Did the vernacular have been produced in modern times or since ancient times?

Vernacular refers to a written language that has been processed based on modern spoken Chinese. Vernacular literature also has a long history in ancient times, in the Song Dynasty there were scripts, the Ming and Qing dynasties also had some vernacular**, but it is called ancient vernacular, and vernacular works accounted for only a few in the ancient literary world, and classical Chinese was still the mainstream at that time. After the May Fourth New Culture Movement in 1919, vernacular Chinese replaced classical Chinese and became the mainstream of writing, making classical Chinese slowly withdraw from the stage of history.

Diary of a Madman is the first vernacular text in China**.

In modern times, it has only been since Lu Xun's first vernacular essay ** "Diary of a Madman".

Only in modern times, Lu Xun's "Diary of a Madman" is the pioneering work of vernacular literature.

It should have existed since ancient times, otherwise would so many ordinary people be like scholars? Let's talk about it, isn't there such a saying? Didn't the ancient scholar say sour?

The scholar is talking about classical Chinese, so of course the common people are in the vernacular, otherwise what is the difference?

There were ancients. The original works of the four famous works are vernacular.

It's easy to understand, of course, a little bit harder than it is now.

It should have been around since ancient times.

Gao Yuanbao: "History of Modern and Contemporary Literature.""

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Personal space Send a short message Add as a friend Discuss big medium small Posted on 2006-9-4 13:42

Gao Yuanbao: "History of Modern and Contemporary Literature.""

Editor's note——The following is the content of the first lecture of Gao Yuanbao's "History of Modern and Contemporary Literature (I)" compiled by the editor.

Transcribing an interactive live scene into flat text inevitably results in the loss of some of the information at the time. If in.

At that time, it was considered that the loss of information would be minimized by using DV storage (if possible, I hope there will be no regrets in the next section.)

However, as a course of human writing, it has the charm of not relying on vision, and Gao Yuanbao is.

Yes this course is suitable.

Introduction: China's historical development is still very long, in ancient times, there are a lot of poems and songs that have been handed down to this day, and in modern China, there are also many vernacular texts.

Lu Xun's original name was Zhou Shuren, and he was from Shaoxing, Zhejiang.

People, his works are many and are liked by many readers, in modern Chinese history.

He is the founder of modern literature, the text language in his works is very sharp, from childhood to adulthood textbooks, there are still a lot of articles about Lu Xun, and he remembers a sentence deeply: "If you don't explode in silence, you will perish in silence", even after a few years, I am still very impressed by this sentence, and even feel that this sentence is particularly inspiring. Not many people have been able to surpass him in his literary contributions, and if anyone is interested in his work, they might as well read "Diary of a Madman".

Hu Shi is a modern Chinese thinker, writer, and philosopher, and he has made many contributions to the history of literature.

During his lifetime, he also published many literary works, including the vernacular poetry collection "Trial Collection".

It is also a very classic, he also played a great role in the creation of the history of Chinese philosophy, in the society at that time he was also able to understand the social situation and advocate vernacular literature, his contribution is also very great, it is not too much to be called a writer. <>

Lao She is a famous modern writer, he has won the title of "People's Artist", his works are also very interesting, and often seen in textbooks, in the article he often uses humorous and satirical language to express his views, so he is also liked by many readers, his life to create a lot of works, such as "Camel Xiangzi".

It is also one of the must-read classics in middle school.

There are many, such as Lu Xun, Ba Jin, Bingxin, Lao She, Lin Yutang, etc., these writers have very good writing and sharp criticisms of the real situation, so they can be called literary scholars.

Lu Xun, Hu Shi, Guo Moruo, Lao She, Lin Yutang, Zhang Ailing, Zhang Hatshui, Zhou Zuoren, these people can all be called writers.

I think there are Mr. Su Shi, Mr. Lu Xun, Shen Congwen, Lin Yutang, Cao Yu, Zhang Hatshui, and Ba Jin.

b. Question Analysis: This question mainly tests students' ability to use the knowledge they have learned to solve problems. The famous scholar Hu Shi was a pioneer in actively promoting vernacular poetry.

