippling waters, the fish shuttle through it, sparkling in the sun.

10.Wildflowers bloom in the mountains and forests, swaying in the breeze.

11.Nature has endowed this place with infinite beauty and aura, and people can enjoy it to the fullest.

12.The green mountains and green waters, integrated into one, constitute the unique scenery here.

13.The waterfall falls like a silver curtain, splashing and sparkling in the sun. Big drawbacks.

14.The mountain trails are winding and winding, immersing one in the beauty of nature.

15.The power and beauty of nature makes people feel insignificant and awe-inspiring.

16.The fragrance of flowers in the mountains is intoxicating, as if you have entered a dream-like world.

17.The sound of the water chain is soft and pleasant, as if nature has played a beautiful music for us.

18.The beauty and aura of nature are here to show their charm and mysteries.

19.Whether it's quiet or noisy, it becomes insignificant in front of nature. 20.Get in touch with nature and find inner peace and tranquility in the aura and beauty.

First, this travelogue is the first article of the "Yongzhou Eight Notes", so "Shide" is the beginning of the eight articles. It expresses the meaning of the first visit to the beauty of Yongzhou's landscape;

Second, what is more important is that the author's visit to Yongzhou did not start with a tour of Xishan. Before visiting Xishan, he had visited some places and also wrote some articles about the tour. For example, before visiting Xishan, he had traveled to an ancestral temple "Bahua Temple" and initiated the construction of a West Pavilion there.

He also wrote an essay on "Yongzhou Bahua Temple's New Work Xiting Ji". But Liu Zongyuan felt that only after visiting Xishan could he truly discover the special features of Yongzhou's landscape. And during the tour, a unique feeling was obtained.

This feeling was something he had never experienced when he visited in the past, and it left a deep impression on him. Therefore, he regarded the visit to Xishan as the real starting point for visiting the mountains and rivers of Yongzhou. Then the word "Shide" very solemnly marks the boundary between the previous visit to Xishan and this visit to Xishan;

Three has special significance for the author. From the perspective of state of mind, it cracked the author's mood of "constant sorrow" after being demoted to Yongzhou, and achieved the aesthetic feeling of "heart condensation and interpretation, and harmony with Wanhua"; From the tour itself, before this, there was no fun due to the depressed mood of the tour, and the real tour began from here.