Some electric guitars don t have a vibrato system, why? What will happen?

Hello, the earliest and most classic brand in the history of the development of electric guitars"Gibson"When he was invented, there was no vibrato system, it was a fixed bridge, the electric guitar at that time had not even invented the effect, naturally there was no need for such a fancy part of the vibrato system, but as the most classic piano in the world, his design was retained, and no tremolo system was added later, the vibrato system was originally manufactured when there was only a single shake, and then there was a double shake, but the double shake has high requirements for the bridge system, and the low-grade double shaker often runs for this reason.

Single shake is that you can only press down on the tremolo stick, double shake can lift the stick up, and the master can use the effect to make a very exaggerated effect, such as the neighing of a car or a horse.

Each has its own characteristics, I have a Yamaha, but there is no vibrato system, it is very comfortable to use, I use it when I don't need a rocker...

At the time for some ** to do. It is a problem left over from history. Just like our Peking Opera, there is still a market for him.

Generally, there are only fixed types, no others.

It's normal.,It's not like anything** needs a crank.,Especially the push string.,You can also have a lot of effects without crank.。

The sustain of the piano without a vibrato crank is longer and the sound is more realistic, and for this reason, there are many guitarists who support the piano without a crank.

You're talking about a crank, there are a lot of good pianos that don't have a crank, and there are more than 3,000 clothes that don't have a crank. It's normal.

Mainly look at the timbre There are more than 1,000 double-shaken pianos, you don't dare to buy them, and you can tune and play them every day in a few days.

In general, the crank is rarely used in the practice phase, and the key is technique.

Strictly speaking, it is not called a vibrato, it is called a murmur. Murmur occurs in the following situations:1.

Press the string with your left hand and touch the adjacent string. 2。The right hand plucks the string against the adjacent string.

3。Rub the fingernails of the right hand plucked strings. Workaround:

Keep the left hand pressing the string vertically, pluck the string with the right hand and retract the palm, and touch the string with the right hand at a certain angle to the string, and the nails should not be too long.

You're talking about noise. If there are two possibilities, one is to play the product. If the quality of the piano is not good, or the neck is bent, or the tone is too low, it will cause the fret.

The second is that the screws on the piano are loose, when the piano vibrates when playing, those loose screws will make such a sound, just tighten it.

Vibrato refers to the fact that one finger is pressed on the string while the bow is moved, and the adjacent two fingers are elastically dropped together on the string, resulting in a special sound effect that alternates continuously. If we press one finger on the string while moving the bow, the adjacent two fingers are in the state of kneading the string, but instead of kneading the string, we use the symmetrical inhibition of the wrist joint when kneading the string to fall together elastically on the string, and obtain a special sound effect that occurs continuously and alternately, and this sound pressing effect is called "vibrato".

The fingers are perpendicular to the strings and away from the strings, not vertically when they are pressed, and oblique when they leave.

In addition, try not to hang on to the strings when leaving the strings, otherwise it will produce a hook effect and produce another note.

When pressing the string, you should be close to the fret, and it is normal to have a sound when the left hand is raised, and there will be no sound if you don't press it too hard.

The problem of the hand will not be played for a long time.

There are three types of cases

If you press the strings with your left hand, there will be a loud sound, this is a problem with the bridge or pillow, or the fretboard needs to be adjusted, of course, these problems are under the premise of your pitch, if you are not in tune, the string will also be oversent

If you don't have any of the above problems, you can be sure that there is no problem with the guitar, and it is normal for you to have a sound when you press the strings, provided that you have the correct fingering, and there will be a little sound, but not to the level of noise, let alone the vibrato.

Unless you are alone playing the guitar in a quiet room, you can hear it, and if you don't pluck the strings with your right hand at the same time as you press the strings, it is negligible if you play normally

If you're talking about a stop when you change chords or when the link is not smooth, that's normal, beginners do, when the strings are still vibrating and making sounds, you need to hold down the next fret, and then there will be a stop, which is very common for beginners, listen to it more and practice more, it will improve, don't worry, I don't know if you play the electric piano or xylophone.

Actually, in the field of guitar, there is a technique of hitting the strings with your fingers, which is usually represented by the letter h on the score

There is no shortcut to the guitar, play more, listen more, practice more, and after a long time, you will be handy

Guitar kneading and trilling is one of the most expressive playing techniques. A guitar trill, at the appropriate point in the phrase, will be much more vocal alive than a phrase without a guitar.

Bel canto singers have to learn for many years and put a lot of effort into mastering how to sing vibrato well with their voices. But many guitarists never think about spending more time mastering vibrato. Many guitar teachers themselves don't pay much attention to the role of vibrato technique, they just teach it to their students as an additional content, and they don't emphasize the importance of kneading vibrato.

I think the most infectious chord vibrato is slow or medium speed but with a larger amplitude. However, small kneading is sometimes necessary, usually in very slow and gentle phrases.

Rapid kneading can sometimes be effective, but be cautious when using it, as rapid kneading can sometimes cause the sound to get out of control or even cause an out-of-tune sound. I don't often use fast kneading and small kneading, and I never use fast and small kneading.

For less experienced guitarists, the common problems encountered in kneading techniques are:

1) Kneading strings is abused. Some guitarists add kneading where they can. The consequence of overuse of kneading is that the vibrato loses its influence on the listener when it is really needed.

2) The kneading amplitude is too small. This sound of kneading the strings makes you seem cowardly and timid, unless you play particularly soft phrases.

3) The kneading vibrato does not last enough. The sound quickly fades away, making it feel lifeless. This often makes the ending phrase sound boring.

4) Kneading the string too fast. This vibrato sound is like an annoying buzz of a small flying insect in your ears, and the pitch of the notes tends to get out of control.

5) No or very little kneading is used on the tone of the push. When the strings are pushed, the sound of the notes will decay much faster than normal if they are not supported by kneading. If you don't already know this, compare the tone with the kneading with the note without the kneading (especially if the string is pushed) and you'll see that the kneading is very effective in helping sustain continue.

When kneading the strings, it is out of tune. This sound is very bad. This problem is also very common, and there is a difference in pitch when the left hand pushes the string inconsistently each time it is kneading. Therefore, you need to be sure that you push the string every time you knead it.

all arrive at the same location. Another reason why the notes are out of tune is that the strings are not relaxed back to the exact same pitch each time they are pushed. If you have such a problem and don't know how to solve it, I suggest you.

Use a tuning chart with pointers when practicing. Look at the hands to make sure that each push and release of the strings reaches the same position. This is great for practicing slow pushing.

The general electric guitar is divided into three types: one-way vibrato system, two-way vibrato system, and no vibrato system, which is what we usually say, single rock, double shake and without rocker

1.The one-way vibrato system is a change in tone that can only be pressed down to relax the strings, 2A two-way vibrato system is a tonal change caused by the joystick being pressed downwards or upwards to relax or stretch the strings.3You can also press your finger and turn your wrist while holding down the strings! The effect of vibrato is achieved through the tightness of the strings!

In fact, all three methods can be used, and the third is the most widely used!

You first have to be a double shake, a single shake will definitely not come out, a double shake, you correct the action, see if it works, let the master try it, and then it doesn't work, it's a rocker problem.

Go to GC and learn slowly, 1 two days can't be clear.