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Xi Murong's classic work is "Monologue".
One of the expressions of character language in Xi Murong's "Monologues" literary work. It refers to people's inner activities such as self-reflection and self-talk. Through the inner confession of the characters, the hidden inner world of the characters is revealed.
It can fully display the thoughts and personalities of the characters, so that readers can have a deeper understanding of the characters' thoughts, feelings and spiritual outlook, and this entry contains the interpretation and classification of the monologue, as well as the opening remarks of Lin Junjie's 2007** "The Western Boundary", poems and articles of the same name.
Xi Murong
Xi Murong (October 15, 1943-), full name Mu Lun Xi Lianbo, pen names Xiao Rui, Mo Rong, Mu Lun, Xi Lianbo, Qianhua, etc., was born in Chongqing, graduated from Taiwan Normal University, contemporary painter, poet, and essayist.
Xi Murong entered the Art Department of Taipei Normal University at the age of 14 and officially began to study painting, and at the same time began to write prose and poetry. In 1956, he contributed to publications such as "The Free Youth". He graduated from the Fine Arts Department of Taiwan Normal University in 1963 and completed his studies at the Royal Academy of Fine Arts in Brussels, Belgium in 1966, and won many awards such as the Royal Belgian Gold Medal and the Brussels Gold Medal.
In 1976, he won the "Unforgettable Figures" essay award from Crown Magazine.
Her works are steeped in ancient oriental philosophies, with early laughter and religious overtones, revealing a desolate charm of the impermanence of life. He is the author of more than 50 kinds of poetry collections, prose collections, picture albums and anthologies, and his poems such as "Qili Xiang", "Youth Without Complaints" and "A Flowering Tree" are popular and have become classics. He is the author of the sketch "Three Strings", the prose "Concentric Collection", "Writing to Happiness" and "The Country Waits".
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1. In looking back, I suddenly realized that all the efforts I had made in my life were just for the people around me to be satisfied. In order to win the praise and smile of others, I trembled and put myself into all the patterns and all the shackles. On the way to the mountain, I suddenly found that I was left with a vague face and a road from which I could not turn back.
Xi Murong "Monologue".
2. Don't refuse to say that beautiful vow because it may change; Don't be afraid to ask for a heart-to-heart encounter just because you may be separated. - Xi Murong's "Imprint".
3. No matter how much I try to pursue it, you are young and only grinding like a cloud and a shadow. And your smiling face is very light and faint, gradually disappearing into the group of Lan after sunset. Then he turned the yellowed title page, and fate would tease you to bind it very poorly.
With tears in my eyes, I read and re-read. But I have to admit that youth is a book that is too hasty. - Xi Murong, "Youth One".
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Xi Murong's book. Poems: "Qilixiang" (poetry), "Xizi" (poetry), "A Flowering Tree" (poetry), "Youth Without Complaints" (poetry), Rufan "Nine Chapters of Time" (poetry), "Light and Shadow on the Edge" (poetry), "Lost Poetry Book with Oaks" (poetry), "I Fold My Love" (poetry talks about cherry blossoms), "Three Strings" (sketch), "There is a Song" (prose), "Concentric Collection" (prose), "Write to Happiness" (prose), "Jiangshan Waiting" (prose), Xi Murong and her Inner Mongolia (Photography + Text), "Shell" was selected as a junior high school textbook.
Mussels and Pearls (and Xiao Si's "Cicada" is included in two short essays in the middle school students' own teaching version), "Homesickness" (poetry).
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