What is the reason why Wang Xizhi s Orchid Pavilion Collection Preface is called the first book i

Wang Xizhi's "Preface to the Lanting Collection".

Known as "the first line of books in the world, it reflects the distinctive natural nature and personality style, with a strong Wei and Jin demeanor, smooth gestures, flying demeanor, dripping and cheerful, subtle and tasteful, giving people unpredictable and lawful, handsome and elegant and lively beauty, the artist's own personality charm and calligraphy charm into one.

The Orchid Pavilion Preface is a classic work of ancient Chinese calligraphy art Xilu, known as "the first line of calligraphy in the world", its value lies not only in the subtlety of its calligraphy art, but also in the multiple meanings it contains in history, culture, art and philosophy.

For Wang Xizhi, being hailed as "the first line of calligraphy in the world" is an affirmation and praise for his calligraphy art, but it also means a high evaluation and recognition of his calligraphy. From a historical and cultural point of view, Wang Xizhi was a famous calligrapher and politician in the Eastern Jin Dynasty, and his calligraphy art was highly regarded at the time, known as the "Saint of Calligraphy", and his calligraphy works were highly praised at that time. Therefore, it is not an exaggeration that the "Orchid Pavilion Preface" is known as "the first line of calligraphy in the world", but a high evaluation and recognition of its calligraphy art.

However, for modern people, the evaluation of the Orchid Pavilion has gone far beyond the art of calligraphy itself, but has placed it in a broader historical, cultural, artistic and philosophical context. Therefore, the Orchid Pavilion Preface is known as "the first calligraphy oak bridge in the world", which is not only an affirmation and praise of its calligraphy art, but also a recognition and respect for its historical, cultural, artistic and philosophical values.

The influence of the Lanting Collection Preface in the field of calligraphy in China is very large, and he also created the calligraphy style of Wang Xizhi, who is smiling, so it is definitely a treasure to be called a slag, not too much.

It's not just over-praise, it's excessive! Nowadays, there are many calligraphers who write very well. Yu Qingjian always said that Zhen Chong, the person who always said things, must have interests or ulterior motives! The book is very messy! Just watch it yourself, don't listen to their nonsense!

The calligraphy post of the calligrapher Wang Xizhi of the Jin Dynasty "Orchid Pavilion Preface" was recommended by the calligraphers of the past dynasties as "the first line of calligraphy in the world". There are also some celebrities who doubt its level, but none of them can shake its status.

The Orchid Pavilion Preface does enjoy very high achievements in the field of calligraphy in China, which also shows Wang Xizhi's extremely high level of calligraphy art, which is not an exaggeration.

I think Wang Xizhi's "Preface to the Lancong Fan Pavilion" did have a very good water review, and it is not an exaggeration to be praised as "the world's first book of seeping hail".

Wang Xizhi's "Preface to the Lanting Collection".

It is known as the best book in the world. His handwriting is delicate and natural, and his facial features are euphemistic. It contains the artistic characteristics of Wang Xizhi's "Orchid Pavilion Collection Preface", and is known as "the best book in the world".

A: The questions are full of ups and downs, complex and changeable, and there are many ways to write the same shape, and there can only be one method to contain vitality and beauty.

With the same build, he was rich, handsome, healthy, and handsome. Cao Zhi is often used in the world.

The first of the works represented by the script is "Lanting Collection Preface", also known as "Lanting Collection Preface". The real preface in the Rantei collection has been lost. Now we can see the replicas of the tombs of the Tang Dynasty, there are three main types, one is the replica of Yu Shinan; the second is the manuscript of Chu Suiliang; Today's "Luo Shen Fu".

There are eight versions of the Orchid Pavilion Preface

Of the eight versions, the version of the dragon is the closest to the original, and the version of the dragon is described by the Tang Dynasty calligrapher Feng Chengsu.

We all call it the best book in the world, but in Wang Xizhi's "Lanting Collection".

In the preface, it is as beautiful as a dragon. It has been hailed as "the best running script in the world". His handwriting is intimate and natural, euphemistic and subtle, and beautiful and moving.

People often regard Cao Zhi's "Luo Shen Fu" as a beautiful prose, which has touched many people. In the preface, Lanting analyzes the relationship between "force" and "rhyme". "Orchid Pavilion Preface" is known as "the world's best book", and its artistic characteristics are elegant, free and easy, beautiful, colorful, peaceful and simple "rhyme", natural and peaceful.

Can anyone say that the world's most famous Lan Tingxu has only one simple evaluation? Yes, Rantei is simple. The greatest truth is the simplest.

It is known as the best running script in the world. In 353 AD, the Jin Dynasty master Wang Xi's oriental calligraphy "The World's Best Xingshu" - Lanting Preface, also known as "Lanting Collection Preface" or "Lanting Collection Preface", retained the characteristics and essence of Xizhi calligraphy to a certain extent.