In January 1917, he published "Discussion on the Improvement of Literature", which was the first article advocating a literary revolution. At the end of 1916, Hu Shih, who was studying in the United States, sent the manuscript of his "Discussion on Literary Reform" to the "New Youth" edited by Chen Duxiu, which was published in Volume 2, No. 5, advocating the replacement of classical Chinese with vernacular. Then, Chen Duxiu published his own "Theory of Literary Revolution" in the next issue to support him.

The following year, in May 1918, Lu Xun published "Diary of a Madman" in Volume 4 and Issue 5 of the journal. Thus, modern Chinese literature took the first difficult step. Hence choose B.

It was not Hu Shi who first proposed the use of vernacular for literary creation, but Huang Zunxian. He believes that the integration of language and literature has made Western countries popularize culture, develop science and technology, and make social progress, and that the separation of language and culture in China is the root cause of backwardness and a tool for fooling the people. It is believed that the literary language is misleading.

Hu Shih's proposal to replace classical Chinese with vernacular Chinese was put forward in the "Discussion on Literary Improvement" published in New Youth in January 1917"An era should have the literature of an era"，"Today's literature should be authentic in the vernacular"point of view. Advocate to do"Write about the state of today's society"of"Words and words are one"of"Living Literature".A call to use vernacular text and modern punctuation.

As for his opposition to vernacular writing, I have not heard of it. I remember that at that time, those who opposed Hu Shih's vernacular literary movement included scholars Wu Mi, Huang Kan, Lin Shu, Mei Guangdi, Zhang Shizhao and others. Tell a joke about Huang Kan ridiculing Hu Shi:

Huang Kan advocates classical Chinese and opposes vernacular Chinese. He praised the mastery of classical Chinese, giving just one example: "If Hu Shih's wife dies and his family sends a telegram in the vernacular, Biyun:."

Your wife is dead! Come back soon! Eleven words long.

In Chinese, only the four words "wife mourns and returns quickly" are needed, and the telegraph fee alone can save two-thirds. Once, Huang Kan said to Hu Shi: "You advocate vernacular literature, not sincerely!"

Hu Shi asked him why he said this. Huang Kan said: "If you sincerely advocate vernacular literature, you should not be called 'Hu Shi', but 'to ** go'."

As soon as these words came out, he looked up to the sky and hit three haha, and Hu Shi was so angry that his face turned white.

The time was around May Fourth. Hu Shih's proposal to replace classical Chinese with vernacular was published in New Youth in January 1917 in his "Discussion on Literary Improvement".

The authentic text of literature is classical Chinese. Vernacular writing is relative to classical Chinese, that is, articles written in the vernacular, also known as linguistic writing. The disjointed language and format constraints were opposed as early as the Tang and Song dynasties.

In the Tang Dynasty, Han Yu advocated prose, and Han Yu advocated prose that was close to oral language and freedom of expression, so that the style was restored to the era before it was not bound by the style, which was called the "Ancient Literature Movement". Tang Dynasty temples, which promoted Buddhism and used storytelling methods to attract the masses. Rap stories while showing pictures.

The picture is called "disguise", and the rap base is called "change of text". There are prose rhymes, and there are all prose. Later generations developed into drum lyrics and bullet lyrics.

This is early vernacular literature. Hu Shi said, "From the early Tang Dynasty to the late Tang Dynasty, it is a history that is gradually vernacularized. The new historical materials of Dunhuang have added countless corroborations.

From this, it can be considered that the vernacular language originated in the Tang Dynasty.

After the Tang and Song dynasties, it slowly formed and developed.

Chinese vernacular writing emerged from the late Qing Dynasty.

The stylistic reform that began at the end of the Qing Dynasty can be divided into three stages: "New Style", "Vernacular Style", and "Popular Language". The "new style" of the late Qing Dynasty was the "popular classical Chinese" sandwiched with colloquial language. The "vernacular text" of the "May Fourth" period is like a "quotation style" enlarged by small feet.

