The advent of the Lanting Collection is still contrary to the law of artistic development, why

Whether it is expressive, or writing, or the difficulty of writing, it has reached a very high relative height. With the continuous progress and depth of practicing calligraphy, the more you can feel or dissect"Orchid Pavilion Preface".The ingenuity of the people. Or it can also be said that the connoisseurship of the "Orchid Pavilion Preface" can judge the normative limit of a person's calligraphy art level.

For example, take the content of the article "Lanting Preface", the first point of the first word"Yongzi"。As far as the simplicity is concerned, it seems simple, but the specific twists and turns are not carefully read the post, learning and training, and it is really difficult to understand it. Look closely, Wang Xizhi.

is a point that is similar"z"The long prism of the font **. Generally, the point that everyone writes is a simple one"One tick at a time"of triangles.

Therefore, it looks ordinary, without meaning and charm.

The Preface to the Lanting Collection is known as the first book in the world.

It was Tang Taizong Li Shimin.

Favorite, it is rumored that after the death of Li Shimin, Taizong of the Tang Dynasty, the handwriting of Lanting was also buried with it, and then it was stolen and reduced to folk customs, and was personally collected by Emperor Qianlong of the Qing Dynasty. Emperor Qianlong.

After the emperor's death, the legendary handwriting has been stored in Zhaoling.

The sample that everyone is in front of now is a facsimile of Feng Chengsu. Artistic aesthetics are not unchanged for thousands of years, and it was a beautiful plastic art at that time, but it has been 1,000 and 500 years since then. The appreciation of calligraphy produces aesthetic fatigue, and in the original thought, it was already a "vulgar book".

In Yu's opinion, "The Preface to the Lanting Collection" is already a common book. For a long time, I can't write words, just write a handscroll, big characters are fun, and there is not much creativity.

To say that "Orchid Pavilion Preface" was praised is really an illogical groundlessness. It is a fact that "Orchid Pavilion Preface" is favored, and it is also a fact that Wang Xizhi's calligraphy is favored, on the contrary, let's think about it, why Wang Xizhi's calligraphy and "Orchid Pavilion Preface" are favored? Isn't it just because they have a certain artistic value?

If it does not have a certain artistic value, why has it been favored for nearly 2,000 years? From ancient times to the present, the authenticity and validity of "Orchid Pavilion Preface" have indeed been doubted, Guo Jianruo.

In the seventies of the last century, he put forward the view that the "Lanting Preface" was originally a forgery, which caused a protracted "Lanting Debate Technique". However, as a calligraphy and painting, the expressiveness of "Orchid Pavilion Preface" has never been doubted, even if it is Guo Weiruo.

The ancients felt that the art of calligraphy is not only writing, but also reflecting the calligrapher's knowledge, cultivation, affection, etc. according to this grinding wire frame, which is the "brilliance" of calligraphy and painting. If a work has a good "look" and the "shape" of the ink pen and wireframe is good, this is a good work, which can completely surpass the ancients. But this kind of work is rare, to achieve this level, we must do "the heart forgets the pen, the hand forgets the book, the heart and the hand reach the love, the book does not forget to think", this kind of life realm can be said to be "ask but can't".

And "Orchid Pavilion Preface" is the quintessence of this kind of "life realm" of the book, Xi Zhi wrote "Orchid Pavilion Preface", his mood was smooth, and a little drunk.

It's really beautiful. It is said that "Orchid Pavilion Preface" is praised because many people on the Internet in modern times do not understand calligraphy and are angry, so it is said that Wang Xizhi's calligraphy is purely praised by Li Shimin.

I think Lan Tingxu is really beautiful, and some of the scenes he describes in it are very beautiful and vivid.

It's truly beautiful. The authenticity is very shocking and invaluable.

The preface to the Lanting Collection describes the beauty of the mountains and rivers around the Lanting Pavilion and the joy of the party, expressing the author's feelings of the impermanence of life and death. It embodies Wang Xizhi's outlook on life of actively joining the WTO, and forms a sharp contrast with the inaction advocated by Lao Zhuang's theory.

Inspire and think for future generations. The article depicts the scenery of the Lanting Pavilion and the fun of the gathering of Wang Xizhi and others, and expresses the author's lament that the event is not frequent, and that "the shortness is shortened, and the end is over".

The author is happy and sad, happy and sad, and the article also changes with his feelings from calm and agitated, and then from agitation and calm, with the beauty of ups and downs, and the beauty of ups and downs, and frustrations, so "Lanting Collection Preface" has become a masterpiece.

As the representative work of the sage Wang Xizhi, although it is said to be influenced by Li Shimin to a certain extent, the promotion of Li Shimin alone will never make the influence of Lanting Xu so far-reaching.

The full text of the Lanting preface is more than 300 words, and it feels like a wonderful picture from the artistic conception of the text alone. "The weather is clear, the wind is smooth" is so comfortable to read.

Lan Tingxu's work was evaluated as "floating like a floating cloud, like a frightened dragon". It is a work of Wang Xizhi in the ninth year of Yonghe and his friends when they gathered in Lanting, and its calligraphy is vividly and vividly expressed!