The characteristics of the Lanting set of preface are that the font is very chic, without any restrictions, the font is very beautiful, very free and easy, it can be seen that the character of the person who wrote this character is very good.

The work contains a different artistic conception, the font is quite smooth, the rhetoric is very beautiful, has a strong artistic characteristics, and the chapter writing is very natural.

The handwriting is delicate and natural, containing a lot of artistic characteristics, and the works contain a lot of beauty, but also contain a lot of vitality, and there are many types of writing methods.

The Preface to the Lanting Collection is known as "the first book in the world" for the following reasons: first, Wang Xizhi was very influential at that time, and his works were naturally very popular; The second is that the "Lanting Collection Preface" seen today is majestic and elegant; The third is that its whereabouts are unknown, which adds to its mystery. The influence of the "Orchid Pavilion Collection Preface" on later generations is as follows:

It is not only an aesthetic model of Wei and Jin demeanor, but also has a profound influence on the art of calligraphy in later generations, and also reflects many aspects of traditional Chinese culture, such as literature, philosophy, aesthetics, etc.

It's because he's the first book to be written in the Xingshu script. Let's pass it on now, and it has also been included in the compulsory subjects of primary and secondary schools. Promote our traditional culture. Promote the spirit of culture,

Since I was a child, I have been influenced by my mother to write calligraphy. And there are so many calligraphers in China, my favorite is the calligraphy of the sage Wang Xizhi's writing and ink, and his"Orchid Pavilion Collection Preface".It has been appreciated and copied by countless practitioners. "The first book in the world".In my opinion, the Lanting Collection is worthy of this reputation.

Wang Xizhi's words,Chic and elegant,The structure of the font frame he writes is self-contained,Chapter、Structure、Penmanship is very unique,Lan Tingxu is his proud work when he was thirty-three years old,As for why it is called "the first line of books in the world",I think there are the following three reasons:

First of allThe glyph is beautiful, my calligraphy teacher told me that the "Orchid Pavilion Preface" knotted on the side of the body, the curve is full of its state, and there are twenty in the post"of".The words are all unique, and none of them are the same. Use the pen to stand up in the center, and take the side pen, sometimes hidden and subtle, sometimes sharp. In particular, the chapter, from beginning to end, the brushwork is looking forward to it, facing the Yanyang, sparse and transparent, the shape is broken, the rhyme is vivid, and the wind is chic.

Therefore, at the end of the Ming Dynasty, Dong Qichang said in the "Essay on Painting the Zen Room": "The right army's "Orchid Pavilion Preface" chapter law is the first in ancient and modern times, and its words are all born with reflections, big or small, and they are all into the law, so they are gods. And in the "unexciting" style of "Orchid Pavilion Preface", there are the author's skillful pen and ink skills, profound traditional skills, extensive cultural literacy and noble artistic sentiments.

And then there'sCharm and structural beautyIn March of the ninth year of Jin Yonghe, Wang Xizhi and his friends were sexually hearty and wrote a manuscript at a wine meeting in Shanyin Lanting. Writing and situation are born together, and talent and calligraphy are flourishing.

Wang Xizhi's "Orchid Pavilion Preface" is elegant and free, revealing a strand of wordsElegant and heroicThis is not only the characteristic of Xingshu, but also another vitality that Wang Xizhi gave to Xingshu. The words have muscles and bones, the flesh and blood are full of abundant drive, and they are endowed with their own temperament, spiritual demeanor, and beautiful form. The knot is extremely varied, not seeking to be fair, and emphasizing the side.

Symmetry, stretching, and convergence, each skillfully arranged, to achieve a diverse and unified artistic effect, the same word is full of variations.

The third isChapter FameiAs the Chinese teacher once said in the composition class, the first word at the beginning should play a role in leading the whole text, and the font, weight, density, size, posture, pitch and attitude of the first word should affect or pull out the momentum and oblique of a series of words in the back, and the words behind should echo the first word. So the first word is hugeConditioning and germinationIt is necessary to take into account the importance of the first character to the change and tone of the whole character, which is also a characteristic of Wang Xizhi's overall calligraphy layout.

The layout of the Orchid Pavilion Preface is harmonious and natural, the movement is appropriate, the retraction is free, the whole text is sparse and clear, the line is smooth, towards the Yanyang, the rhyme is vivid, the wind is chic, and the ancient is elegant. The line spacing is not sparse or dense, just right, the words between the lines are large or small, or left or right, oblique and positive, as if there is a line running through the middle, smooth and natural, full of dynamics, between each line, the clouds and water, and the wind and drizzle.

