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Shi Oligo's is very comprehensive.
I also think that there is more than one critic, but Fat Yan Zhai is mainly a young woman of this generation, and she has a very close relationship with Baoyu.
In addition, Brother Shi's statement that Daiyu and Xiangyun are from the same prototype is very interesting, and I have always felt that this is a very similar life experience between two people, such as a very similar life experience - both parents died, and they were sent under the fence, and these two people's personalities are very straight, and there is no room for sand in their eyes - to compare Daiyu to a drama that caused Shi Lin and the two to quarrel as an example. But such a similar life experience and personality have led to diametrically opposite life attitudes and life trajectories, which is really interesting. But I didn't think about it because of the same archetype, and after you reminded me, I think it's okay.
Maybe it's a reflection of two sides of the same person's heart.
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According to the research of Mr. Zhou Ruchang, an authoritative figure in red science, they are likely to be husband and wife!
She is a witness to the reality of almost every plot in the Red Mansion and from the Yongzheng to the Qianlong Dynasty of the Manchu Dynasty, the struggle between the Japanese faction and the Yue faction, and so on!
He is very clear about Cao Xueqin's writing intentions and artistic ideas.
He is an artistic reinvention of Cao Xueqin's Dream of Red Mansions; The story of the Dream of Red Mansions that makes the world more understandable is "Fat Yan Zhai Commentary (Re-evaluation) Dream of Red Mansions"!
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Upstairs is comprehensive. However, I personally am extremely opposed to the view that Fat Yan Zhai is a woman, and the fat criticism is read back and forth, not like a woman's tone.
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He is the main commentator of the manuscript system of "Dream of Red Mansions", "Fat Yan Zhai Re-evaluation of the Stone Record". The criticism of Fat Yan Zhai is called "Fat Commentary" or "Fat Criticism" in the red academic circles, and the manuscript with Fat Yan Zhai's criticism is called "Fat Version", and the Fat Commentary is the version of "Dream of Red Mansions" that is most in line with Cao Xueqin's thoughts.
There is no consensus on who Yan Zhai is and what is the relationship between him and Cao Xueqin, the author of "A Dream of Red Mansions". There are several main sayings in the red academic circles:
First, the author said.
Second, the wife said.
3. Uncle said.
Fourth, the cousin said.
Fifth, close friends said.
Judging from the content of the fat criticism, it seems that the person of Yan Zhai and the author of "Dream of Red Mansions" and his family should have a very close relationship and have the same social status, but there are also a few researchers who believe that the fat criticism is just the speculation of merchants. The author's creative intentions and metaphors are often explained in the lipid criticism, and provide the most direct and main basis for the "exploration" branch of Red Studies.
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