From the point of view of calligraphy, there have been copying works in all dynasties. Among them, Feng Chengsu's facsimile and Chu Suiliang's copy are the most prominent. Although there is no genuine handiwork circulating, you can get a glimpse of the Lanting Pavilion by copying it alone!

During the Wei and Jin dynasties, the custom of qushui and purification was very popular. Emperor Wei Ming built the first Liubei Pavilion, and Emperor Wu of Jin was very concerned and asked questions as mentioned above. Emperor Huai of Jin Dynasty in Luoyang Tianquan Chi South Stone Ditch to lead the ditch water, the west of the pond stone for the hall.

The Eastern Jin Dynasty and Haixi Gong are also in Jiankang Zhongshan Liliu Cup Qushui.

And Wang Xizhi and others will Ji Shanyin Lanting is this custom. Because the purification is washed with water, it is necessary to face the river, so the "Lanting Preface" is called both "Yu Ti" and "Linhe Preface". The two are actually the same thing, and there are additions and subtractions.

"Linhe Preface" said that everyone traveled, and the latter part of "Lanting Preface" focused on expressing personal feelings.

There are 21 words in the preface of the Lanting Pavilion, each word has its own wind god, and there is no sense of similarity. The whole article has a smooth rhyme, in one go, the dot painting is varied, the knot is open to a degree, and the gossamer is natural, just by virtue of these orchid pavilion prefaces, they are not touted!

To sum up, Lanting Xu is by no means touted by later generations, but relies on strength to prove its beauty!

The writing style of "Orchid Pavilion Preface" represents the complete maturity of Chinese calligraphy, even if the level of the later calligraphy is high, it is also the development on the basis of the Orchid Pavilion Preface, "Orchid Pavilion Preface" has created a new form of calligraphy, if there is no Wang Xizhi's "Orchid Pavilion Preface", the complete maturity of the calligraphy, may be a few years later.

The first line of books in the world of Lanting Preface, its literary value and calligraphy art value, as well as the social, historical and humanistic value it carries, are immeasurable.

Its literary value and calligraphy art value, as well as the social, historical and humanistic value it carries, are immeasurable.

I think Lan Tingxu has immeasurable artistic value in terms of both content and text.

"The breeze comes out of the sleeves, and the bright moon enters the arms". The full text is 28 lines, 324 words, and the words "floating like floating clouds, delicate like a swimming dragon."

The artistic value of calligraphy, as well as the social, historical and humanistic value it carries, is immeasurable.

The calligraphy of "Orchid Pavilion Preface" is exquisite and wonderful, and the ancients called Wang Xi's work "Orchid Pavilion Preface", such as "the breeze comes out of the sleeves, and the bright moon enters the arms". The full text is 28 lines, 324 words, the words "floating like floating clouds, delicate like a swimming dragon, treacherous waves, infinite changes", a change from the Han and Wei dynasties since the simple and steady style of calligraphy, the precedent of opening Yan Mei Liu, its majestic atmosphere, like a natural.

Since the Han and Wei dynasties, the simple and stable style of writing has opened a precedent for beauty and convenience, and its majestic atmosphere seems to be natural.

"Orchid Pavilion Preface" is a representative work of Wang Xizhi's inheritance of classical calligraphy and calligraphy theory, known as the first line of calligraphy in the world, and its artistic value is immeasurable.

The Orchid Pavilion Preface is the proudest work of Wang Xi's life, on the third day of March in the ninth year of Yonghe in the Eastern Jin Dynasty (353), 41 people such as Xie An, Xie Wan, Sun Sui and other celebrities and relatives and friends were invited to hold the "repair" ceremony in the Lanting Pavilion of Huijizhi (now Shaoxing). A group of personable laymen gathered at the foot of Lanzhu Mountain, flowing water, feasting and traveling, each writing poems, collected into one volume. Wang Xizhi was full of wine, his heart was happy, and he improvised and wrote the "Orchid Pavilion Preface".

This short 324 words fully reflects Wang Xizhi's great admiration for Laozhuang's Taoist thought and Buddhist culture, and his yearning for emancipating his mind and spiritual freedom, and expressing his inner life. During the Southern Dynasties, the carved sentences of the pun have been popular, and although the "Orchid Pavilion Preface" belongs to the pun series, it does not pursue gorgeous words, but describes lyrically, naturally, fresh, simple, and sincere, and has reached a very high level. The text and calligraphy complement each other beautifully and exquisitely.

"Orchid Pavilion Preface" is a representative work of Wang Xizhi to create a new style of calligraphy and integrate the past with the present. After the Tang, Song, Yuan, Ming and Qing dynasties, it has carried the dreams and pursuits of generations of calligraphers, and countless stories have occurred in it, and there are countless mysterious-like legends. Perhaps society has given it too much meaning, and the literati and writers of all dynasties have painstakingly explored its life experience, truth and falsehood, and whereabouts.