As a "book saint", Wang Xizhi used his life to put his ownElegant and heroicare all integrated into calligraphy, especially this "Lanting Collection Preface", so "Lanting Collection Preface" is called "the first line of books in the world" deservedly!

The preface of the Lanting Collection is known as the first line of books in the world, which is twofold, on the one hand, Wang Xizhi's brilliant calligraphy technique, and secondly, the artistry of its content.

The preface of the Lanting Collection is called the first in the world, mainly because its author is Wang Xizhi, and this work is a collection of literary masterpieces, and on the whole, it is both literature and art.

Because the preface of the Lanting Collection symbolizes the highest level of writing at that time and now, it is called the first in the world.

His use of pen and knots have changed even more. There are 20 "zhi" characters and seven "no" characters in the whole article, each with its own characteristics but not the same. He can pay attention to avoid "being like an operator" and "every word is the same", and this kind of artistic thinking is very valuable.

Lanting set preface is a masterpiece of both form and spirit, from every word can be seen to move the pen calmly and gracefully, throughout the whole article is full of spirit, the charm is very, and the text goes with the flow, there is no fixed law, with the elegance of the gods.

The chapter of this book, from beginning to end, is full of penmanship, facing Yanyang, clear and transparent, the shape is broken, the rhyme is vivid, and the wind is chic.

As a calligraphy work, the Lanting Collection Preface is indeed good, but the most important point is the emperor's appetite, and the emperor said that it was good, and no one dared to say that it was bad.

Because the Lanting Collection Preface is a collection of ancient and modern calligraphy, its status is unshakable.

Wang Xizhi's "Orchid Pavilion Preface" is known as "the first line of books in the world", and it was written at the Lanting Repair Rally in the ninth year of Yonghe in the Eastern Jin Dynasty. The so-called "repair" means that every three days in March, people would go to the water's edge to hold a gathering to ward off disasters and pray for blessings, and that year's repair rally was held in Huiji Lantei.

At the rally, Wang Xizhi and his friends drank and wrote poems, and their interest was very high. When he woke up the next day, Wang Xizhi was surprised to find that although this work was a draft written on a whim, the level of calligraphy was very high, and the pen posture was vertical and horizontal, and it was ever-changing, far beyond his usual performance. And the article itself is also very well written and has been well received by many people.

Wang Xizhi was very proud of the calligraphy and articles of the "Orchid Pavilion Preface" and treasured it.

Perhaps because it has been privately treasured by the descendants of the Wang family, for a long period of time after the Eastern Jin Dynasty, few people have seen the authentic work of "Orchid Pavilion Preface", and many legends have arisen around it.

It is said that the "Orchid Pavilion Preface" was passed on to his apprentice Monk Biancai during the Sui and Tang dynasties by the famous calligrapher Monk Zhiyong (who is a descendant of the Wang family). After Tang Taizong, who loved Wang Xizhi's calligraphy, knew about this incident, he hoped to take this precious work as his own, but Biancai deduced that he had never seen this calligraphy.

So Tang Taizong sent his cronie Xiao Yi to pretend to be a calligraphy enthusiast to approach the debate, and asked Xiao Yi to take the authentic works of Wang Xizhi collected in the palace and debate the talent**. Biancai believed Xiao Yi for a while, and took out the "Orchid Pavilion Preface" to enjoy it with Xiao Yi, and Xiao Yi was full of praise. Within a few days, Xiao Yi took the opportunity to deceive this masterpiece and presented it to Tang Taizong.

This is the story of the famous "Xiao Yi's "Lanting".

Of course, this story does not seem to be so reliable after posterity. Although the "Orchid Pavilion Preface" that we can see now is not a genuine work, but only a copy of the "Xiang Tuo" of the Tang Dynasty, there is no doubt that its calligraphy level is high, so the "Orchid Pavilion Preface" has been highly praised by calligraphers in the past dynasties. From Yu Shinan and Chu Suiliang in the Tang Dynasty to Su Shi and Mi Fu in the Song Dynasty, and then to Zhao Mengfu in the Yuan Dynasty, most of the famous calligraphers after the Tang and Song dynasties in China have drawn nourishment from the "Orchid Pavilion Preface".

Summary: So, what is the authenticity of "Orchid Pavilion Preface"? There is a legend that it was buried in Zhaoling as a companion to Tang Taizong, and it is also said that it was buried in Qianling as a burial companion of Tang Gaozong.

Zhaoling has been stolen in the five dynasties, and the Qianling has not been excavated now, and the whereabouts of the original work of "Orchid Pavilion Preface" are still a mystery until now.

Because this work is very well written, the penmanship is strong, and the handwriting on it is very good-looking, and it is very significant for research, so it is loved by future generations.