What did the ancient painting pay attention to, and what did the painting focus on

Pay attention to authenticity and penmanship.

The form of the unity of subject and object has become a typical feature of Gongbi figure painting.

Although the shape of Gongbi figure painting is neat and rigorous, the form of the figure not only respects the relative authenticity of objectivity, but also emphasizes the subjective will. It uses the line as the basic skeleton of the figure modeling, which not only skillfully solves the antagonistic relationship between artistic creation and the objective image form, but also uses the change of the line to make the shape of the Gongbi figure painting have a strong artistic appreciation, and on this basis, the shape of the Gongbi figure painting has two basic forms.

The first is that the external form of the figure is relatively close to the objective object, emphasizing the formation of a relatively realistic basis to convey feelings, and striving to create an emotional unity with the objective object and the painter's state of mind. The use of rigorous and neat modeling, relatively objective expression of the shape of the figures, in the peace and elegance of the natural expression of spiritual meaning, so that the objective and subjective, external beauty and inner beauty into one, become an inseparable artistic whole. For example, the relatively realistic shape of the Gongbi figure painting belongs to this category.

The second is to emphasize subjective understanding, with the theme of unique spirituality, boldly exaggerated, summarized and refined the character modeling, and the shape is arbitrary, and the form is written by God. Although the external appearance of the shape is far from the appearance of the objective object, it expresses the unique charm of the shape in the childishness and innocence. For example, the exaggerated and deformed gongbi figure paintings belong to this category.

Although the basic forms of the above two kinds of Gongbi figure painting are different from the perspective of artistic aesthetics, the simple appearance and rich connotation are the artistic characteristics of Gongbi figure painting.

The modeling of Chinese painting is a unity of subjectivity and objectivity, and the purification of gongbi figure modeling, because of the abandonment of complicated changes, makes the author's subjective intention more suitable for organic connection with the purpose of modeling, and it is easier to express the author's artistic pursuit. Therefore, the connotation of modeling is also richer. This is incomparable to the human modeling, which focuses on the change of light and shadow and the expression of color.

The purification of the Gongbi figure modeling mainly refers to the appearance and the internal artistic expression summarized by the line, which does not exclude the depiction of details, and it is precisely because of the rich and subtle changes produced by the detail depiction that the shape of the Gongbi figure painting is rich in simplicity, which is both concise and very attractive, and the modeling characteristics are more and more typical.

The formal characteristics of Gongbi figure painting are first reflected in the combination of ** and color. The line has the role of a skeleton in the painting of the fine brush figure that wins by color. In Gongbi figure painting, the line not only embodies the imagery of subjective and objective integration, but also clearly and affirmatively summarizes the morphological structure and texture of the figure, and has the function of strengthening the inner demeanor.

At the same time, the use of the line entrusts the painter's feelings, shows the painter's personality and artistic accomplishment, so that the meaning and the form, the emotion and the object melt, when the line embodies this independent aesthetic value and color for a while, it not only greatly enriches the expressive function of Gongbi figure painting, but also constitutes the unique formal characteristics of Gongbi figure painting.

Meticulous and realistic. Gongbi refers to the method of depicting objects using neat, meticulous and meticulous techniques. Gongbi can be divided into two categories: Gongbi white drawing and Gongbi heavy color.

Drawing refers to an object that is depicted entirely with lines with a brush dipped in ink, and does not require paint.

Gongbi Chongcai refers to the Chinese painting with neat painting and fine lines, and Gongbi Chongcai needs to be painted.

The white drawing was originally used to make drafts, but in the Song Dynasty, it developed into an independent type of painting, and the painter Li Gonglin was a representative figure at that time.

Pigments such as dansha and green were commonly used in ancient paintings, and it can be seen that in the early days of Chinese painting, it was very important to pay attention to the color of the brushwork.

