How to be a good screenwriter, how to be a good screenwriter

To become a screenwriter, you first have to be able to tell a story. With the story, you can go and write.

Screenwriting is a technical job, so I'll give you a rough idea of how to write a screenplay.

1) Think of a story;

2) Determine the characters needed in the story (heroes and heroines, supporting characters, etc.);

3) Rich character setting (personality, growth experience, identity, status, ......）

4) According to the three-act structure, delineate the time point of starting and turning;

6) Set up each functional scenario (it is recommended not to write too big at the beginning, for example, if you write a "Star Wars" series, it is difficult to find interested investors in China);

7) Write according to the format of the script, and write in the way that the script requires. The script is written about the pictures and dialogues, not the mental description. Anything that the director can't express with the camera, don't write it in.

Above. Let's talk about what you should do after writing the script.

Of course, the copyright registration is going to be carried out (a few hundred dollars). And then ......

Get the synopsis ready, then find as many directors and producers as possible, add them on WeChat or follow them on Weibo, try to get their responses, send a synopsis, and if they are interested in your script, then you see that you get their offer.

The script is almost over, and it ...... to sign the contract and collect the money

Ok, congratulations, you've become a screenwriter.

2. Animation screenwriters and film and television screenwriters ......What's the difference?

There is a problem with this problem. Is there a difference between an anime screenwriter and a film and television screenwriter? It's all screenwriters, it's all film and television, what's the difference? Of course, physical books are different.

For example, it can be seen from cartoons like "The Return of the Great Sage" that anime can be imagined, exaggerated, and reined, heaven and hell, character lines, performances, and actions can be more detached from reality; But the real person still needs a limited detachment, and it's too to shoot. Animation can design and draw various scenes, and real people need to build real scenes or post-production special effects, which is expensive ......

Find some real people and real things to adapt with boo.

Therefore, you must be well prepared.

1. TV, movies, radio, comics, and games all need screenwriters.

2. The most important trait of becoming a screenwriter: a keen sense of life.

3.If you want to learn screenwriting, you can directly apply for an art school with a screenwriting major, but this is the best policy! Most of the graduates of art schools majoring in screenwriting are not successful.

Rigid teaching causes students to ignore life and lose themselves. Education in the mainland has always been modeled on "Thunderstorm", while Hong Kong screenwriters have been studying Wai Ka-fai's "Intolerable" for decades, creating batches of handwriting craftsmen in two completely different ways.

4. Life experience is very important for a screenwriter, so it is not too early to enter the industry. It is most cost-effective to soak in life for a few years first, or get a university diploma in another major first, and then switch to a screenwriting major. Screenwriters can be self-taught, and in the era of information, watching movies and TV is the best way to learn.

You can also start by writing, but pay attention to the difference between ** and adaptable**.

6. The textbook can be studied by yourself. But a story must be completed by yourself, and the greatest difficulty in the description of life is undoubtedly the experience of life, rather than reading a book by yourself without guidance.

7. It is very important that your paragraphs (or scenes, scenes) must have a sense of camera under your description, which is different from text writers, whose final product is completed by the reader's own imagination, while the final product of the film is a shot. Therefore, the art of picture and composition requires a professional screenwriter to have some accumulation.

8. Of course, as far as the story itself is concerned, a large part of it is still literature. In addition to books on screenwriting skills, it is more effective to read literature extensively, and it is better to find a corresponding film to compare the selection and adaptation of the story. Here are a few comparable works: "The Horse Whisperer", "Cold Mountain", "Room with a View", and "The Godfather".

9. You have to find a way to get into that circle. There are many screenwriters for real problems, but there are still a few that have been adapted or applied into movies. A lot of people don't have channels.

First of all, it is necessary to understand the structure of the film and television work (what the first, second, and third acts are all doing), and to know the audience's mentality (not to say preferences and tastes, but to watch movies, such as when to start to get bored, and what kind of arrangements to appear when to appear).

A solid literary foundation is a great advantage for screenwriting, but this does not mean that you can directly write a good script. Just like the difference between a drama screenwriter and a film and television screenwriter.

Literature can use words to show the hearts of characters, and can also use embellishments and metaphors to describe details, but film and television are completely impossible, for example, the tears in his eyes are as clear as half of the crystal. This kind of thing the director will scold when he sees it, how can this make people shoot, and it's not a poetry movie.

Film and television are picture narratives, so a good screenwriter needs to know what kind of effect his words will have after they are written, but this does not mean that you can help the director think about how to shoot this shot.

A good screenwriter must learn some basic film and television knowledge and master screenwriting theories at the same time. At the same time, devote all your energy to the creation of literary books, and don't use your own thinking to film the director. The screenwriter is responsible for writing the story, not for the story.

Hello dear, screenwriters are an important position in the creation of films, TV series and other film and television literary and artistic works. The main work includes:1

Script Writing: Write the script of a film and television work according to the story outline, creativity or other materials. 2.

Script revision: Judgment on the revision of the script based on the opinions of the producer, director or other creative personnel. 3.

Adaptation: According to different original works such as **, comics, dramas, etc., adapt to film and television**. 4.

Turning Decadence into Magic: Turning a bland, unengaging storyline into an interesting, intense, and story-telling script. 5.

Script Analysis: Evaluating, analyzing, and speculating on how a written script will be accepted and understood by the audience. Screenwriters play a very important role in film and television works, they can promote the improvement and innovation of film and television works through excellent scripts, convey positive and positive messages to the audience, and convey education and values.

<> hello friends, screenwriters are creators of creative works such as film, television, radio, theater, etc. His work includes ideation and writing, script revision, and creative development. Screenwriters need to have a deep understanding of the characters, plots, and plot developments, and at the same time be good at innovating and breaking through to capture the audience's attention and arouse emotional resonance.

In the creative process, screenwriters also need to work collaboratively with directors, producers, actors and other creative personnel to integrate resources and create high-quality works together. In short, screenwriting is a very important part of the creative industry, and it has a crucial impact on the quality of the work and the performance of the market.