The Orchid Pavilion Preface can be said to be the standard of classical beauty of Chinese calligraphy and a sign of the high maturity of Chinese calligraphy. Although the original work of "Orchid Pavilion Preface" does not exist, and it is only a copy of Tang Dynasty in the present world, the whole society and even the entire history of calligraphy have recognized the supremacy of "Orchid Pavilion Preface" and has become a law for calligraphers to admire. It is precisely because the "Orchid Pavilion Preface" is a treasure of calligraphy art that Wang Xizhi's status as a calligraphy saint has been established.

The full text is 28 lines, 324 words, and the words "floating like floating clouds, delicate like a swimming dragon."

Wang Xizhi (Wei Jin).

In the ninth year of Yonghe, the age is ugly, and at the beginning of the twilight spring, he will be in the Lanting of Huiji Shanyin, and he will repair things. The sages are complete, and the young are salty. There are lofty mountains and mountains here, lush forests and bamboos; There is also a clear stream turbulent, reflecting the left and right, leading to the flow of the winding water, and the column sits second.

Although there is no silk bamboo orchestra, a song is enough to tell the romance.

It's a day, the sky is clear, the wind is smooth, looking up at the universe, looking down on the prosperity of the category, so the eyes are full of joy, enough to be extremely audio-visual entertainment, and the letter is also cola.

Calligraphy achievements: Wang Xizhi's calligraphy post.

Poetry Achievement: It is also a famous poetry.

First of all, it is the first line of Chinese books, and secondly, it is also excellent ancient prose.

Because it is possible to write a divine work like Wang Xizhi's Orchid Pavilion Preface, the humanistic environment no longer exists.

Wang Xizhi's writing style, writing tools, and forms of works were all in a transitional period, which determined that many characteristics of his calligraphy were difficult for later generations to achieve.

First, the treatment of his brushstrokes is the most delicate and precise. Second, its richness is incomparable.

Because Wang Xizhi's calligraphy is quite a personalized art, it is a product of a specific era, and people of other eras can only imitate it.

The Orchid Pavilion Prologue is one of the items on the list of treasures unearthed by Wen Tao's thieves.

Because people who practice calligraphy do not study the meaning of the text, even the middle school textbooks get the meaning of the sage wrong.

One of the items on the list of treasures unearthed by Wen Tao's thieves. Its richness is also unparalleled. Wait a minute.

The treatment of his brushstrokes is the most delicate and precise.

Whether in terms of penmanship or shape, the richness of calligraphy is also incomparable.

People nowadays are too impetuous to calm down.

Orchid Pavilion Preface and Rain is a very difficult book, it is the culture and wisdom of the ancients.

The name "saint" shows Wang Xizhi's status in the long river of Chinese history, and the Lanting Collection Preface represents the highest achievement of Wang Xizhi's calligraphy and is a milestone in the Chinese inheritance of history.

Because it has influenced generations of calligraphers.

The article begins with a concise description of the time, place, and participants of the rally. It then depicts the natural environment and surrounding scenery of the Rantei, with concise and layered language. Describe the scenery, write from the big picture, from far to near, and then from near to far, to infinity.

First write about the mountains, gradually write about the clear stream and turbulence, and then go down the river to write the activities of the characters and their moods, combining movement and static. Then the natural search is supplemented, from the clear blue sky and the light spring breeze, naturally pushed to the universe and all things in the world. The artistic conception is beautiful and elegant, and the mood is cheerful and smooth.

Lanting banquet collection can really be described as "four beauties, two dilemmas".

But there is no banquet in the world that will not be dispersed, there must be a parting when there is a gathering, and the so-called "happiness and sorrow" should be a common mood for people, although people have different choices and temperaments. I was just feeling extremely happy about what I had longed for and finally obtained, but in an instant, it was gone. Human life is no exception, the so-called "I don't know that old age is coming" (Confucius), "old Ran Ran is coming" (Qu Yuan), "life is between the world, dying like dust" ("Nineteen Ancient Poems"), this can not but arouse people's feelings.

Whenever we think that no matter how long or short a person's life span will eventually come to an end, it makes people feel extremely desolate and sad. If the previous paragraph is a narrative scene, then this one is argumentative and lyrical. In expressing the lament that life is short and life is not lived, the author reveals a yearning for life and persistent enthusiasm.

During the Wei and Jin dynasties, metaphysical Qing talk was prevalent for a while, and most of the scholars and literati took Zhuangzi's "Theory of Things" as their mouth, pretending to be open and disdainful of their work. Wang Xizhi is also a rather eloquent Qing literati, but in terms of political ideology and life ideals, Wang Xizhi is different from ordinary literati. He once said:

In this preface, Wang Xizhi also clearly denounced "one death and life" and "Qi Pengyi" as a false outlook on life, which clearly affirms the value of life. 

The article has a fresh, unpretentious, unadorned style. The language is fluent, clear and moving, and it is very different from the work of the Wei and Jin dynasties, "the puppet of a hundred words, the oddity of competing for a sentence" ("Wenxin Carving Dragon, Ming Poems"). The sentence structure is neat and varied, mainly short sentences, and even sentences are used in prose sentences, with harmonious rhythm and beautiful ears. 