The history of Gongbi painting is relatively long, the ancients painted mostly Gongbi painting, it does not require to reflect the details, only requires the likeness, but it also requires realism, Gongbi painting is generally more neat, in the Tang Dynasty Wang Wei created the ink painting method, the subject matter of painting has also changed, the theme of the painting in the Tang Dynasty is mostly figures, landscapes, flowers and birds, etc., so from the Tang Dynasty onwards, the painting method also has a distinction between Gongbi and freehand.

The history of gongbi painting is relatively long, so it has its own set of very rigorous painting system, and the characteristics of gongbi painting can be divided into the following types:

The line is the backbone of Gongbi painting, and it is also the characteristic of Chinese painting, in Gongbi painting, the line is required to be delicate and neat, so the requirements for the brush are also relatively high.

Gongbi heavy color is generally based on inherent color, and the color of this kind of painting is bright and bright, with a unified tone, which is in line with the aesthetic interest of Chinese national color.

Gongbi painting focuses on details and techniques, as well as the layering of the picture and the expressiveness of the collection. Here's a detailed analysis of the issue:

Gongbi painting is a traditional Chinese painting technique, compared with freehand painting, Gongbi painting pays more attention to details and skills, and pursues the layering and expressiveness of the picture. Gongbi painting uses more delicate brushwork, focusing on the depiction and performance of objects, especially the depiction of details is more subtle, through the thickness of the line, length, straightness, density and other changes to express the shape, texture, color and charm of the object.

In Gongbi painting, the grasp of details is very important, and the layering and expressiveness of the picture also need to be carefully conceived and used with skill to achieve it. At the same time, Gongbi painting also pays attention to the use of techniques, such as rendering, over-dyeing, water accumulation and ink accumulation, etc., which can make the picture richer and more varied, and enhance the expressiveness and appeal of the picture.

To sum up, Gongbi painting focuses on details and techniques, as well as the layering and expressiveness of the picture. Through careful conception and the use of techniques, it is possible to create expressive and appealing works of fine brushwork.

Gongbi painting pays attention to meticulous realism, vivid brushwork, to achieve this point it is necessary to grasp the use of lines, we should try to make the lines delicate, neat and uniform, but also according to the details of the real thing, the characteristics of the pen carefully, so as to better "line modeling".

What do you pay attention to in Gongbi and painting?

Gongbi is a technique often used in the creation of Chinese painting, and the paintings created by this method are usually more realistic, and we can see that there are many flowers, birds, and figure paintings that are created in this way.

The creation of Gongbi painting is very particular about the use of lines, because the characteristic of Gongbi painting is that "the skin is good and the line is modeled", and the line is the foundation and backbone of Gongbi painting. When we make strokes, we should try to make the lines as delicate as possible, the lead should be neat and uniform, and the strokes should also be rigorous.

In order to achieve this, in addition to learning painting techniques, we must also learn to observe the objects in life, so as to better grasp their details and characteristics and create.

Gongbi painting is also known as "fine brush painting field vertical". It belongs to the category of Chinese painting techniques, which is symmetrical with "freehand painting".

In the long-term historical development, Gongbi painting has established a set of strict technical system, thus forming the unique style and appearance of this painting style, and its characteristics are summarized as follows:

Line modeling is the characteristic of Chinese painting techniques, and it is also the foundation and backbone of gongbi painting. The requirements of gongbi painting for the line are neat, delicate and rigorous. Generally, there are more center pens.

Mainly based on intrinsic colors, the general colors are gorgeous, calm, bright and elegant, with a unified tone, and have a strong aesthetic interest in Chinese national colors.

The shape of the Chinese Gongbi Brother Spine Paintings has a subjective will: The modeling of the Chinese Gongbi paintings has a subjective will, which is mainly reflected in the Gongbi figure paintings, and before the Tang Dynasty, the painter tried his best to pursue the accuracy of the envy shape for the sake of the image of Xiao Xiang. When the resemblance reaches a certain level, the painter pursues another style.