In the thirties, the "popular language" advocated a thorough colloquialization, and the stylistic reform tended to mature.

There are four main types of Chinese vernacular: Mandarin vernacular (Jingbai), Wu vernacular (Su Bai, pictured on right), Cantonese vernacular (Guangbai), and Yunbai. In addition to the following four, there are many vernaculars. Those who fail to identify the major dialect category they belong to are collectively referred to as "Tubai".

The vernacular that we often talk about in our lives refers to the official vernacular.

Vernacular literature was formed on the basis of colloquial language since the Tang and Song dynasties, and was originally only used in popular literary works, such as the Tang Dynasty's variant texts, Song, Yuan, Ming, and Qing scripts, **, etc., as well as some academic works and official documents after the Song and Yuan dynasties.

It was not until after the May Fourth New Culture Movement that it was widely applied in the whole society.

As the initiator of the vernacular literary movement, Hu Shi is well versed in the relationship between ideological content and stylistic form, "I also know that vernacular literature cannot be regarded as new literature, and I also know that new literature must have new ideas and new spirits." “

Around the time of the May Fourth Movement, the trend of reform was surging, and the slogan of "literary revolution" was proposed. Oppose the old literature and advocate the new literature. Old literature does not refer to the literature of the old period, but refers to the literature of the old nature, which is characterized by the fact that the style is literary, the content is novel, and the ideas are revolutionary.

The Chinese vernacular began to appear during the Six Dynasties.

1. Due to the changes of history, the written language did not move in place, but the spoken language of people's daily communication was bound to change, so there were obvious signs of separation between classical Chinese and spoken language from about the Six Dynasties.

However, because Chinese characters are ideograms, the difference in pronunciation does not hinder people's reading comprehension, so the inconsistency of words and texts is not an urgent matter, and it has not attracted enough attention.

Second, because the classics of the pre-Qin and Han dynasties were all written in classical Chinese, and this part of the works was the source of Han culture, the literati of later dynasties consciously insisted on a kind of antique literary creation, which was tantamount to artificially aggravating the situation of inconsistency between Chinese and Chinese, and finally formed a long-term inconsistency in Chinese.

3. It is precisely this kind of creative behavior, which seems to deviate from the law of language development, that has created a miracle of Han civilization that has lasted for thousands of years, which also expresses the absolute self-confidence of the Han literati in their cultural attitudes from another aspect.

The ancient vernacular appeared in the Song and Yuan dynasties.

The Song dialect was the first to use the vernacular. Such as: "Jade Guanyin";

The Ming Dynasty's "Three Words" and "Two Beats" are also small collections of short stories in the ancient vernacular. The four great classics of literature are also ancient vernacular.

Modern white life began"May Fourth New Culture Movement"Period.

The first vernacular ** is Lu Xun's "Diary of a Madman", and the first vernacular poem is Hu Shi's "Trial Collection".

Lu Xun's first vernacular essay** Diary of a Madman appeared at the end of the Qing Dynasty.

The ancient vernacular is written in the way of the ancient vernacular.

The characteristics of the ancient vernacular** are:

1.Finer than the vernacular.

2.The majestic momentum of the ancient vernacular** is its biggest feature, and it is also incomparable to the vernacular**.

3.The density of knowledge contained in ancient cultures is much greater than that of the vernacular**.

4.The use of overly delicate emotional depictions and fancy punctuation marks is lacking.

The stylistic reform that began at the end of the Qing Dynasty can be divided into three stages: "New Style", "Vernacular Style", and "Popular Language".

Vernacular Chinese, also known as linguistic and colloquial language, refers to a written language that is based on modern spoken Chinese and has been processed. It is said in relation to classical Chinese. The stylistic reform that began at the end of the Qing Dynasty can be divided into three stages: "New Style", "Vernacular Style", and "Popular Language".

There are four main types of Chinese vernacular: the official vernacular (Jingbai), the Wu vernacular (Su Bai, pictured on the right), the Cantonese vernacular (Guangbai), and the Yunbai (the official dialect of the Ming Dynasty.